According to this movie, Thomas Edison (MacLachlan) and Nikola Tesla (Ethan Hawke) were like Mozart and Salieri if Mozart and Salieri had been anything like they are portrayed in Amadeus – but then Tesla has as tenuous a hold on reality as Amadeus does, sans all the things that make Milos Forman's film otherwise great. This movie derives a sick pleasure from comparing the two inventors, emphasizing Edison's failures over Tesla's successes – whatever those may have been; I confess that, after seeing the film, I haven't the slightest idea of Tesla's achievements, apart from alternating current (which he did not invent) and, apparently, communicating with Mars. Perhaps it's due to the latter that Hawke plays Tesla as some kind of alien; a combination of Keanu in The Day the Earth Stood Still and Bowie in The Man Who Fell to Earth. Tesla depicts two meetings between the inventors only to admit that neither actually happened. In one of those imaginary encounters, Edison apologizes to Tesla and tells him that he was wrong about him. What is the point of this? If it is supposed to be a retroactive 'f-you' to Edison, methinks he is long past the point of caring. Apart from the historically revisionist chip on its shoulder, Tesla is a stylistic disaster. The film is narrated by Anne Morgan (Eve Hewson), American financier and banker J.P. Morgan's (Donnie Keshawarz) daughter. In addition to her role in the events of the film, Anne appears in cutaways, sitting at a table with a Mac computer (?), reporting the respective number of results in a Google search for Tesla and Edison, and telling us to Google the American businessman and engineer George Westinghouse. If this weren't strange enough, in the second half of the movie director/screenwriter Michael Almereyda has Hawke stand against a background that is either a matte painting (Niagara Falls, a field in Colorado, a restaurant) or a projection (a pair of horses frolicking in a meadow, to whom Hawke offers an apple); this might work in a stage play, or if the entire film consistently followed the same aesthetic, but here it's just another incomprehensible artistic choice. All of the above, however, is nothing compared to what will go down in history as arguably the lowest point in cinema in the year 2020; Ethan Hawke as Nikola Tesla doing a karaoke version of Tears for Fears' "Everybody Wants to Rule the World." This is the exact moment, with about ten minutes to go, when I said "F this movie" and never looked back.
Steve Marriott is one of the British music scene's greatest vocalists. Midnight Of My Life is a poignant study of talent, aging and what success means.
Movie Star Rating : 0 Read More
Little Secret is a film with three interlocked stories all connected by a single secret that converge to reveal the tragic yet beautiful lives of three families and how hope, dreams and destiny can unite people from very different parts of the world.
Movie Star Rating : 6.3 Read More
The amazing, true story of a Uruguayan rugby team's plane that crashed in the middle of the Andes mountains, and their immense will to survive and pull through alive, forced to do anything and everything they could to stay alive on meager rations and through the freezing cold.
Movie Star Rating : 6.9 Read More
Huo Yuan Jia became the most famous martial arts fighter in all of China at the turn of the 20th Century. Huo faced personal tragedy but ultimately fought his way out of darkness, defining the true spirit of martial arts and also inspiring his nation. The son of a great fighter who didn't wish for his child to follow in his footsteps, Huo resolves to teach himself how to fight - and win.
Movie Star Rating : 7.5 Read More
A great Empire, once famous for its enlightened traditions, is taken over by a ruthless political establishment. Religious fundamentalists and national separatists are tearing at the fabric of its liberal society. Under the influence of his conservative advisors, the Emperor fails to initiate the reforms that could save the Empire from annihilation. One man alone can avert the cataclysm to come. The year is 1888 and the 600-year-old Empire of Austria-Hungary is at a cross-road of history. Crown-Prince Rudolf, son of fabled Empress Sisi, the most beautiful woman of her time, is the man with the vision and the ability to lead his Empire into the 20th century. Yet his enemies, the all-powerful Prime Minister first and foremost, scheme to isolate Rudolf from his father and from access to power. Against the backdrop of one of the most dangerous, exciting and colorful periods in history, at the dawn of the modern age...
Movie Star Rating : 6.5 Read More
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