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Janitor's Crushed Body Found At Bottom Of Elevator Shaft! Shoot to Kill (AKA: Police Reporter) is directed by William Berke and written by Edwin V. Westrate. It stars Robert Kent (AKA: Douglas Blackley), Luana Walters (AKA: Susan Walters), Edmund MacDonald and Russell Wade. Music is by Darell Calker and Gene Rodgers and cinematography by Benjamin H. Kline. When gangster Dixie Logan (Kent) is framed by crooked Assistant District Attorney Lawrence Dale (MacDonald), his wife Marian (Walters) and a reporter, George Mitchell (Wade), set about proving how corrupt Dale is. You see the phrase poverty row B noir mixed with statements like double crosses and disloyalties, and it pricks up the ears of the film noir fan. Unfortunately Shoot to Kill has gained a small cult fan base without any surface justification. The film quite simply is a mess, oh the twists and flashback structure look impressive in the page, but the construction by the director is awful, with cast performances to match as well! This is amateur film making 101 and we even get a Keystone Cops like fist fight... It opens with a promising car chase and crash, but that is a false dawn, from there it's a collage of weak characterisations as the director throws it all together and hopes it works. The best things in the film are an extended piano playing sequence by Gene Rodgers, some of the blaring newspaper headlines that raise a smile and the odd bit of noirish shadow play. While mercifully it only runs at just over an hour. Don't be fooled, this is no hidden treasure for the noir head to seek out, it really doesn't know what to do with the plot machinations. 3/10
There's actually quite a lot of meat on the bones of this thriller. When "Dixie Logan" (Robert Kent) is framed for murder by the crooked District Attorney "Dale" (Edmund MacDonald) it falls to Luana Walters ("Marian") to take a job as his secretary and ingratiate herself into his organisation where, with the assistance of the newly befriended investigative reporter "Mitchell" (Russell Wade), she hopes to be able to prove the corruption. Needless to say, there is little jeopardy here - we know from the start who did what, and we can also easily anticipate the denouement and the burgeoning romance that gives "quickie quota" an whole new meaning. The acting is adequate, nothing more, as is the writing, but William Berke does manage to keep this moving along without a surfeit of wasteful dialogue for just over an hour - we even get some expertly choreographed fisticuffs! It's standard afternoon fayre - or maybe just a little better than that.
Matt Lee Whitlock, respected chief of police in small Banyan Key, Florida, must solve a vicious double homicide before he himself falls under suspicion. Matt Lee has to stay a few steps ahead of his own police force and everyone he's trusted in order to find out the truth.
Three detectives in the corrupt and brutal L.A. police force of the 1950s use differing methods to uncover a conspiracy behind the shotgun slayings of the patrons at an all-night diner.
Freddy Heflin is the sheriff of a place everyone calls “Cop Land” — a small and seemingly peaceful town populated by the big city police officers he’s long admired. Yet something ugly is taking place behind the town’s peaceful facade. And when Freddy uncovers a massive, deadly conspiracy among these local residents, he is forced to take action and make a dangerous choice between protecting his idols and upholding the law.
On their cross-country drive, a married couple, Jeff and Amy Taylor, experience car trouble after their SUV breaks down. Stranded in the New Mexico desert, the two catch a break when a passing truck driver offers Amy a ride to a nearby café to call for help. Meanwhile, Jeff is able to fix the car and make his way to the café, but Amy isn't there. He tracks down the trucker - who tells the police he's never seen Jeff or his wife before. Jeff then begins a desperate, frenzied search for Amy.
This raw Italian political melodrama investigates the underbelly of Rome in the early '70s, exposing drugs, crime, and sexual scandals.
Amid a tense political climate, the opposition leader is killed in an apparent accident. When a prosecutor smells a cover-up, witnesses get targeted. A thinly veiled dramatization of the assassination of Greek politician Grigoris Lambrakis and its aftermath, “Z” captures the outrage at the US-backed junta that ruled Greece at the time of its release.
Jimmy Erskine is the most feared theatre critic of the age. He lives as flamboyantly as he writes and takes pleasure in savagely taking down any actor who fails to meet his standards. When the owner of the Daily Chronicle dies, and his son takes over, Jimmy quickly finds himself at odds with his new boss and his position under threat. In an attempt to preserve the power and influence he holds so sacred, Jimmy strikes a Faustian pact with a struggling actress, entangling them and the boss in a thrilling but deadly web of desire, blackmail, and betrayal.
"The Karma Killings," is a modern-day crime thriller mixed in with Indian mythology and class warfare. The documentary delves into India's most infamous serial killings and its impact on a nation. Told through the people directly involved, the film unravels the complexities of the case and goes beyond the sensational headlines to present a suspenseful and scary mystery. And has a huge twist - one of the killers maybe innocent?
Inspectors Tong (Shaw Brothers regular Pai Ying) and Cheng (Kent Cheng) are investing a psychopathic serial killer who has been raping and murdering prostitutes. With the help of a young prostitute, they follow the bloody trail to...
A Milan pimp faces off against a ruthless and greedy French gangster whom wants to unite organized crime in Italy.
A romantic drifter gets caught between a corrupt tycoon and his voluptuous wife.