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Later... with Jools Holland - (Nov 17th)
Ottoman Empire by Train - (Nov 17th)
Romesh Ranganathans Parents Evening - (Nov 17th)
The Beat with Ari Melber - (Nov 16th)
Michael McIntyres The Wheel - (Nov 16th)
Strictly Come Dancing- It Takes Two - (Nov 16th)
The Chase - (Nov 16th)
GRAND SUMO Highlights - (Nov 16th)
Legends of Comedy with Lenny Henry - (Nov 16th)
Fisk - (Nov 16th)
Alan Carrs Picture Slam - (Nov 16th)
The Katie Phang Show - (Nov 16th)
The Kitchen - (Nov 16th)
Saturday Kitchen Live - (Nov 16th)
MotoGP Unlimited - (Nov 16th)
QI - (Nov 16th)
James Martins Saturday Morning - (Nov 16th)
John and Lisas Weekend Kitchen - (Nov 16th)
The Kelly Clarkson Show - (Nov 16th)
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Erotic thriller dulls the senses... Brian De Palma has often come in for some flak over the years, his penchant for sticking tight to Alfred Hitchcock thriller formula has been the source of much consternation in certain quarters. Yet when you view something like Peter Hall's Never Talk to Strangers it rams home just how welcome it is to have Hitch like thrillers at least done well! Rebecca De Mornay is a troubled shrink who whilst dealing with the mind games of a serial killing loony (Harry Dean Stanton), meets sexually charged Latino guy (Antonio Banderas) and indulges in passions unbound. Then she starts to get very unwelcome presents in the post... The erotic thriller has been well trodden, and will continue to be so for sure, so it feels a little churlish to decry Hall's movie for coming off as a weak willed imitator of previous purveyors of the sub-genre, but this blend of Silence of the Lambs meets Sea of Love - cum - Dressed to Kill - cum Fatal Attraction etc etc just comes across as a cheat. And that's because it is! The makers know this and try to hide their ridiculous folly behind eroticism as the two lovely looking headlining stars get sweaty and wet, indulging in sexual play that's as powerful as the surroundings (Banderas lives in a loft apartment resplendent with metal cage and wrought iron doors). But, or should that be butt? The mystery element is weak, the suspense equally so, while the back story of De Mornay's father (a key character) is hopelessly under developed. Then there is H.D. Stanton, stealing every scene is he is in, quid pro quo indeed, yet he's hardly in the film, which ultimately proves to be a tragedy as the plot hurtles towards its implausible and risible revelations. Red herrings come and go as quickly as Becca and Tony's underwear (the continuity editor should have been sacked along with the writers because of one scene BTW), and even though Pino Donaggio scores the music with customary swirling qualities, this just comes off as a piggyback tactic... This is a poor thriller in spite of two very committed and visually attractive perfs from the leads - and of course Stanton's knowingly sleazy turn. Seek this out only if you think Body of Evidence is in the upper echelons of erotic thrillers. 5/10
A young man receives an emergency phone call on his cell phone from an older woman. She claims to have been kidnapped – and the kidnappers have targeted her husband and child next.
Humbert Humbert is a middle-aged British novelist who is both appalled by and attracted to the vulgarity of American culture. When he comes to stay at the boarding house run by Charlotte Haze, he soon becomes obsessed with Lolita, the woman's teenaged daughter.
When he hears that the new female employee digs ambitious men who are the store employee of the month, a slacker gets his act together but finds himself in competition with his rival, an ambitious co-worker.
Five men wake up in a locked-down warehouse with no memory of who they are. They are forced to figure out who is good and who is bad to stay alive.
Mike Yarnell is a burnt out cop, who is being investigated by internal affairs. When he begins taking out his frustration on his wife, she turns to the man handling her husband's case for protection. However, there's more to her than what meets the eye.
When a woman's first love suddenly reenters her life, her relationship with a charming, but abusive neurosurgeon is upended, and she realizes she must learn to rely on her own strength to make an impossible choice for her future.
In 1950s Los Angeles, a special crime squad of the LAPD investigates the murder of a young woman.
A poor French teenage girl engages in an illicit affair with a wealthy Chinese heir in 1920s Saigon. For the first time in her young life she has control, and she wields it deftly over her besotted lover throughout a series of clandestine meetings and torrid encounters.
Simple Italian postman learns to love poetry while delivering mail to a famous poet; he uses this to woo local beauty Beatrice.
Khalid, a rebellious cop from an elite special force must prove he is able to work as a team in order to thwart terrorist threats to bring down Kuala Lumpur.
Wayne Dobie is a shy cop whose low-key demeanor has earned him the affectionate nickname "Mad Dog." After Mad Dog saves the life of Frank Milo, a crime boss and aspiring stand-up comedian, he's offered the company of an attractive young waitress named Glory for a week. At first both are uneasy about the arrangement, but they eventually fall in love. However, the situation becomes complicated when Milo demands Glory back.