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Tournament of Champions - (Mar 26th)
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Blood and Money - (Mar 26th)
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A Country Life for Half the Price with Kate Humble - (Mar 26th)
Cold Justice - (Mar 26th)
The Only Way Is Essex - (Mar 26th)
Great Expectations - (Mar 26th)
Secret Sauce with Todd Graves - (Mar 26th)
Hard Truths of Conservation - (Mar 26th)
Say Yes to the Dress - (Mar 26th)
On Patrol- Live - (Mar 26th)
All Elite Wrestling- Rampage - (Mar 26th)
Rabbit Hole - (Mar 26th)
Lasseter is smart enough to tell us a completely different story than in the first movie. However, it is far from other titles like "Toy Story" or "The Incredibles".
I like 'Cars 2'. It doesn't deserve to be held in the same bracket as 2006's 'Cars', but that doesn't mean there's not a good time to be had with it. The premise mixes motorsport with espionage, admittedly they don't execute it incredibly but it's still satisfactory to see unfold. One slight negative is that they give Mater more screen time than Lightning McQueen, which is a mistake. Larry the Cable Guy as Mater is enjoyable, just not front and center as the lead. They could've done a similar plot that has Owen Wilson and McQueen at the forefront. Elsewhere, Michael Caine (Finn) is always a joy to listen to; even if his character isn't anything special. The racing stuff is cool, with the World Grand Prix. The parts of the story involving strictly that are definitely more entertaining than the spy stuff, especially as we get to see a few different countries via animation - which come out nicely. All in all, a weaker film than the first for sure but it's still pretty solid for a Disney animated sequel.
**A film more adult than would be desirable, where Pixar insists on giving the stage to funnyless secondary characters.** The “Cars” franchise was one of the great successes that Pixar masterfully capitalized on, both for commercial purposes and to cement its top status in the field of digital animation. I remember that these three films were accompanied by such incisive (not to say abusive) merchandising that it seemed that the films were being foisted on us. That explains why I preferred not to see them at the time. If the first film seemed quite regular to me (very good from a technical point of view, but with flaws in the script), this sequel managed to at least maintain the technical level and visual quality. The film has excellent cinematography and graphic work, as is the hallmark of the studio. Realism is excellent, although I felt that it is not as impactful and grandiose as in the first film in the franchise. I also felt that the car races, which were the strong suit of the first film due to their emotion and speed, lost much of their emotion here and sounded much more monotonous. The voice actors continue to do a very good job. Owen Wilson and Larry The Cable Guy secure the most notable efforts, but are closely followed by Michael Caine (with an unmistakable voice), Emily Mortimer and John Turturro. Where this film really failed was in the conception of the script and the story. I understand the reason why they decided to make Mater the main character: both Disney and Pixar have done this recurrently whenever a secondary character appears in the films that seem to stand out. And as in other cases, the result of the decision was extremely disappointing. Mater is not funny, more ridiculous than funny, and McQueen, who is in the shadows this time, is just another pretentious, obnoxious, arrogant driver. Dialogues don't always work well, and some jokes don't either, although most do. I also have certain reservations about the division of the film's action into two subplots (Mater's and the rivalry between McQueen and Francesco), I believe that this made the film much more adult than would be desirable.
Perennially stoned Cheech and Chong tear through the city of Los Angeles, causing trouble wherever they go. After Cheech loses his job, the two pot enthusiasts head to the welfare offices where Cheech's girlfriend, Donna, works. Instead of collecting unemployment, they find themselves thrown back on the streets, searching for a way to earn new income. But when Cheech's cousin, "Red" Mendoza, arrives, things get even crazier.
Being one of 101 takes its toll on Patch, who doesn't feel unique. When he's accidentally left behind on moving day, he meets his idol, Thunderbolt, who enlists him on a publicity campaign.
High school student Lane Meyer sinks into suicidal depression when his girlfriend dumps him for jock Roy Stalin, the high school ski racing champion. Meanwhile, he has to deal with his eccentric family, a tenacious paperboy and an obnoxious neighbor whose mother is hosting a beautiful French exchange student named Monique.
With the first anniversary of her wedding to Tarzan beckoning, Jane ponders how to make it the perfect English celebration.
After falling head over hooves in love with Giselle, Elliot's road to the altar takes a slight detour when Mr. Weenie is kidnapped by a group of pampered pets determined to return him to his owners.
When a greedy outlaw schemes to take possession of the "Patch Of Heaven" dairy farm, three determined cows, a karate-kicking stallion and a colorful corral of critters join forces to save their home. The stakes are sky-high as this unlikely animal alliance risk their hides and match wits with a mysterious band of bad guys.
Fletch is a fish out of water in small-town Louisiana, where he's checking out a tumbledown mansion he's inherited. When a woman he flirts with turns up dead, he becomes a suspect and must find the killer and clear his name.
Two former backup soul singers, Louis and Floyd, have not spoken to each other in 20 years, and reluctantly agree to travel across the country together to a reunion concert to honor their recently-deceased lead singer. Cleo, a beautiful young woman who is believed to be Floyd's daughter, accompanies them as a new singer.
Fritz, now married and with a son, is desperate to escape from the domestic hell he now finds himself in. Lighting up a joint, he begins to dream about his eight other lives, hoping to find one that will provide a pleasant distraction.
A rarely seen slasher flick gets a midnight screening at a run-down movie theater. The film's director was supposedly driven insane by it, but that doesn't deter horror fans, including Bridget and her boyfriend, Josh, from attending the showing. When the lights dim and the movie starts, they'd better prepare themselves for the scare of their lives. That's because they're not just going to be watching this bloodbath - they're going to be starring in it.
Three bumbling Army reservists are hustled onto a plane headed for combat in Iraq - but the fact that the plane drops them in Mexico doesn't stop them from "liberating" what they believe to be the Middle East.