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The thing that frequently gets me about films like this, is that we would ever have got dressed up to the nines for a evening/early morning of entertainment that is all so very rigid and regimented... The dancing routines are so very heavily choreographed and the size of the places - with a band, dancers and a spotlit leading performer - must have been most off putting for diner and entertainer alike. This one has quite a quirky storyline: Graucho Marx ("Devereaux") has just one act - Carmen Miranda - on his books but venue owner Steve Cochrane ("Steve") is looking for more, so Marx hits upon a plan whereby his star does her Brazilian samba act for some of the time, then upscales as the more elegantly alluring "Madame. Fifi" during the downtime - a recipe for a fast paced juggling act that Barnum would have been proud of. There are some gently amusing sub-plots as their success attracts Holywood producers; Gloria Jean ("Anne") tries to have her way with the unsuspecting boss and crooner Andy Russell gets a few numbers in too. As you'd expect, there are plenty of quippy one-liners from Marx, many of which still raise a smile 70-odd years later, but otherwise time hasn't really been kind to the rest of it. Miranda never did strike any chords with me; and though doubtless an hugely charismatic woman, her act was limited and her thick accent quite difficult to comprehend - it really was all about the fruit bowl with her. Both have some fun trashing the dressing room towards the end which is quite jolly, but the set-piece dancing elements are unremarkable and the story is, well, daft... Nothing not to like, really, but nothing much to remember either.
Two co-workers in a music shop dislike one another during business hours but unwittingly carry on an anonymous romance through the mail.
A young singer turns his back on God and his father's church when tragedy strikes. He returns years later to find the once powerful congregation in disarray. With his childhood nemesis creating a "new vision" for the church, he is forced to deal with family turmoil, career suicide, and relationship issues that send him on a collision course with redemption or destruction
In 1987, five young men, using brutally honest rhymes and hardcore beats, put their frustration and anger about life in the most dangerous place in America into the most powerful weapon they had: their music. Taking us back to where it all began, Straight Outta Compton tells the true story of how these cultural rebels—armed only with their lyrics, swagger, bravado and raw talent—stood up to the authorities that meant to keep them down and formed the world’s most dangerous group, N.W.A. And as they spoke the truth that no one had before and exposed life in the hood, their voice ignited a social revolution that is still reverberating today.
A present-day idyllic kingdom where the benevolent teenage son of King Adam and Queen Belle offers a chance of redemption for the troublemaking offspring of Disney's classic villains: Cruella De Vil (Carlos), Maleficent (Mal), the Evil Queen (Evie) and Jafar (Jay).
Aspiring pop star Erica ends up as the entertainment at her ex-fiancé’s wedding after reluctantly taking a gig at a luxurious island resort while in the wake of a music career meltdown.
The lives of two struggling musicians, who happen to be brothers, inevitably change when they team up with a beautiful, up-and-coming singer.
The story of three gold-digging ladies searching for millionaires. A loose remake of Gold Diggers of 1933.
A popular high school athlete and an academically gifted girl get roles in the school musical and develop a friendship that threatens East High's social order.
A prim and proper schoolgirl goes against her society grandmother's wishes when she dates a motorcycle-riding juvenile delinquent.
