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Halle Bailey served a very good performance with a lot of charisma and passion, she also has an impressive voice. In some parts people were clapping from excitement and I shed a tear since I saw her performing her first song. I'm not a big fan of the growing wave of remakes and live-actions but this movie is something that I couldn't miss, they revisited one of my favorite classics and the result is striking, extravagant, funny, exciting, it has everything I love. I had my doubts since I saw the cast and the character designs (not to mention Ursula's makeup) but these actors have a lot of charisma, the final result is solid and entertaining. I love Alan Menken and Howard Ashman compositions, The Little Mermaid and Little Shop Of Horrors are my favorite works from them, their lyrics and arrangements give me goosebumps.
"Ariel" (Halle Bailey) has longed for a chance to meet with humans but her sagely father "Triton" (Javier Bardem) has prohibited this. Undeterred, she witnesses a terrible storm that washes the young prince "Eric" (Jonah Hauer-King) overboard. She races to his rescue and leaves him to his people on the beach - both are already in love! On hearing of her latest transgression, dad is now truly furious and loses his temper driving his daughter into the manipulative tentacles of the evil sea witch "Ursula" (Melissa McCarthy) who offers her a bargain - three days on land to obtain true love's kiss or a lifetime in her service. Snag? Well, she will not have her beautiful voice, she will be a mute. A combination of magic, duplicity and serendipity plays it's hand now and she ends up close to the prince, having adventures with him and falling even deeper in love - but can she get her kiss? Will the wicked "Ursula" let her? First things first - this isn't a patch on the 1989 version. It has a clunky, over-produced, musical theatre feel to it that consists of mediocre acting and some serious over-scoring. The delicacy and charm of the characterisations and songs has been subjected to grand orchestrations and whilst Bailey can certainly sing, the delivery is more about her ability to belt out the songs rather to than imbue them with any emotions relevant to the charm of the story. McCarthy is quite effective - if only she would stay still for five seconds and that leads to the other disappointment with this film. It works perfectly as an animation - why introduce elements of live-action to it? Neither the story nor the film benefit from the cluttering mix of CGI and real visuals. As with the recent remake of "The Lion King", the song lyrics, for reasons that don't seem clear to me, have been reworked - this time by the always over-rated Lin-Manuel Miranda whose "Scuttlebutt" song is just plain annoying. It wasn't broke - why fix it? At times there is a little engaging chemistry between Bailey and Hauer-King, but for the most part this is an unnecessary, and overly long, rehash of a fairy tale that seems to me to have been made because it could be, not because it should have been. Disappointing.
FULL SPOILER-FREE REVIEW @ https://www.firstshowing.net/2023/review-rob-marshalls-the-little-mermaid-enriches-the-original/ "The Little Mermaid enriches virtually every narrative aspect compared to the original, deepening Ariel and Eric's arcs while exploring the same core themes without losing any of its predecessor's essence. The relationship between the protagonists is unquestionably more complex and emotionally compelling, while the secondary characters - namely Sebastian and Scuttle - remain genuinely hilarious. Halle Bailey is VERY impressive and the cast accompanies her excellently. However, it's not without its problems: the new songs are, for the most part, forgettable; the visuals are better than anticipated, but the feeling of being surrounded by fake walls never quite disappears; and Ursula was left with unexplored potential. That said, it's one of Disney's best live-action remakes of recent times and deserves to be seen by every child in the world in need of some inspiration - as we once were." Rating: B+
The new season of "American Dreamz," the wildly popular television singing contest, has captured the country's attention, as the competition looks to be between a young Midwestern gal and a showtunes-loving young man from Orange County. Recently awakened President Staton even wants in on the craze, as he signs up for the potential explosive season finale.
The boy Mowgli makes his way to the man-village with Bagheera, the wise panther. Along the way he meets jazzy King Louie, the hypnotic snake Kaa and the lovable, happy-go-lucky bear Baloo, who teaches Mowgli "The Bare Necessities" of life and the true meaning of friendship.
Orphaned as a child, Danielle is treated like a servant by her wicked stepmother and two stepsisters. When she stumbles onto Prince Henry, who's fleeing an arranged marriage, the two inspire each other to resolve their respective troubles.
This musical reworking of Too Many Husbands (1940), features Grable as a top singer and dancer who's been widowed by WW II. She marries her late husband's songwriting partner, Gower Champion, but the new marriage is thrown for a loop when Lemmon, her first husband, turns up very much alive and eager to see Grable.
This animated adventure spins a more optimistic twist on the long-mythicized story of the "lost daughter" of Russia's last czar. A wicked sorcerer places a curse on the Romanov family, and Anastasia is separated from them during their attempts to escape from a rowdy revolt seizing their palace. Years later, after growing up with amnesia in an orphanage, "Anya" encounters two Russian men seeking a reward offered by the Dowager Empress Marie, for the return of her missing granddaughter. They decide to travel together to visit the Empress in Paris. Will Anya finally be reunited with her remaining family and find a loving home at last?
Attack of the Killer Tomatoes is a 1978 comedy film directed by John De Bello and starring David Miller. The film is a spoof of B-movies. Made on a budget of less than USD $100,000, the story involves tomatoes becoming sentient by unknown means and revolting against humanity.
A successful businessman falls in love with the girl of his dreams. There's one big complication though; he's fallen hook, line and sinker for a mermaid.
A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.
In a spoof on the contemporary sacred cons, two yuppy couples get entangled with warring smugglers of dope that include fake priests and nuns as well as Japanese and Chinese agents.
Selma, a Czech immigrant on the verge of blindness, struggles to make ends meet for herself and her son, who has inherited the same genetic disorder and will suffer the same fate without an expensive operation. When life gets too difficult, Selma learns to cope through her love of musicals, escaping life's troubles - even if just for a moment - by dreaming up little numbers to the rhythmic beats of her surroundings.
Shortly after the Royal Family adopts a young girl named Alise, she is taken away into the forest. Princess Odette, Derek and their woodland friends, must work together to find a way to bring her home to the castle.
