Les premiers pas du cinéma - À la recherche du son

The story of how Norma Jeane Mortenson became Marilyn Monroe (1926-62), a lucid path of self-discovery, from anonymity to stardom: the painful birth of a myth.

Jack L. Warner, Harry Warner, Albert Warner and Sam Warner were siblings who were born in Poland and emigrated to Canada near the turn of the century. In 1903, the brothers entered the budding motion picture business. In time, the Warner Brothers moved into film production and would open their own studio in 1923.

A retrospective documentary about the groundbreaking horror series, Friday the 13th, featuring interviews with cast and crew from the twelve films spanning 3 decades.

Writer Adam Rockoff provides a basic overview of the slasher movie genre.

The series tells the story of the São Paulo International Film Festival, one of the most traditional cultural events in Latin America. For 48 years, the festival has showcased hundreds of films from all over the world, bringing vibrancy to the city. Filmmaker Marina Person provides an irreverent perspective, highlighting the exciting and unusual stories that have marked the festival’s journey of resistance. The series reveals the individuals who have embraced the challenge of organizing this significant cultural event in Brazil every year, despite often challenging conditions. We also delves into how the Mostra has grown to become one of the main festivals globally, shedding light on the changes in cinema, Brazil, and the world over the years.

She worked with the world’s greatest actors and directors: Buñuel, Mastroianni, Lellouche, Depardieu... The film guides us throughout her career with the filmmakers with whom she invented herself not to be a “cold blonde actress”, thanks to great interviews of many artists who crossed her path.

"Actor" is China's first documentary film to explore the virtues and skills of actors. The film takes the "Twenty-Two Big Movie Stars of New China" as the starting point. It will explore the film experience and artistic achievements of the older generation of artists, explore their insights and thinking about the profession of actors for more than half a century, and pay tribute to the century-old Chinese film with the classic film images they created.

For the first 50 years of film history, the newsreel was a fixture in American movie theaters. From 1911 to 1967, these shorts proved an influential source of information – and misinformation – for generations of American moviegoers. Television news and public affairs programs became a great improvement over the scanty information offered by the newsreels. This documentary offers insight into a medium which has disappeared.

A new light on American filmmaker Steven Spielberg, Hollywood’s greatest director, offering a unique perspective on his work and digging into his personal influences.

To be in Venice and see the architecture of New York, to perceive in a painting by Tintoretto the birth of animated images, to look at the burlesque Cretinetti as the ancestor of montage - so many shifts, displacements, and striking telescopings that Philippe-Alain Michaud proposes in this film dedicated to him. To follow this art historian, curator of the cinema collections at the Centre Pompidou, is to go from the oriental carpet to the film, or from the first fireworks to the cinema. And everywhere the animation of the images - projections of Antony McCall, or of Paul Sharits, Column without end of Brancusi, Pasolini's Accatone - everything moves! Under the tutelage of Aby Warburg, the great art historian of the early twentieth century, precursor of iconology and image comparison, to whom Philippe-Alain Michaud was the first in France to devote an important essay, eleven images are placed on the table to describe the singular journey of this art historian.

A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.