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The Interruption. Footsteps in the Fog is directed by Arthur Lubin and collectively written and adapted by Lenore J. Coffee, Dorothy Davenport & Arthur Pierson. It is based on the short story, The Interruption, written by Gothic novelist W. W. Jacobs. It stars Stewart Granger, Jean Simmons, Bill Travers, Belinda Lee and Ronald Squire. Music is by Benjamin Frankel and Technicolor cinematography by Christopher Challis. Stephen Lowry (Granger) is found by the house maid, Lily Watkins (Simmons), to have poisoned his wife. She promptly uses the information to blackmail Lowry. But with an attraction there they begin to have a relationship, however, motives and means are far from clear... A darn cracker of an Edwardian thriller that's redolent with Gothic atmosphere and film noir tints, Footsteps in the Fog also features nifty story telling that's acted considerably well by the then husband and wife team of Granger & Simmons. The plot features murder, betrayal and dangerous love, with warped psychology the order of the day, all done up splendidly in Technicolor by Powell & Pressburger's favourite cinematographer, Challis. Characterisations are deliberately perverse, Lily knows Stephen is a murderer, but is not afraid of him, she loves him on the terms of love that only she understands. Stephen is a dastard, dangerously so, but he's not beyond remorse either, and shows it. Both homme and femme are connivers, a recipe for disaster. These facts mark this particular coupling out as one of the most skew whiff in 50s thrillers. And thankfully when the denouement comes, it's a kicker, a real throat grabber that perfectly crowns this deliciously crafty picture. Support comes from a number of established British thespians like William Hartnel, Finlay Currie and Ronald Squire, while the art department have come up trumps for the period design. All told it's a film deserving of a bigger audience and easily recommended to classic melodrama/thriller fans. 8/10
I have always really enjoyed watching this film. It pairs Stewart Granger, at the top of his game, and his real life wife Jean Simmons and their chemistry is wonderfully effective in this aptly named dollop of Victorian melodrama. We start out on a rainy day in a London cemetery with Granger ("Lowry") burying his wife. He returns home, all doom and gloom, shuts his living room door, pours himself a glass of something then a huge smile beams across his face - nope, I don't think he is too upset to be shot of her. Twists and turns ensue as housemaid "Lily" (Simmons) discovers that perhaps her death from gastroenteritis might not have been quite as the coroner was led to believe and she begins to impose herself - at some considerable peril - on her master. Thing is, her attempts at manipulation fall foul of one thing she hadn't quite bargained on - she falls in love and... It's a super watch, this - the costumes and sets are superb, as is the swirling score from Benjamin Frankel, and the direction from Arthur Lubin allows the two to play off one another like a couple of naturals. Occasionally we get to come up for air - in the form of distractions from Bill Travers and Belinda Lee, but essentially this is a cleverly crafted, suspenseful, two-hander that I still really enjoy.
Miss Marple believes she's seen a murder in a passing-by train, yet when the police find no evidence she decides to investigate it on her own.
Miss Marple and Mr. Stringer are witnesses to the death by heart attack of elderly, rich Mr. Enderby. Yet they have their doubts about what happened. The police don't believe them, thus leading Miss Marple to yet again investigate by herself.
A murderer is brought to court and only Miss Marple is unconvinced of his innocence. Once again she begins her own investigation.
During an annual board of trustees meeting, one of the trustees dies. Miss Marple thinks he’s been poisoned after finding a chemical on him. She sets off to investigate at the ship where he had just come from. The fourth and final film from the Miss Marple series starring Margaret Rutherford as the quirky amateur detective.
An eight-year-old girl asks her scheming neighbor for help in killing the monster under her bed that she thinks ate her family.
An opulent beach resort provides a scenic background to this amusing whodunit as Poirot attempts to uncover the nefarious evildoer behind the strangling of a notorious stage star.
Emily Boynton, the stepmother to three children, blackmails the family lawyer into destroying a second will of her late husband that would have freed the children from her dominating influence. She takes herself, the children, and her daughter-in-law on holiday to Europe and the Holy Land. At a dig, Emily is found dead and Hercule Poirot investigates.
Complete strangers stranded at a remote desert motel during a raging storm soon find themselves the target of a deranged murderer. As their numbers thin out, the travelers begin to turn on each other, as each tries to figure out who the killer is.
Bathsheba Everdine, a willful, flirtatious, young woman, unexpectedly inherits a large farm and becomes romantically involved with three widely divergent men.
14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence – which is considerable.
An insurance investigator in London attempts to thwart smugglers trafficking stolen lambskins infected with anthrax.