Smith's Picnic

Gambler "On-the Level" Leigh (William S. Hart) is forced to leave his high rolling lifestyle to move his ailing sister Alice (Mildred Harris) to the healing climate the mountains. Financial strain compels him to resume his favored vocation. Unfortunately for Level, the dance hall girl Coralie (Alma Rubens) doesn't take rejection well and convinces the dealer to clean him out with a "cold deck". A desperate robbery ensues, leading to Level wanted for murder!

When her grandson is kidnapped during the Tour de France, Madame Souza and her beloved pooch Bruno team up with the Belleville Sisters—an aged song-and-dance team from the days of Fred Astaire—to rescue him.

A young history student goes to his uncle’s mansion to find out what caused the old man descend into madness.

Assuming he is marrying a wealthy girl, Peter Foley passes a fraudulent check. To save him from jail, Julia Barry poses as his wife. Peter is actually in love with Alice Blake. He encounters complications with motorcycle cop Bull, who is engaged to Julia. A friend of Alice adds to the mix-up. All wind up snowbound together in a mountain lodge.

Marcia Kane, daughter of an American capitalist, is persuaded by her father to marry the expatriated Russian Grand Duke Sergei, and believing Wally, her real love, to be dead, she consents. Discovering after the ceremony that her father has tricked her, Marcia vows to be the duke's wife in name only, though she refuses Wally's proposal that she go away with him.

Fannie joins Johnny to perform a music-hall act which becomes a success, until two Broadway producers catch the act and offer Fannie a job on their latest show; however, they have no place for Johnny, so Fannie turns down the offer. (Film considered lost.)

Mrs. Katherine Manners loves her three grown daughters who are in boarding school. When she plans a party for them at home, they phone from the school that they cannot come because they are too busy. But she hears the sounds of a party in the background, so she goes to the school where she finds her daughters with young men. She is told that two of the daughters plan to be married, while the third plans to marry Grantland Dobbs as soon as he gets a divorce, and the mother is frightened by this announcement. She goes abroad and returns with a man, gets an apartment at a wealthy center, and lives with him. Her daughters are shocked when the mother entertains guests at drinking parties. When Mrs. Manners proves to her daughters that their fiancées are not respectable, she reveals to them that she was acting a part just to prove to them that she was right about their chosen mates. She reveals that the man she was living with was her cousin.

Peter Olsen, a young social outcast who lives alone on a rundown farm and raises vegetables for a living, finds his only consolation in liquor, though Dorcas Chatham, daughter of the general store owner, begs him to forego this indulgence. Returning from town, he finds a dog by the roadside, apparently injured by a car, and takes it home. Later, on a drunken spree, Peter is attacked by robbers, but the dog comes to his rescue and frightens the assailants away. Stirred by the unselfish devotion of his dog, Peter gradually regains his self-respect, and Dorcas falls in love with him and accepts his proposal, though she fears the dog. When Peter enters the dog in a show, another exhibitor proves to be its owner, and Peter is first parted from, then reunited with, "his" dog. Dorcas overcomes her fear and is united with Peter.

The Vampire is a surviving 1915 silent film drama directed by Alice Guy and starring Olga Petrova. It is one of Petrova's and Guy's few surviving silent films.

A shop girl finds herself disgraced after being pressured into drinking too much at a party and getting arrested for public drunkenness.

Most of the scenes are laid in a parrot-and-monkey country in South America, a land where "it is always after dinner." The Llano Kid, a Texas bad man, flees there from justice. The consul persuades him to play the long-lost son of a Castilian family, and tattoos a coat of arms on the back of the Kid's hand to make the deception complete. The Kid is taken into the household, trusted and loved by the gladdened mother. For the first time he has a home. The romance develops. And when the time comes to rob and flee he has too much manhood to break the loving mother's heart. The surprise comes when it is revealed that the man the Kid killed in Texas was the real son.