Bed Peace

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The film shows the images made by the police during demonstrations of 2013 (Brazil). In times of anonymous faces, what to do with the feet?

Hundreds of thousands of Indian men and women – indigenous inhabitants and landless farmers – demand their right to existence by making a 400 kilometre protest march from Gwalior to Delhi. How can one fight for one’s rights without using violence? With such an important contemporary question, the film spreads far beyond the borders of India. It shows the multiple facets of this imposing protest march and focuses as well on the daily realities of these proud people.

A German Documentary about the “village of friendship” that was created by American Veteran George Mizo to help the Vietnamese kids suffering from the Vietnam War.

This film brings to life a vanished world: that of the Warsaw Ghetto, destroyed by the Nazis after the 1944 uprising. Two authentic "reconstruction" sources have been used to this end: photographic and cinematographic documents recorded at the time and discovered in Poland, East Germany, Israel and France; and the oral testimonies of 44 survivors, invited to evoke their personal tragedy in front of the images put before their eyes.

The Big One is an investigative documentary from director Michael Moore who goes around the country asking why big American corporations produce their product abroad where labor is cheaper while so many Americans are unemployed, losing their jobs, and would happily be hired by such companies as Nike.

During the early 1970s, hundreds of peasants in a remote region of El Salvador began to emulate the early Christians, working the land together and building communities based on solidarity. By the late 1970s, thousands of peasants in northern Morazan organized to resist National Guard repression which often involved torture and executions. In 1980s, the military engaged in scorched earth operations against their villages, inaugurating a 12-year civil war. The Word in the Woods tells their stories. The film's protagonists must reflect upon their struggles in the light of current reality.

A series of racist acts prompts three Mizzou students to pick up cameras and take us inside the student movement that brought down their college president. From the hunger strike, to victory, to the fear of violent reprisals, we live with the students who started a campus revolt.

A documentary about a proposed military training area in Rothenthurm, Central Switzerland, and the village's resistance to those plans.

Five activists decide to break into Swedish arms factories to disarm weapons. Sweden is one of the biggest exporters of arms in the world today. The year 2011, weapons were shipped out for a total sum of 13.9 billion SEK. Among these importers you will find countries that are already in war or violate human rights. The activists quit their jobs, leave their homes and get ready to fight for their belief. If they succeed they are not only risking being sent to prison but also getting huge damages.

With unprecedented access to the UN Department of Peacekeeping, The Peacekeepers provides an intimate and dramatic portrait of the struggle to save "a failed state" The film follows the determined and often desperate maneuvers to avert another Rwandan disaster, this time in the Democratic Republic of Congo (the DRC). Focusing on the UN mission, the film cuts back and forth between the UN headquarters in New York and events on the ground in the DRC. We are with the peacekeepers in the "Crisis Room" as they balance the risk of loss of life on the ground with the enormous sums of money required from uncertain donor countries. We are with UN troops as the northeast Congo erupts and the future of the DRC, if not all of central Africa, hangs in the balance. In the background, but often impinging on peacekeeping decisions, are the painful memory of Rwanda, the worsening crisis in Iraq, global terrorism, and American hegemony in world affairs.