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Beyond the Gates - (Apr 2nd)
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The Last Word with Lawrence ODonnell - (Apr 2nd)
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American Detective with Lt. Joe Kenda - (Apr 2nd)
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Renovation Aloha - (Apr 2nd)
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I must have a drink. Ask me to have a drink woman. The Small Back Room (AKA: Hour of Glory) is directed by Michael Powell and Emeric Pressburger, with both adapting the screenplay from the Nigel Balchin novel. It stars David Farrar, Kathleen Byron, Jack Hawkins, Leslie Banks and Michael Gough. Music is by Brian Easdale and cinematography by Christopher Challis. As the Germans drop explosive booby-traps across coastline England, Sammy Rice (Farrar) will be tasked with learning the secret to disarming the deadly devices. But first he must beat his private battle with alcohol, his form of self medication due to the loss of one of his feet. The Archers produce what is in essence a tale of redemption, it's a superbly mounted drama dripping with realism and infused with atmospheric black and white photography. It somewhat divided critics back on release, but that tended to be customary where Powell was concerned, who himself wasn't sure about the validity of this particular piece. Yet it finds Pressburger and himself on sure footings, returning to more grounded human dramatics, their willingness to explore the murky fallibility of mankind is a thing of bold and effective cinematic beauty. The by-play between Farrar and Byron is sexually charged, but heart achingly poignant as well. The pic is at its best when these pair share scenes, the back drops to their troubled courting veering from vibrant (hope) to dour (despair), the latter always staged at Sammy's gloomy flat and the scene of a brilliantly filmed expressionistic nightmare that he suffers. Elsewhere various military types either stand tall or sit behind desks speaking in correct literary tones, their collective problem being that the pesky Germans have come up with a vile bomb tactic that needs addressing ASAP. Can Sammy come through for not only the war effort, but also for his sanity? Watch and see, it's great film making across the board. 8/10
In Nadodimannan, Padmanabhan plays a village youth who does not have a particular inclination towards any political party and joins any protest being held. He earns a living by participating in demonstrations for various political parties. He then reaches the city where he is strung to the upper levels of society and gets elected as the Mayor. His conflicts and attempts to cleanse the city form the rest of the story
In order to check the German offensive, Partizans send an elite team of explosive experts to blow up a strategically important bridge. Besides being heavily guarded, that bridge is almost indestructible and the only man who knows weak spots in the construction is the architect who built it. He is, however, reluctant to cooperate because he doesn't want to see his masterpiece destroyed.
A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
A rush-hour fender-bender on New York City's crowded FDR Drive, under most circumstances, wouldn't set off a chain reaction that could decimate two people's lives. But on this day, at this time, a minor collision will turn two complete strangers into vicious adversaries. Their means of destroying each other might be different, but their goals, ultimately, will be the same: Each will systematically try to dismantle the other's life in a reckless effort to reclaim something he has lost.
In the early years of the 20th century, Mohandas K. Gandhi, a British-trained lawyer, forsakes all worldly possessions to take up the cause of Indian independence. Faced with armed resistance from the British government, Gandhi adopts a policy of 'passive resistance', endeavouring to win freedom for his people without resorting to bloodshed.
After five (or six) years of vanilla-wedded bliss, ordinary suburbanites John and Jane Smith are stuck in a huge rut. Unbeknownst to each other, they are both coolly lethal, highly-paid assassins working for rival organisations. When they discover they're each other's next target, their secret lives collide in a spicy, explosive mix of wicked comedy, pent-up passion, nonstop action and high-tech weaponry.
At a village railway station in occupied Czechoslovakia, a bumbling dispatcher’s apprentice longs to liberate himself from his virginity. Oblivious to the war and the resistance that surrounds him, this young man embarks on a journey of sexual awakening and self-discovery, encountering a universe of frustration, eroticism, and adventure within his sleepy backwater depot.
The discovery of a severed human ear found in a field leads a young man on an investigation related to a beautiful, mysterious nightclub singer and a group of psychopathic criminals who have kidnapped her child.
In 1947, four German judges who served on the bench during the Nazi regime face a military tribunal to answer charges of crimes against humanity. Chief Justice Haywood hears evidence and testimony not only from lead defendant Ernst Janning and his defense attorney Hans Rolfe, but also from the widow of a Nazi general, an idealistic U.S. Army captain and reluctant witness Irene Wallner.
The classic story of English POWs in Burma forced to build a bridge to aid the war effort of their Japanese captors. British and American intelligence officers conspire to blow up the structure, but Col. Nicholson, the commander who supervised the bridge's construction, has acquired a sense of pride in his creation and tries to foil their plans.
Tank commander Kalashnikov is severely injured in battle in 1941. The accident leaves him incapacitated and unable to return to the front line. While recovering in the hospital he begins creating the initial sketches of what will become one of the world’s most legendary weapons. A self-taught inventor, Mikhail Kalashnikov, is only 29 when he develops the now iconic assault riffle — the AK-47.