L'exode

Two elderly Jewish friends get into an argument over the circumstances behind the terror attacks on September 11th.

Twenty-year-old Anaïs works with her father on a farm that is struggling to keep operating. When their fertilizer distribution machine, borrowed from the farming cooperative, is stolen, Anaïs reacts, and fights in order to continue working, and to keep her father, on the brink of giving up and selling their farm, afloat. She also grows closer with a seasonal worker who she suspects is behind the robbery.

After two years of waiting, Adam and Ellas first part of the application for a „licence to procreate“ has been successfully reviewed. To complete the process, the request is followed up with an obligatory and final interview in the intimacy of their home. Their fate is now in the hands of the government clerk Gudrun Paschke.

Just as Galeen and Wegener's Der Golem (1915) can be seen as a testament to early German film artistry, The Story of the Kelly Gang (1906) symbolizes both the birth of the Australian film industry and the emergence of an Australian cinema identity. Even more significantly, it heralds the emergence of the feature film format. However, only fragments of the original production of more than one hour are known to exist, preserved at the National Film and Sound Archive, Canberra; Efforts at reconstruction have made the film available to modern audiences.

A fisherman and a rising lawyer who grew up together as brothers fall in love with the same woman.

Adaptation of a poem written by Thomas Hood.

Diogo Alves is a Spanish fugitive that comes to the Portuguese capital terrorizing the inhabitants by his cut-throat methods against rich and poor people alike. He attacks the women launderers on the Lisbon Aqueduct and throws the bodies over the high wall, and assaults homes with his large band of criminals. Eventually arrested, he, his female companion and his henchmen are condemned to death by the court.

A hobo takes revenge to a miller who didn't give him something to eat.

Meet Mark. A daydreamer who has lived with hearing loss for his whole life. As his condition deteriorates, Mark must listen to his past and face the present, in order to move forward with his life. Sometimes loss doesn't mean lost. At a routine checkup with his lifelong audiologist, Mark is presented with a hearing aid and with a choice. Between the torment from his childhood - and his stigma around wearing the hearing aid - he lashes out. But he remembers his young self, loving and loved; along with the care his late mother showed him. Through courage, he is able to connect with her; as she guides him through this tumultuous time in his life. He realises he can either continue to shut himself off from the world, or open up and begin to accept himself for who he really is.

Sophie is both attracted to boys and girls. She is torn between Nicolas and Mathilde.

Fannie joins Johnny to perform a music-hall act which becomes a success, until two Broadway producers catch the act and offer Fannie a job on their latest show; however, they have no place for Johnny, so Fannie turns down the offer. (Film considered lost.)