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The Absence of Eden 2023 - Movies (Apr 20th)
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The First Omen 2024 - Movies (Apr 18th)
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Cesar Millan- Better Human, Better Dog - (Apr 20th)
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Alex Wagner Tonight - (Apr 20th)
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Can you be said to lead by example when the example is spurious? Paul, Apostle of Christ is the early Christianity 'success story' of the conversion of Mauritius Gallas (Olivier Martinez), Commander of the Third Legion of Rome, and Prefect of the Mamertine Prison. Actually, I’m not even sure Mauritius officially converted; he certainly formed a better opinion of Christians after Saint Luke cured his daughter of an indeterminate disease. I guess the filmmakers deserve some credit for not presenting this as a miracle (Luke saves the little girl’s life through his medical knowledge), but it really makes no difference anyway because there was no sick child, no Mauritius Gallas, no Third Legion, no nothing. This is a kind of artistic license that goes well beyond the fact that everyone in Nero’s Rome speaks fluent English (with a French accent, in Martinez’s case). Mauritius’s conversion (if indeed he converted) doesn’t carry as much weight as, say, that of Constantine, and not because the latter was an Emperor and the former a humble prefect; the problem is that Mauritius’s change of heart doesn’t appears to take place, not as a sign of personal growth, but simply because it’s in the script. I mean, if you’re just going to make shit up, why stop at one conversion? Why not go ahead and make it so that the entire Third Legion accepted Jesus Christ into their hearts as their Lord and Savior? Luke is only slightly less fictional than Mauritius, and equally problematic. A "Luke," to whom tradition assigns authorship of the Gospel of Luke and the Acts of the Apostles, was mentioned by Paul in three of his epistles. The movie depicts Luke (Jim Caviezel) visiting Paul (James Faulkner) in the rather well-lit "darkness" of his cell, where the two commit the Acts to paper. Why? According to Paul, "[Luke] believes people should know the certainties of my life." This turns out to be quite an unwittingly ironical statement, considering that a) though the Gospel of Luke and the Acts of the Apostles are attributed to the same author, the true identity of this author remains unknown, and b) there are many contradictions between the Acts and the authentic Pauline letters; thus, in the odd chance Luke did in fact pen these books, it’d be safe to say that he and Paul weren’t as simpatico as this movie would have us believe (the aforementioned irony, by the way, is completely lost on the filmmakers, according to whom "Paul’s life was well documented by Luke").
**An excessively preachy film, aimed at more devout audiences.** It really costs being a historian when we feel like watching a film based on historical facts. We never manage to take off our academic attire and enjoy it, we see errors and inaccuracies where no one sees anything special. And this is tiring. When the film has a biblical theme, things tend to get worse. And what we have here is one of the weakest biblical films I've seen in a long time. Based on solid material extracted from Paul's letters and the book of the Acts of the Apostles, the film seeks to show us a little of Paul's life as a preacher and Christian leader, focusing on the events that followed to the burning of Rome in 64 AD, and showing the rest through episodic flashbacks. The film starts from the correct presumption that the majority of its public is aware of the events and knows who was Paul. And in fact it is difficult to imagine any well-informed Christian who do not recognize the decisive action of this leader: initially, he was a pagan and helped the Jews to persecute the Christians, whom they considered a schismatic sect of their faith. Later, he became one of the defining figures of the early period of the Christianity, and was fundamental in bringing it to other races and peoples, definitively separating Christians from Jews. Tradition tells us that he was killed in Rome shortly after the fire, which Emperor Nero attributed to the fanatical actions of the city's Christians. The film is not bad, but it could have made a better effort to capture Paul's preaching and action among other leaders: there is no mention, for example, of his participation in the first ecumenical council. Nero does not appear, but we see Roman repression in vibrant and exaggerated colors: although Roman chroniclers provided colorful descriptions of the massacres of Christians, it is known that such reports were exaggerated and archeology has never confirmed such ferocity. It was also difficult for me to see how the Mamertine Prison was transformed into a modern penal colony, with strong walls, guards and gates. Anyone who barely knows Rome, and has visited what remains of this place, knows that it was a small prison, used in temporary situations, and that Romans were not in the habit of having large prisons, preferring to send criminals to galleys, quarries and other forced labor: much more practical than feeding lots of prisoners who do nothing all day, the Romans would say. The film also places Luke with Paul in Rome, which doesn't make sense: we know they knew each other and cooperated, but it seems unlikely that Luke would stay calmly in Rome, and in full view of the authorities, after Peter and Paul's arrest. The general atmosphere of the film is somewhat preachy, and resembles a long Easter sermon, which will greatly displease audiences who are less devout or practice their faith. I didn't have any major problems with it, but I also preferred a different approach that was more likely to please a generalist audience. I don't know if the film was financed by a church or something, but that could very well have been the case. James Faulkner is effective in the role of Paul, Olivier Martinez does what he can in a role in which he has to be unpleasant and Jim Caviezel is clumsy and not very interesting in this effort, the second in his career in which he addresses biblical themes.
Lonely, misused, ashamed- A desperate runaway reached by the Love of God.
After reluctantly agreeing to coach cross-country, high school basketball Coach John Harrison helps the least likely runner attempt the impossible in the biggest race of the year.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
An expansive Russian drama, this film focuses on the life of revered religious icon painter Andrei Rublev. Drifting from place to place in a tumultuous era, the peace-seeking monk eventually gains a reputation for his art. But after Rublev witnesses a brutal battle and unintentionally becomes involved, he takes a vow of silence and spends time away from his work. As he begins to ease his troubled soul, he takes steps towards becoming a painter once again.
The rebellious Thracian Spartacus, born and raised a slave, is sold to Gladiator trainer Batiatus. After weeks of being trained to kill for the arena, Spartacus turns on his owners and leads the other slaves in rebellion. As the rebels move from town to town, their numbers swell as escaped slaves join their ranks. Under the leadership of Spartacus, they make their way to southern Italy, where they will cross the sea and return to their homes.
In 1969, Pamela Bucklin is born. The same day, her mother dies. Pamela is raised by her father, Wayne, who commits to pray with his daughter every night. He also raises her with a very high standard of purity before marriage. As a teenager, Pamela begins to question the motives put forth by the Bible.
Jonah is a prophet – and a man on the run. From who? From God! After a series of wild adventures involving a seaport called Joppa, a huge boat and a terrible storm, Jonah finds himself in the belly of a giant fish. But this isn’t the end. It’s here that God teaches Jonah how to receive grace and extend mercy, even to his archenemy: Nineveh. Take your family deep into this Bible story as it springs to life on screen in jaw-dropping scale by an exceptional cast, spectacular special effects and live animals. Filmed in front of a live audience on stage at Sight & Sound Theatres in Lancaster, PA.
Jether, a shepherd, is lured from his home by Tisha, priestess of the goddess Ishtar. He journeys to the city of Babylon, where he lavishes Tisha with gifts and spends his share of his father's wealth on riotous living.
Cadence has an incredible gift for music. The only problem is no one knows it. She struggles to deal with the weight of expectations, as she wrestles with her talent and the style of music her heart yearns to play.
In the year 180, the death of emperor Marcus Aurelius throws the Roman Empire into chaos. Maximus is one of the Roman army's most capable and trusted generals and a key advisor to the emperor. As Marcus' devious son Commodus ascends to the throne, Maximus is set to be executed. He escapes, but is captured by slave traders. Renamed Spaniard and forced to become a gladiator, Maximus must battle to the death with other men for the amusement of paying audiences.