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I photographed this cover as part of its theatrical launch at Cannes. It is very dramatic and was shot as a three part photocomposite (before photoshop). The front bit is my business partner as the monk - the female below is the famous page three model, Gail Mckenna (Samantha Bond agency) and it was shot in a London studio. The flaming background was shot on the farm where I lived - we set fire to a load of old fencing - the image is heavily filtered, red and magenta for maximum effect. The face was from Paul McGann's advertising for the film - removing the existing face and combining the elements into the photocomposite image was by Dennis Novak and done on 10x8" transparency using the Unichrome method. Paul McGann's face is too small for the hood. I also understand he did not like the cover. We handled the entire theatrical release - brochures, posters photography, the lot. This film was among several at that time and followed a radical genre that called into question the matter of celibacy in the priest hood and how repression of instinct can produce a dramatic and powerful unconscious shadow. In a way it foreshadowed the terrible revelations about widespread abuse in the church that was to come to light later. The main conflict is predictable - a celibate priest fighting his instincts love for a woman - modern version of Abelard and Heloise with a modern and highly symbolic outcome.
Towards the end of the 16th century, the Spanish conquerors living in the New World faced a serious problem: the evangelization of the indigenous people, who did not understand or accept Christianity due to their unshakable faith in their own religion. The court of the Inquisition cracks down on heretics and the natives prepare for a general uprising ...
Painter Francisco Goya becomes involved with the Spanish Inquisition after his muse, Inés, is arrested by the church for heresy. Her family turns to him, hoping that his connection with fanatical Inquisitor Lorenzo, whom he is painting, can secure her release.
In 1543, at the University of Salamanca, in Spain, Fray Antonio Román, an Augustinian monk who spreads humanist ideas, considered heretical, among his more inquisitive students, a clandestine group of four led by the brilliant novice Luis de León, mysteriously dies in unspeakable circumstances. In the present day, the historian Lara Cabanes is hired to find out if the monk was murdered, as is suspected and she is told, but the task will not be easy to achieve.
In the sixteenth century, Miguel de Cervantes, poet, playwright, and part-time actor, has been arrested, together with his manservant, by the Spanish Inquisition. They are accused of presenting an entertainment offensive to the Inquisition. Inside the huge dungeon into which they have been cast, the other prisoners gang up on Cervantes and his manservant, and begin a mock trial, with the intention of stealing or burning his possessions. Cervantes wishes to desperately save a manuscript he carries with him and stages, with costumes, makeup, and the participation of the other prisoners, an unusual defense-the story of Don Quixote.
Set during the height of Spanish Inquisition. The beautiful and kind-hearted Maria is arrested as a witch when she inadvertently cries out in horror at the public whipping of a child. As Maria’s husband Antonio tries to save her, Torquemada, the Grand Inquisitor, determines to punish Maria with torture for the desire she inflames in him. Loosely based on Edgar Allen Poe's classic short story.
Set in the splendor and terror of the Spanish Inquisition, Flame in the Wind tells the story of Carlos, an earnest young nobleman who is faced with a choice: the church system offers safety, protection, and respectability; the Scriptures offer Christ and salvation from sin—and with these torture and death.
Isabel and Clara are growing up in a time of terror. It is 1492, and Spain has decreed that all Jews must either convert to Catholicism, go into exile or face trial and execution. Although forcibly baptized, the sisters are chased through Christendom until they arrive in Venice. It is in this great maritime empire, where opulence rhymes with tolerance, that Isabel organizes secret passages for refugees fleeing the Inquisition while Clara falls in love with a Venetian noble, Paolo Zane. Isabel intends for her family to go to Istanbul, the only place where Jews can live freely, but Clara is reluctant to leave. She challenges Isabel's authority and is prepared to break her family ties and sacrifice her faith for love. Caught in this battle of wills is Clara's daughter, Victoria, who finds she is about to be married into the same faith that murdered her father.
In the sixteenth century, Francis Barnard travels to Spain to clarify the strange circumstances of his sister's death after she had married the son of a cruel Spanish Inquisitor.
Set in the Spain of 1680, a time of torture and interrogation by the Grand Inquisitor. A young man appears that is healing the sick and raising the dead. There are rumours that he might be the second coming of the Messiah. He is brought before the Grand Inquisitor. Though questioned and tortured, he chooses to remain silent.
Period piece set during the Inquisition about a witch-finder general who falls in love with the village beauty, who has made a pact with the devil to seduce and condemn the man who is killing off Satan's servants.