Yesterday's Witness

Year after year hundreds of thousands of fans line the route of the Tour de France, cheering on their heroes and willing them to victory, while millions of viewers worldwide tune in on their televisions. Academy Award-winning director Pepe Danquart, fascinated by the spectacle of the three week race, chose to focus on the courage, the pain and the fear of the riders of the Tour. Training his lens on German superstar sprinter Eric Zabel and his loyal domestique Rolf Aldag, Danquart captures the thrill of the race and the teamwork behind the stars of the peleton. He also shines light on the Tour's supporting cast - the director sportifs, masseurs, and, of course, the wildly enthusiastic fans. Reveling in the stunning landscape - from the Alps to the Pyrenees to the Massif Central to Paris - and with a nice dollop of Le Tour's history, HELL ON WHEELS transcends the sport it celebrates to reveal an astonishing human endeavor.

This documentary examines the media's coverage of the Canadian federal election of May 1979. Filmed over a 3-week period, it takes a fascinating look at journalists in action and the politicians who attempt to manipulate the media.

A single mom creates an unlikely weapon in the fight for world peace after her best friend a soldier, is axed in the head by a terrorist. Only now she finds herself in the battle of her life taking on corporate giants.

The birth date of film can be established: December 28, 1895. The place where it happened is also known: Paris, Boulevard des Capucines, Grand Caffe. It is also known who did it first: Louis Lumiere. However, the history of film starts in distant, almost unknown times: from drawings of cave people, through reliefs from Egyptian times, to the discovery of photography. Development of film technique: silent film, sound film, color film. Development of film expression: film as a recording of reality, film as an interpretation of reality, film as fiction or new reality. Development of film as an industry.

We live with films every day, and it seems nothing easier than answering the question: what is a film? Obviously, a film is, first and foremost, a document, a testimony of the world that surrounds us. The rich expressional possibilities of film are based on the imperfection of the human eye, its sluggishness, so thanks to the stroboscopic effect we can animate a still image. Film is therefore a kinetic image, or a moving image. It can make the invisible visible, bring the distant closer, enlarge the small, speed up the slow, slow down the fast, and return the end to the beginning. The technological basis of film: light, film tape, camera, projector, film screen. Expressive possibilities of film: scientific, documentary, communicative, artistic. Basic film genres: differences among films.

As Hong Kong's foremost filmmaker, Johnnie To himself becomes the protagonist of this painstaking documentary exploring him and his Boundless world of film. A film student from Beijing and avid Johnnie To fan, Ferris Lin boldly approached To with a proposal to document the master director for his graduation thesis. To agreed immediately and Lin's camera closely followed him for over two years, capturing the man behind the movies and the myths. The result is Boundless, a candid profile of one of Hong Kong's greatest directors and a heartfelt love letter to Hong Kong cinema.

Programming prodigy and information activist Aaron Swartz achieved groundbreaking work in social justice and political organizing. His passion for open access ensnared him in a legal nightmare that ended with the taking of his own life at the age of 26.

When the renowned author, orator and journalist Christopher Hitchens was challenged to undergo the brutal interrogation technique known as waterboarding, few would've expected he'd accept such a task - he had previously expressed the position that the controversial procedure would not qualify as torture, and most who'd claim such a thing would not have the courage to test their convictions. Yet, in May 2007, Hitchens did just that - and his experience profoundly impacted both himself and his stance on the matter, prompting him to declare he'd been wrong, and later to publish his 2008 article for Vanity Fair's August issue, simply titled 'Believe Me, It's Torture'.

Tells a story about a blurry photo of a woman who works in the media industry in Indonesia. This movie has several perspectives. One point of view is of a woman who works in a media and the other is about the sexual minority, people who aren’t allowed to appear on television due to their sexuality.

A documentary about Australian animation pioneer Eric Porter’s work on the iconic Aeroplane Jelly animated promos of the 1940s and 1950s.