Where the Pavement Ends

Francis, a young man, recalls in his memory the horrible experiences he and his fiancée Jane recently went through. Francis and his friend Alan visit The Cabinet of Dr. Caligari, an exhibit where the mysterious doctor shows the somnambulist Cesare, and awakens him for some moments from his death-like sleep.

A sci-fi/espionage film in which world powers vie for control of a death ray during World War I as an undercover countess infiltrates enemy ranks to prevent them from getting their hands on the weapon.

Two families, abolitionist Northerners the Stonemans and Southern landowners the Camerons, intertwine. When Confederate colonel Ben Cameron is captured in battle, nurse Elsie Stoneman petitions for his pardon. In Reconstruction-era South Carolina, Cameron founds the Ku Klux Klan, battling Elsie's congressman father and his African-American protégé, Silas Lynch.

A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Sergei M. Eisenstein's docu-drama about the 1917 October Revolution in Russia. Made ten years after the events and edited in Eisenstein's 'Soviet Montage' style, it re-enacts in celebratory terms several key scenes from the revolution.

In the mountains of West Virginia, Alderson Cree is mortally wounded in an ambush by Kip Ryerson, after Kip's wife, Martha, seeks refuge at the Crees's home for herself and her stepdaughter, Eileen. Cree makes his young son, David, promise to avenge his death once he has grown into manhood. As David Cree runs for help, Alderson recants and instructs Martha Ryerson to release his son from his promise. However, to eliminate her brutal spouse, Martha Ryerson remains silent, and George Hedrick, the local storekeeper, leads a crowd to drive Kip out of town. Hedrick later announces Kip's death, relieving David of his obligation to his father. Years pass, and David, now an adult, is engaged to Mary Reddin. When Kip Ryerson returns to town, David's mother demands that he keep his promise to avenge his father.

Henry Potter is the irresponsible playboy son of a New York millionaire. Fearing he will disgrace the family name if he stays in New York, the father sends him to San Francisco to work in the family shipyards and, to make a man out of him, he is told he will have to start at the bottom and work his way up. Henry decides this is not a good idea and resents it to the point he will indeed start at the bottom but will work his way down from there, and disgrace the family name in San Francisco.

Lost film critical of the poor treatment that Maya peons received on the haciendas.