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The Woman in the Yard 2025 - Movies (Jun 21st)
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24 Hours to D-Day 2024 - Movies (Jun 21st)
Ghost Game 2024 - Movies (Jun 20th)
28 Years Later 2025 - Movies (Jun 20th)
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Breaking Boundaries 2024 - Movies (Jun 19th)
Beer Budget Reno - (Jun 22nd)
Moving Houses NZ - (Jun 22nd)
LEGO Masters - (Jun 22nd)
The Never Ever Mets - (Jun 22nd)
Dancing with the Stars - (Jun 22nd)
#Somebodys Son - (Jun 22nd)
The Walking Dead- Dead City - (Jun 22nd)
All Elite Wrestling- Collision - (Jun 22nd)
The Chosen - (Jun 22nd)
Our Movie - (Jun 22nd)
Storage Wars - (Jun 22nd)
On Patrol- Live - (Jun 22nd)
Mix Tape - (Jun 22nd)
Spicks and Specks - (Jun 22nd)
Saturday Kitchen Live - (Jun 22nd)
Zig and Sharko - (Jun 22nd)
Godfather of Harlem - (Jun 22nd)
The Real Murders of Atlanta - (Jun 22nd)
Love Island USA- Laid Bare - (Jun 22nd)
Alex Witt Reports - (Jun 21st)
Lasseter is smart enough to tell us a completely different story than in the first movie. However, it is far from other titles like "Toy Story" or "The Incredibles".
I like 'Cars 2'. It doesn't deserve to be held in the same bracket as 2006's 'Cars', but that doesn't mean there's not a good time to be had with it. The premise mixes motorsport with espionage, admittedly they don't execute it incredibly but it's still satisfactory to see unfold. One slight negative is that they give Mater more screen time than Lightning McQueen, which is a mistake. Larry the Cable Guy as Mater is enjoyable, just not front and center as the lead. They could've done a similar plot that has Owen Wilson and McQueen at the forefront. Elsewhere, Michael Caine (Finn) is always a joy to listen to; even if his character isn't anything special. The racing stuff is cool, with the World Grand Prix. The parts of the story involving strictly that are definitely more entertaining than the spy stuff, especially as we get to see a few different countries via animation - which come out nicely. All in all, a weaker film than the first for sure but it's still pretty solid for a Disney animated sequel.
**A film more adult than would be desirable, where Pixar insists on giving the stage to funnyless secondary characters.** The “Cars” franchise was one of the great successes that Pixar masterfully capitalized on, both for commercial purposes and to cement its top status in the field of digital animation. I remember that these three films were accompanied by such incisive (not to say abusive) merchandising that it seemed that the films were being foisted on us. That explains why I preferred not to see them at the time. If the first film seemed quite regular to me (very good from a technical point of view, but with flaws in the script), this sequel managed to at least maintain the technical level and visual quality. The film has excellent cinematography and graphic work, as is the hallmark of the studio. Realism is excellent, although I felt that it is not as impactful and grandiose as in the first film in the franchise. I also felt that the car races, which were the strong suit of the first film due to their emotion and speed, lost much of their emotion here and sounded much more monotonous. The voice actors continue to do a very good job. Owen Wilson and Larry The Cable Guy secure the most notable efforts, but are closely followed by Michael Caine (with an unmistakable voice), Emily Mortimer and John Turturro. Where this film really failed was in the conception of the script and the story. I understand the reason why they decided to make Mater the main character: both Disney and Pixar have done this recurrently whenever a secondary character appears in the films that seem to stand out. And as in other cases, the result of the decision was extremely disappointing. Mater is not funny, more ridiculous than funny, and McQueen, who is in the shadows this time, is just another pretentious, obnoxious, arrogant driver. Dialogues don't always work well, and some jokes don't either, although most do. I also have certain reservations about the division of the film's action into two subplots (Mater's and the rivalry between McQueen and Francesco), I believe that this made the film much more adult than would be desirable.
Not as God as the 1st just slightly though. I do think it's funnier then the 1st one. Diego just bothered the hell out of me for some reason.
You know, I think I preferred this to the original. This time, the eager young "Lightning McQueen" is goaded by Italian champ "Francesco" into taking part in the inaugural "World Grand Prix". This has been set up by reformed oil gazillionaire "Sir Miles" who insists that the cars must use environmentally friendly, oil-free, fuel to compete. Meantime, unbeknown to our shiny red American, the suave and debonaire "Finn McMissile" is doing his best "007" impersonation investigating a network of international espionage that would make "Spectre" look amateur. Together with his assistant "Miss Shiftwell" they soon conclude that their fate is mixed with not just "Lightning" but with poor old "Mater" - who takes pride in every dent he has acquired to his rusting bodywork over his time with his champion friend. There's loads going on, and unlike the first of this series - I found this to be a much more engaging story with a greater international dynamic to it. The Aston Martin and the Citroën, the Ferrari and the tow truck - all reinforcing the messages of team playing and loyalty as the mystery deepens and "Lightning" and "McMissile" have to race to save the trusty old rust-bucket from a fate worse than a magnetic crusher. I enjoyed this, it's quickly paced with some humour in a script that benefits from the understated delivery of Sir Michael Caine and the enthusiasm of Owen Wilson. Good fun!
It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.
Shrek, Fiona, and Donkey set off to Far, Far Away to meet Fiona's mother and father, the Queen and King. But not everyone is happily ever after. Shrek and the King find it difficult to get along, and there's tension in the marriage. The Fairy Godmother discovers that Fiona has married Shrek instead of her son Prince Charming and plots to destroy their marriage.
The King of Far Far Away has died and Shrek and Fiona are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.
In the boorish city of Agrabah, kind-hearted street urchin Aladdin and Princess Jasmine fall in love, although she can only marry a prince. He and power-hungry Grand Vizier Jafar vie for a magic lamp that can fulfill their wishes.
American tourists David and Jack are savaged by an unidentified vicious animal whilst hiking on the Yorkshire Moors. Retiring to the home of a beautiful nurse to recuperate, David soon experiences disturbing changes to his mind and body.
As a swinging fashion photographer by day and a groovy British superagent by night, Austin Powers is the '60s' most shagadelic spy. But can he stop megalomaniac Dr. Evil after the bald villain freezes himself and unthaws in the '90s? With the help of sexy sidekick Vanessa Kensington, he just might.
When diabolical genius Dr. Evil travels back in time to steal superspy Austin Powers's ‘mojo,’ Austin must return to the swingin' '60s himself - with the help of American agent, Felicity Shagwell - to stop the dastardly plan. Once there, Austin faces off against Dr. Evil's army of minions to try to save the world in his own unbelievably groovy way.
The world's most shagadelic spy continues his fight against Dr. Evil. This time, the diabolical doctor and his clone, Mini-Me, team up with a new foe—'70s kingpin Goldmember. While pursuing the team of villains to stop them from world domination, Austin gets help from his dad and an old girlfriend.
A couple of high school graduates spend one final night cruising the strip with their buddies before they go off to college.
When timid bank clerk Stanley Ipkiss discovers a magical mask containing the spirit of the Norse god Loki, his entire life changes. While wearing the mask, Ipkiss becomes a supernatural playboy exuding charm and confidence which allows him to catch the eye of local nightclub singer Tina Carlyle. Unfortunately, under the mask's influence, Ipkiss also robs a bank, which angers junior crime lord Dorian Tyrell, whose goons get blamed for the heist.
'Toon star Roger is worried that his wife Jessica is playing pattycake with someone else, so the studio hires detective Eddie Valiant to snoop on her. But the stakes are quickly raised when Marvin Acme is found dead and Roger is the prime suspect.