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The Last Word with Lawrence ODonnell - (Jan 14th)
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It's a lesson I learned a long time ago. A man worth shootin' is a man worth killin'. Firecreek is directed by Vincent McEveety and written by Calvin Clements Sr. It stars James Stewart and Henry Fonda. Music is by Alfred Newman and cinematography by William H. Clothier. A Technicolor/Panavision production, plot finds Stewart as Johnny Cobb, the part time Sheriff of Firecreek who has to make a stand when a gang fronted by Fonda's Bob Larkin invade the town and create mayhem. This be a traditional Western fan's picture, a sort of one for the fans made by stars who served the genre so greatly previously. The story is a complete throwback to the decade previously, even having shades of the magnificent High Noon in the process. It looks fabulous with the great Clothier on photography duty, and with a strong supporting cast list backing up our ever dependable leads it's a production of worth. It's appreciatively noted that the makers didn't pander to feel good homespun Western formula in story telling, for although it treads a well worn path in plotting, it's a grim and moody piece. Sexual harassment, vigilantism, bullying and revenge fuel the fires in Firecreek, with Stewart and Fonda playing conflicted peace keeper and calm villainy respectively. All this while Newman lays a moody evocative score across the play. Is there enough within to justify the running time? No not really, we have to deal with pacing issues and the action junkies among us are asked to sit tight till film's closing quarter for a fix. Shaving fifteen minute off of this wouldn't have been hard to do since there are filler sequences that don't improve the narrative. Yet this is still a treasure, where if one is prepared for a deliberately paced adult Western, that's loaded with smart dialogue and compelling performances, then genre entertainment awaits. 7.5/10
A Texan sheriff and his younger brother travel across the border into Mexico to confront the man who killed their father.
Newly appointed sheriff Pat Garrett is pleased when his old friend Doc Holliday arrives in Lincoln, New Mexico on the stage. Doc is trailing his stolen horse, and it is discovered in the possession of Billy the Kid. In a surprising turnaround, Billy and Doc become friends. This causes the friendship between Doc and Pat to cool. The odd relationship between Doc and Billy grows stranger when Doc hides Billy at his girl Rio's place after Billy is shot.
William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.
Pat Garrett is hired as a lawman on behalf of a group of wealthy New Mexico cattle barons to bring down his old friend Billy the Kid.
Stan Borden with the help of the stooge Sheriff is out to get the Toreno ranch. Kicking the peons off the ranch, they kill Miguel's father. Miguel then becomes the masked El Lobo and when Jim Lawrence arrives, the two team up to fight Borden and the Sheriff.
A mute gunslinger fights in the defense of a group of outlaws and a vengeful young widow, against a group of ruthless bounty hunters.
The simple story has the pair coming to the rescue of peace-loving Mormons when land-hungry Major Harriman sends his bullies to harass them into giving up their fertile valley. Trinity and Bambino manage to save the Mormons and send the bad guys packing with slapstick humor instead of excessive violence, saving the day.
Steve Kinney and his henchman, Mort, are trying to stir up trouble between the local ranchers and farmers, behind a wave of rustling and lawlessness. Mort kills Vic, a Kirby cowhand, and lays the blame on Dan Harper, the leader of the farmers faction. Storekeeper Fuzzy Q. Jones, fearful of losing the outstanding charge-accounts he has on his books, drags his reluctant pal, Billy Carson, into the fray, and the two soon prove Kinney and his henchmen to be behind the valley's troubles.
From Wichita to Dodge City, to the O.K. Corral in Tombstone, Wyatt Earp is taught that nothing matters more than family and the law. Joined by his brothers and Doc Holliday, Earp wages war on the dreaded Clanton and McLaury gangs.
When a Midwest town learns that a corrupt railroad baron has captured the deeds to their homesteads without their knowledge, a group of young ranchers join forces to take back what is rightfully theirs. They will become the object of the biggest manhunt in the history of the Old West and, as their fame grows, so will the legend of their leader, a young outlaw by the name of Jesse James.
Four unwitting heroes cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day, but first they have to break each other out of jail, and learn who their real friends are.