The Bree Daniels Experience

Yoriko Jun turned Miyuki Fukashi’s sensual novel with the same name into a movie. An ordinary office lady and a boy meet on the Internet, they get into a master-slave relationship and are drowned in a world of pleasure.

A discount store clerk strikes up an affair with a stock boy who considers himself the incarnation of Holden Caulfield.

Christina's love life is stuck in neutral. After years of avoiding the hazards of a meaningful relationship, one night while club-hopping with her girlfriends, she meets Peter, her perfect match. Fed up with playing games, she finally gets the courage to let her guard down and follow her heart, only to discover that Peter has suddenly left town. Accompanied by Courtney, she sets out to capture the one that got away.

Set during a sultry summer in a French suburb, Marie is desperate to join the local pool's synchronized swimming team, but is her interest solely for the sake of sport or for a chance to get close to Floriane, the bad girl of the team? Sciamma, and the two leads, capture the uncertainty of teenage sexuality with a sympathetic eye in this delicate drama of the angst of coming-of-age.

Boys On Film showcases short works from around the world that challenge genre, initiate discussion and explore issues of sexuality in beautiful ways. Volume 11: We Are Animals contains eight complete films: Dominic Haxton's "We Are Animals" starring Daniel Landroche, Clint Napier, and Drew Droege; "Burger" from director Magnus Mork; Shaz Bennett's "Alaska Is A Drag" starring Martin L. Washington Jr., Spencer Broschard, and Barret Lewis; Carlos Augusto de Oliveira's "Three Summers" starring Morten Kirkskov and Simon Munk; Nicholas Verso's "The Last Time I Saw Richard" starring Toby Wallace, Cody Fern, and Brian Lipson; Eldar Rapaport's "Little Man" starring Daniel Boys, Darren Evans, and Jamie Thompson; Rodrigo Barriuso's "For Dorian" starring Ron Lea and Dylan Harman; and Bryan Horch's "Spooners" starring Walter Replogle and Ben Lerman.

An assassin goes through obstacles as he attempts to escape his violent lifestyle despite the opposition of his partner, who is secretly attracted to him.

When a boy becomes a young man, the way he sees the world can change not just his perceptions of those around him, but how others see him. As burgeoning desires come to the surface, there is the choice of either embracing and acting upon them, or burying them. Includes: On the Roof [En la azotea] (2015); The Son [El hijo] (2012); Inside [Dentro] (2013); Tomboy [Même pas mort] (2007); Paradigma (2016).

Matt, a young glaciologist, soars across the vast, silent, icebound immensities of the South Pole as he recalls his love affair with Lisa. They meet at a mobbed rock concert in a vast music hall - London's Brixton Academy. They are in bed at night's end. Together, over a period of several months, they pursue a mutual sexual passion whose inevitable stages unfold in counterpoint to nine live-concert songs.

Shirin is struggling to become an ideal Persian daughter, politically correct bisexual and hip young Brooklynite but fails miserably in her attempt at all identities.

At his bachelor party, Jason has a one-night fling with Nikki, a radiant beauty with whom he forms an immediate bond. They agree to keep their secret locked away forever. Two years later, Jason, his wife, Andy and his fiancee plan a reunion weekend. Jason is shocked to discover that Andy's fiancee is Nikki. Now, secret and passionate affairs are played out.

Not long after moving into her own place, Maggie finds herself with two unsolicited roommates: her recently divorced mother, Lila, and her young brother. The timing is especially bad, considering Maggie has fallen hard for an attractive woman, Kim, only hours before they move in. What could be a nonissue becomes increasingly complicated - since Maggie's family is unaware of her sexual orientation, and Maggie is not open to sharing that information.