Les Visiteurs du soir

After ten years of war, plague and famine, the land is swept clean of people. The few remaining souls are scattered about, living in misery and lacking hope. An anxious silence hangs over the land. On one particularly starry night, two peasants find a stranger on the seashore.

Upon receiving an inheritance from her late uncle, a woman starts a fortune-telling business designed to make her dreams come true.

When an elderly priest died, the people in charge of his diocese discovered that it was a woman. Without anyone suspecting it, she had been practicing her vocation for years. Dismayed, the bishop decided to launch an investigation and asked the chancellor of the diocese to find out how, why and with what complicity such a deception was possible.

A choreographer who believes that he was reincarnated also believes that his present wife possesses the soul of his wife in his previous life, a ballerina.

A shocking tragedy sends Mara down a path of sin, redemption, grace, and evil. Barefoot to Jerusalem is the story of a woman struggling to face her deepest desires, her darkest fears, and ultimately, the devil.

Leigh has lived a reclusive existence in a secluded old home on the outskirts of town for her entire adult life. You see, Leigh has excreted extremely potent pheromones.

A society man's loving, devoted wife, upon learning that he has been unfaithful and is planning to leave her for the other woman, strategically pretends to be having an affair of her own. The woman's friends gladly assist in the deception.

An eclectic foursome of aspiring teenage witches get more than they bargained for as they lean into their newfound powers.

A young couple gets ready for a ceremony. Emilia is not dressed yet and Pietro is struggling with his tie and also very annoyed about a speech he has to give. While they talk around their house, time travels back and forth revealing different phases of their life.

The Curse of Quon Gwon is the oldest known Chinese-American film and one of the earliest American silent features made by a woman. Only two reels of the film survive, and no intertitles are known to exist, making it difficult to parse out the exact plot. An article in the July 17, 1917 issue of The Moving Picture World states that the film "deals with the curse of a Chinese god that follows his people because of the influence of western civilization." The film also touches on themes of Chinese assimilation into American society. Formally premiering in 1917, no distributor was willing to purchase a Chinese-American film without racial stereotypes. Considered a devastating financial failure, the film was only screened two more times until its rediscovery in 2004. Preserved by the Academy Film Archive in 2005.

A production of Oxford Polytechnic for sponsor the Family Planning Association, this is an unreservedly hairy promotion of the prophylactic in avoiding unwanted pregnancies. A wave of period details situate the film in both time and milieu. The culture of its audience, 1970s students, is evoked and displayed via a mattress on the floor, an ethnic rug, the kilim bedpsread, homebrew jars, denim clothes and by hair: long hair, facial hair - beards. The main actors are dead ringers for the infamous cover stars of Alex Comfort's The Joy of Sex, published the year before.