Gibbi Westgermany

A mother experiences the torment of discovering that her own son is a killer.

An urgent phone call pulls a Yale Law student back to his Ohio hometown, where he reflects on three generations of family history and his own future.

Loner Diane Ford is a truck driver with an 11-year-old son, Peter, whom she never sees, and that's fine with her. But, when Peter's father, Len, falls ill, he asks Diane to take care of their son for a while. Eventually, Diane reluctantly agrees, but she quickly realizes that caring for a child interferes with her independent lifestyle - and Peter isn't all that thrilled with the arrangement, either.

When Leif’s estranged mother, Honey dies she leaves him a ‘conditional inheritance’. He has to complete her elaborate to-do list before he gets her cabin in Yosemite. Leif steps into Honey’s wild world as the mother he never really knew tries to make amends from beyond the grave.

With her husband's funeral to plan and grieving to be done, a woman reaches out to her estranged son. He refuses to come home, choosing instead to send his personal assistant to help make the arrangements. The widow is forced to process her grief in the presence of a complete stranger.

A desperate mother is trying to reconnect with her son. Navigating an obvious void, she will finally have the chance to ask the questions that have haunted her past, and will decide her future.

During the late 1990s, a busy working-class Singaporean couple hires a Filipino woman as a maid and nanny to their young son.

The Goddess (1934) is remade once again. In this version, Zhu Shilin tackles the anxiety concerning the clash of 20th century Chinese traditions and modern Western culture. Despite her father’s strict discipline, Fun still manages to have a boyfriend secretly and give birth to twins. After leaving her son to her father, she takes off with her daughter. Twenty years later, Fun has become a streetwalker. The three generations finally come face-to-face at the police station. Her father laments that his generation should be ousted while Fun’s generation has been sacrificed, leaving the future for the next generation to establish. Zhu carefully depicts the shame of selling one’s body without passing judgment while he finds balance and reflects on the pain in the age of progress. Even though the production was far from lavish, Zhu’s astute handling of the narrative and mise-en-scène makes this a vivid and exciting film to watch.

Jordon (Michael Charles Wagner) reconnects with mother Wendy (Lisa Ludwig), in the midst of a mental health crisis, over the course of an afternoon in Travis Carlson’s innovative, award-winning Western New York-lensed feature.

An analysis of the impact on the United States Latino community of immigration policies promoted by President Donald Trump.