The Killer 2024 - Movies (Jun 5th)
Old Man Slaughter 2024 - Movies (Jun 5th)
The Accountant² 2025 - Movies (Jun 5th)
A Working Man 2025 - Movies (Jun 4th)
A Knights War 2025 - Movies (Jun 4th)
Henry Johnson 2025 - Movies (Jun 3rd)
Drop 2025 - Movies (Jun 3rd)
The Death That Awaits 2024 - Movies (Jun 3rd)
Karate Kid Legends 2025 - Movies (Jun 3rd)
The Fire And The Moth 2025 - Movies (Jun 3rd)
Tudum A Netflix Global Fan Event 2025 - Movies (Jun 3rd)
Royal Ballet and Opera 2024/25 Romeo and Juliet 2025 - Movies (Jun 3rd)
Freaky Tales 2024 - Movies (Jun 2nd)
Lucy The Stolen Lives of Elephants 2025 - Movies (Jun 2nd)
The Life of Chuck 2024 - Movies (Jun 1st)
The Girl in the Pool 2024 - Movies (Jun 1st)
Spit 2025 - Movies (Jun 1st)
Flow 2024 - Movies (Jun 1st)
Battle for Castle Itter 2025 - Movies (Jun 1st)
Tom Daley 1.6 Seconds of Glory 2025 - Movies (Jun 1st)
England’s Lions The New Generation 2025 - Movies (Jun 1st)
Jersey Shore- Family Vacation - (Jun 6th)
The Beverley Allitt Tapes - (Jun 6th)
After Midnight - (Jun 6th)
TNA iMPACT - (Jun 6th)
Malditos - (Jun 6th)
And Just Like That… - (Jun 6th)
The Beechgrove Garden - (Jun 6th)
Landward - (Jun 6th)
Best of The Beat with Ari Melber - (Jun 6th)
Battle of the Generations - (Jun 6th)
East Harbour Heroes - (Jun 6th)
Clarksons Farm - (Jun 6th)
All Elite Wrestling- Collision - (Jun 5th)
Very Important People - (Jun 6th)
Bargain-Loving Brits in the Sun - (Jun 5th)
Trucking Hell - (Jun 5th)
Ambulance - (Jun 5th)
Narrow Escapes - (Jun 5th)
Piers Morgan Uncensored - (Jun 5th)
Deadline- White House - (Jun 5th)
Paul Pawlikowski's award-winning documentary on life behind Serbian lines in Bosnia. The film observes the roots of the extreme nationalism which has torn apart a country and provides a chilling examination of the dangerous power of ancient nationalist myths.
The film 3211 is a true story about Stefan Đurić, a successful musician who one day loses everything and goes to prison, where only his songs remain from his former life.
Documentary following Serbian football coach Zoran Đorđević as he helps form South Sudan's first national football team.
"The Road to War" uses elaborate and fascinating computer-generated recreations and archives never seen before to examine how the assassination of Archduke Franz Ferdinand in 1914 was used by the Austro-Hungarian Empire to start a war against Serbia. The film investigates how this regional conflict involving the Central Powers and the Triple Entente escalated to become "World War I", a war with more than 17 million dead and More than 20 million injured.
The plot of the film unfolds in the ancient monastery of Dokhiar on the west coast of Mount Athos, on the Aegean peninsula. This peninsula is given to the exclusive use of the monks of Eastern Christianity. Images of nature are woven into a virtually uninterrupted series of work and prayer, lining up in the rhythmic interrelation of man and nature. The central figure of the film was the monastery’s elder, Hegumen Gregory, whose long-term experience of spiritual nourishment rewarded him with a deep understanding of the human soul and her desire to return to the state characteristic of Adam’s human nature before the fall.
A documentary about vivid punk and alternative rock scene of Subotica, the northernmost Serbian city, through the periods of communism, tyranny of the 1990s regime, and economic transition at the beginning of XXI century. Seen through the eyes of its witnesses, these musicians and creative artists deliberately refused the imposed way of behavior, hence staying "invisible" to everyday people.
Documentary that follows events after the fall of Slobodan Milosevic, while looking back on the previous fifteen years, tracing his rise to power. Personal testimony alternates with analysis of a disintegrating society.
On 25th December 2011 the Georgian Patriarch Ilia II described his 34 year-long leadership as head of the Georgian Orthodox Church as a ‘sunny night’. Beginning in 1989, and going up to the present, the film essay Sunny Night tells of political and social events since Georgian Independence. A variety of formats and sources, disparate images and voices report on protests, recommencements, uproars and wars, and religious identity that centres around the dominant religion of the nation. In the midst of the ongoing shifts and the various state of affairs, the patriarch stands out as the only constant figure. Meanwhile the sermonised religion begins to take on radical forms, going as far as priests forming front row human-chains, leading protests of several thousand orthodox believers chasing a handful of LGBT activist throughout the streets of Tbilisi in May 2013.
Traditions during Easter holidays in the remote village of Grešnica. The film was a research project of the newly opened Ethnological Museum to preserve the disappearing customs at least on film for future generations.
The Unidentified is a feature-length documentary which reveals who were the commanders responsible for some of the most brutal attacks of the Kosovo war. The result of a two-year-long investigation, the documentary names the officers who ordered attacks on villages in the area around the town of Pec during the 1999 war and those who were involved in the removal of victims’ bodies to mass graves at the Batajnica police centre near Belgrade in Serbia. Sixteen years after they committed the crimes, they live peacefully in the Serbian capital, and despite the evidence that exists, they have not been prosecuted.
They left ordinary life, wife, kids, work and entered to a monastery. In its portraits of three monks, Erik Praus’s documentary captures the inimitable spiritual ambiance and mysticism of Pochayiv Lavra, an Eastern Orthodox monastery on a hill above the town of Pochayiv in western Ukraine’s Ternopil Oblast. Fathers Gabriel, Vicilentius and Nazarij have left their past traumas behind, finding peace, balance and their lives’ meaning at the monastery. Their stories are allegories of spiritualization and purification from human passions against the backdrop of the turbulent Ukrainian reality. Motivated by material need and spiritual desperation, the faithful flock to this place of pilgrimage in search of new strength and forgiveness. The film respectfully observes the monks’ everyday lives, while also noticing the opulent splendour of their surroundings. The road to faith is not a privilege of the chosen few; it is open to all who hear its “calling”.