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masterpiece
Even in the writing of this review, I continue to toss ‘The Souvenir’ around in my mind. I left the cinema disappointed and frustrated by it, wishing it had let me in more instead of simply presenting itself to me, but a friend had told me that it is a film that grows on you. I think they may have been right. The more I interrogate Joanna Hogg’s film, just as Joanna Hogg interrogates her own life, the more fascinating questions and provocations I find. Right now, I like the film more than love it, but I said the same a year ago about Chang-dong Lee’s ‘Burning’, and on my second viewing realised that was actually a masterpiece. I’m not sure the same will happen with ‘The Souvenir’, but I wouldn’t be surprised if, when you ask me my thoughts on it in a year, my answer may be different from what it is now. Perhaps the most intriguing aspect of ‘The Souvenir' is that Hogg always intended for it to be a two-part film, with Part II currently filming. Maybe it’s just that we haven’t seen where else she intends to go, what is next in Julie’s development as an artist, how tragedy will shape her as an artist and as a human being. In that sense, despite its flaws, ‘The Souvenir’ may be one of the most interesting provocations in independent cinema in the last few years. The more I think about it, the more I’m keen to try it again, and the more I’m keen to see where Julie’s story goes next. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-the-souvenir-a-flawed-but-fascinating-act-of-autobiography
I am not quite sure what Joanna Hogg was trying to achieve here. The depressing inevitability of the film's conclusion left by little jeopardy with the plot. The performances were fine, but nothing more - and the manipulative toxicity of Anthony's (Tom Burke) behaviour towards Julie (Honor Swinton Byrne) isn't developed anywhere near enough. The film does look good, though!
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
Lili, a pouty and voluptuous 14-year-old, is caravan camping with her family in Biarritz. She's self-aware and holds her own in a café conversation with a concert pianist she meets, but she has a wild streak and she's testing her powers over men, finding that she doesn't always control her moods or actions, and she's impatient with being a virgin. She sets off with her brother to a disco, latching onto an aging playboy who is himself hot and cold to her. She is ambivalent about losing her virginity that night, willing the next, and determined by the third.
Portland, Oregon, 1971. Bob Hughes is the charismatic leader of a peculiar quartet, formed by his wife, Dianne, and another couple, Rick and Nadine, who skillfully steal from drugstores and hospital medicine cabinets in order to appease their insatiable need for drugs. But neither fun nor luck last forever.
As the romantic monsoon rains loom, the extended Verma family reunites from around the globe for a last-minute arranged marriage in New Delhi. This film traces five intersecting stories, each navigating different aspects of love as they cross boundaries of class, continent and morality.
Young lovers Sailor and Lula hit the road to start a new life together away from the wrath of Lula’s deranged, disapproving mother, who has hired a team of hitmen to cut the lovers’ surreal honeymoon short.
Agnès Varda eloquently captures Paris in the sixties with this real-time portrait of a singer set adrift in the city as she awaits test results of a biopsy. A chronicle of the minutes of one woman’s life, Cléo from 5 to 7 is a spirited mix of vivid vérité and melodrama, featuring a score by Michel Legrand and cameos by Jean-Luc Godard and Anna Karina.
An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.
In a barren, arranged marriage to an amateur swami who seeks enlightenment through celibacy, Radha's life takes an irresistible turn when her beautiful young sister-in-law seeks to free herself from the confines of her own loveless marriage.
The mostly true story of the legendary "worst director of all time", who, with the help of his strange friends, filmed countless B-movies without ever becoming famous or successful.
In early-1970s Las Vegas, Sam "Ace" Rothstein gets tapped by his bosses to head the Tangiers Casino. At first, he's a great success in the job, but over the years, problems with his loose-cannon enforcer Nicky Santoro, his ex-hustler wife Ginger, her con-artist ex Lester Diamond and a handful of corrupt politicians put Sam in ever-increasing danger.