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The Dog House - (Aug 28th)
Chris Jansing Reports - (Aug 28th)
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The Hotel Inspector - (Aug 28th)
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Botched Presents- Plastic Surgery Rewind - (Aug 28th)
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Battle of the Generations - (Aug 28th)
New Zealand Tomorrow - (Aug 28th)
Gogglebox Australia - (Aug 28th)
Drag Race Philippines- Slaysian Royale - (Aug 28th)
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In 1920 a group of young Montreal women artists formed the nucleus of what would later become known as the Beaver Hall Hill Group. Members recount how they created an artistic environment of mutual support that lasted for more than three decades.
In Cathedrals, filmmaker Dan Algrant embarks on a journey to reconnect with two black collaborators from a film made nearly 50 years ago. Cathedrals becomes a powerful exploration of the bonds that tie us together and the experiences that shape our identities. Through the lens of a creative collaboration, the film illuminates the struggles and triumphs that define life in a close-knit community, ultimately reaffirming the importance of human connection and the power of collective memory.
Beatrice, a gynecologist seeking escape in Berlin’s club scene, and Alex, a defiant trans club manager juggling parenthood and protest, begin to fight for the right to their bodies and discover unexpected support in each other while facing difficulties of what is expected of them. Although they could not be more different, a close friendship develops between them, which soon ends up in a new understanding of what family means.
An anxious Catherine is unable to communicate with her five year old daughter. Can she discover a new way to connect to her at a busy casino party?
An innocent father and his blind daughter with a doll spend their days within the walls of a bunker during the final stages of civil war in Sri Lanka. The surprising third character connects the father, daughter and the doll in a sorrowful manner. The blood tears they shed during the darkest hours are unheard by many. The characters represent the current stages of the tamils in Sri Lanka. The ones who died, disappeared and the living dead.
1943. Buryad Ulas. In a hinterland in far Siberia, many kilometers far from the front battle line there is a small buryad village. Though there is no place in a country unaffected by War. This village is no exception. All men went to the battle-front, only children, women and old men are left. You need to survive somehow, bring up the smallest, and take care of the ill and old, aid army. 15-year old teenagers shoulders are heavily loaded with war-time and rear chores. They also strive to go to the battle-front, want to fight for their motherland side by side with their fathers and brothers, but they realize that when mothers are out, there are nobody, except them, to take care of kids, graze horses, work on mills and do many other things.
In a kingdom shrouded in darkness, the malevolent VileGuile seized power, casting a wicked enchantment over the Queen and imprisoning the blind little princess, Darya, within the Enchanted Tinderbox. Fate intervenes as the box finds its way into the hands of the carefree roisterer Johnny whose only dream was to live an easy life. Travelling with Darya, John undergoes a profound transformation. His once-selfish nature gives way to courage and generosity, evolving into a true hero. Alongside their faithful companions, the merry aeronaut Jean and the magical horse Good Pathfinder, John and Darya's journey takes them to the sombre caves of dwarf miners, where they forge the unbreakable friendship, and to the ethereal sky kingdom of magic ladybirds, leading John to understanding the boundless power of love and self-sacrifice.
A surrealist drama about a young woman coping with her past trauma while an eclectic group of characters find themselves influencing her actions.
A man struggling with ongoing mental illness finds himself battling to find a solution to his unrelenting condition.