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Charlie Says “follow my ruthless indoctrination with limited psychological depth”. Charlie also says “forget about ‘Doctor Who’, I can be a credible talent by portraying a notorious serial killer with a bushy beard and questionable accent”. What Charlie forgot to say though was “it’s still an ill-mannered interpretation of events that rarely conveys humanisation within its real-life human characters”. For a year that had approximately three feature-length titles depicting the murder of Sharon Tate, Harron’s meticulous angle is the most welcomed approach. Purely focusing on the “family” and how Manson brainwashed them into believing his own radical fantasy, the story hones in on a psychologist assisting three female followers in realising the reality of their heinous actions. Consequently, the narrative written by Turner is constructed through the tired structure of flashbacks, whilst holding an ounce of gravitas. And I can visibly touch the intangible perspective that Turner aimed for. Almost tasting its ingenuity. Proposing a psychological position of events that have been retold repeatedly within cinema, by targeting the process of curing indoctrination. Yes, Sharon Tate and other rich folk get slashed, stabbed and butchered. However, instead of showcasing those murders for the sake of fulfilling the sadism of viewers, it holds intentions. Crucial events in the escalation of Manson’s brainwashing capabilities, puppeteering his female marionettes. Producing credible grounds for psychological analysis. The fundamental issue though, is that the analysis and exploration of this psychosis is incredibly shallow. A noticeable absence of gradual cognitive dynamics between protagonist Leslie (aptly named Lulu by Manson) and her new leader. Manson’s omnipotent stance is addressed immediately with no real progressive foundations. An impressionable Leslie is recruited and just happens to follow Manson’s orders without hesitation. That inner moral conflict between everything she once knew and all that she relinquished was missing. Occasionally, her abrupt pauses and glistening eyes, which were portrayed eloquently by Murray, illustrated indications of self-questioning. Yet somehow felt forced, juxtaposing her initial stance when recruited. Fortunately their incarceration at the institution meant that their ideals and beliefs could be interrogated, likening Manson’s infectious faith to an extreme Christian denomination. Although not as much of the runtime was expended on this acute angle that would’ve made for a more engaging psychological drama. A shame really as it wastes the talent of Wever. Smith offered a credible portrayal of the eponymous murderer, yet personally was unable to break away from his usual quirks cemented in his stint on ‘Doctor Who’. The whole talking to inanimate objects and nonsensical splurges about nothing. It must be infuriatingly difficult for him, but he did a decent job by showcasing his versatility. Even if his Northamptonshire accent popped in to say “alright mate?” from time to time. Overall, a frustrating biographical film, I must say. The approach to the “family” was, dare I say, near-perfect. However the absence of emotional, psychological and structural depth resulted in a middling drama that simply retold events, rather than powering them. Charlie said “jump!” but Harron and Turner were unable to reach his intended height. Missed opportunity to title this “Charlie’s Angels” though...
A young woman, traumatized by a tragic event in her past, seeks out vengeance against those who crossed her path.
When an in-flight collision incapacitates the pilots of an airplane bound for Los Angeles, stewardess Nancy Pryor is forced to take over the controls. From the ground, her boyfriend Alan Murdock, a retired test pilot, tries to talk her through piloting and landing the 747 aircraft. Worse yet, the anxious passengers — among which are a noisy nun and a cranky man — are aggravating the already tense atmosphere.
The story of boxer Rocky Graziano's rise from juvenile delinquent to world champ.
Tara and Maya are two inseparable friends in India. Their tastes, habits, and hobbies are the same. Years later, the two have matured, but have maintained their friendship. Tara gets married to the local prince, Raj Singh, who soon succeeds the throne as the sole heir. After the marriage, Raj gets bored of Tara and starts seeking another female to satisfy his sexual needs. He notices Maya and is instantly attracted to her. He has her included as one of his courtesans, and is intimate with her. Watch what happens when Tara finds out and the extent she will go to keep her marriage intact.
Melissa is a 15-year-old girl who loves to dance. Her parents think she is taking classes in classical ballet, but once at the dance school she devotes herself to the hip-hop dance classes. Melissa is good friends with Jordi and he is very happy for Melissa when she is asked to dance in the music video of the famous rapper Brainpower. But because of bad influences, her life becomes a nightmare. Until her real friends decide to get her out of there.
The stories of three lesbian couples - who live in the same house at different periods of time - who are at a crossroads in their lives. In 1961, Edith loses her lover, Abby, to a stroke. Linda and Amy struggle with feminist issues in 1972. And, in 2000, Kal and Fran try to have a baby with the help of sperm donor.
Two brothers set fire to a barn while drunk, inadvertently causing the death of a sleeping wanderer. One of them takes all the blame for the incident and spends ten years in prison.
A Los Angeles policewoman's partner has her pose as a stripper to lure a killer of strippers.
Mike Milo, a one-time rodeo star and washed-up horse breeder, takes a job from an ex-boss to bring the man's young son home from Mexico.
A biographical film featuring the presidency and assassination of Abraham Lincoln during the American Civil War.
The controversial and troubled Indo-Pakistani writer Saadat Hasan Manto finds his artistic choices challenged by censors.