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Queer 2024 - Movies (May 30th)
The Last American Vagabond - (Jun 3rd)
Piers Morgan Uncensored - (Jun 3rd)
Bargain-Loving Brits in the Sun - (Jun 3rd)
Deadline- White House - (Jun 3rd)
Best of The Beat with Ari Melber - (Jun 3rd)
The Price Is Right - (Jun 2nd)
The Bold and the Beautiful - (Jun 2nd)
The Young and the Restless - (Jun 2nd)
Scotlands Home of the Year - (Jun 2nd)
Fare Dodgers- At War with the Law - (Jun 2nd)
Narrow Escapes - (Jun 2nd)
The Chase Australia - (Jun 2nd)
Katy Tur Reports - (Jun 2nd)
The Tucker Carlson Show - (Jun 2nd)
Homebound 3.0 - (Jun 2nd)
Tastefully Yours - (Jun 2nd)
Motorway Cops- Catching Britains Speeders - (Jun 2nd)
The One Show - (Jun 2nd)
Panorama - (Jun 2nd)
Chris Jansing Reports - (Jun 2nd)
'Harriet' stumbles in its clichéd storytelling and focus on going for gold - but that's not to undermine the fantastic acting, groundbreaking music, and of course the incredible true story of Harriet Tubman's bravery. With Black Lives Matter, the fight to end violence and systemic racism towards black people is rooted in the United States' DNA and 'Harriet', and sadly serves as yet another reminder of the constant mistreatment of African Americans. Films about slavery are still relevant, as that same discrimination is still taking place today. I want to end with lyrics from the film's song 'Stand Up' which feel very potent: “I'm going to stand up, take my people with me, together we are going, to a brand-new home.“ - Chris dos Santos Read Chris' full article... https://www.maketheswitch.com.au/article/review-harriet-a-flawed-harriet-tubman-biopic-with-a-phenomenal-performance
Cynthia Erivo delivers really strongly here as the eponymous woman who strives to escape generations of enslavement herself, then work to free her family and her race from the brutal oppression of their overlords. This characterisation of her sheer determination, coupled with a feistiness and courage is indeed well captured but sadly the rest of this is little better than an ordinary television movie. It's not that anyone is especially bad, it's just that none - especially Joe Alwyn's "Brodess" - really cut through. Janelle Monáe doesn't feature often enough to make too much impact and the rest rather follows a precisely produced narrative that failed to inject any real sense of the menace faced by this woman swimming against a societal tide that few had dared before her. It's all just a bit too clean, too sterile and even at it's emotional height - well, I just kept thinking someone was going to give us a song. Maybe it would have had more impact that way? There's also too little emphasis on her work as a "freedom fighter" - a sort of Robin Hood style of character determined to emancipate her people with a bare minimum of violence and spurning the more obvious instincts of revenge upon her former persecutors. The message is there, OK, but it relies far too much on the presumed attitudes of the audience rather than powerfully demonstrate the bleakness of her prospects and the injustice of their psychologically shackled existence. It's watchable enough, but sadly just a little too underwhelming.
As Agnes slowly dies of cancer, her sisters are so immersed in their own psychic pains that they are unable to offer her the support she needs.
New York gangster Ben 'Bugsy' Siegel takes a brief business trip to Los Angeles. A sharp-dressing womanizer with a foul temper, Siegel doesn't hesitate to kill or maim anyone crossing him. In L.A. the life, the movies, and most of all strong-willed Virginia Hill detain him while his family wait back home. Then a trip to a run-down gambling joint at a spot in the desert known as Las Vegas gives him his big idea.
In 1841, young Ishmael signs up for service aboard the Pequod, a whaler sailing out of New Bedford. The ship is under the command of Captain Ahab, a strict disciplinarian who exhorts his men to find Moby Dick, the great white whale. Ahab lost his leg to that creature and is desperate for revenge. As the crew soon learns, he will stop at nothing to gain satisfaction.
The story of Bobby Sands, the IRA member who led the 1981 hunger strike during The Troubles in which Irish Republican prisoners tried to win political status.
The story of Rubin "Hurricane" Carter, a boxer wrongly imprisoned for murder, and the people who aided in his fight to prove his innocence.
A portrait of Chinese writer Liu Xiaobo (1955-2017), a witness of the Tiananmen Square massacre (1989), a dissident, a woodpecker who tirelessly pecked the putrid brain of the Communist regime for decades, demanding democracy loudly and fearlessly. Silenced, arrested, convicted, imprisoned, dead. Nobel Peace Prize winner in 2010, alive forever. These are his last words.
Heinrich wishes to conquer death through love, and when he meets Henriette, the wife of a business acquaintance, she expresses interest in a suicide pact when she learns she has a terminal illness.
Inspirational true story of Iranian dancer Afshin Ghaffarian, who risked his life for his dream to become a dancer despite a nationwide dancing ban.
Biography of the curvaceous and sharp-witted actress who scandalized Broadway and Hollywood in the 1920s-30s with her frank approach to sex.
Aging King George III of England is exhibiting signs of madness, a problem little understood in 1788. As the monarch alternates between bouts of confusion and near-violent outbursts of temper, his hapless doctors attempt the ineffectual cures of the day. Meanwhile, Queen Charlotte and Prime Minister William Pitt the Younger attempt to prevent the king's political enemies, led by the Prince of Wales, from usurping the throne.
Depression-era bank robber John Dillinger's charm and audacity endear him to much of America's downtrodden public, but he's also a thorn in the side of J. Edgar Hoover and the fledgling FBI. Desperate to capture the elusive outlaw, Hoover makes Dillinger his first Public Enemy Number One and assigns his top agent, Melvin Purvis, the task of bringing him in dead or alive.