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It’s hard not to be swept up by ‘Matthias and Maxime’. This is a film made with such love and care, sincerity and grace, showcasing everything that makes Xavier Dolan such an arresting filmmaker and distilled into their purest form. What made my heart soar was in how it laid bare how complex human relationships are, how pointless such binaries as gender and sexuality are, how love between two people is greater than simply defined as friendship or romance. ‘Matthias and Maxime’ refuses to play into such simplistic categories, instead celebrating the wonder of love and human connection without the need for them. Maybe some viewers will try and pigeonhole the protagonists as “gay“ rather than just two people in love to make themselves feel more comfortable, much like the bi-erasure in many responses to ‘Call Me By Your Name’, so pointlessly obsessed are we with useless outdated labels, but that would be such a loss to their experience of the richness of this film. ‘Matthias and Maxime’ is a quiet triumph, a tender love story beautifully told, a reminder of how deep the rivers of love can go, how violent travelling them can be and how so very worth the journey is. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-matthias-and-maxime-a-magical-film-on-the-complexity-of-friendship-and-love
I was rather disappointed by this effort from Xavier Dolan. Perhaps writing/editting and starring in the film robbed him too much of objectivity when it came to actually watching this bit of a non-story. He portrays "Max", a young French-Canadian man who is about to emigrate to Australia. At a party with his childhood friends, he and handsome best pal Matt (Gabriel D'Almeida Freitas) get lumbered with starring in a video being made by one of their number's pesky younger sister. The scene involved the two of them kissing - something neither had done (as an adult) with a man before. What ensues is a slow, deliberately so, depiction of the complications that this kiss has on their relationship. "Matt" has a long term girlfriend, so his reconciliation with his "new" feelings for his friend take on a different guise from those of the single "Max" who has issues with his recovering addict mother. Sadly, though, too much of those repercussions are presumed on us by the director and not demonstrated to the audience. It doesn't need to be a cheesy traditional romance, nor a sex fest, but we are left to imagine or envisage that they want each other only because we know that's what the film is about - not because we are presented with much tangible, or even implied, sense of desire. Indeed the others in their group more readily flirt and banter than the two in the title. It doesn't have a beginning, middle and end - it just has a middle. A rather interestingly filmed and quite well put together middle, but a middle nonetheless. Certainly worth watching - I think Dolan has something about him - but I wanted more from the characters and the story - as it is I just felt like a rather unsatisfied observer.
Petra von Kant is a successful fashion designer - arrogant, caustic, and self-satisfied. She mistreats Marlene (her secretary, maid, and co-designer). Enter Karin, a 23-year-old beauty who wants to be a model. Petra falls in love with Karin and invites her to move in.
18-year-old Shengnan is invited to a mysterious party by her cousin. Upon arrival, Shengnan finds herself surrounded by greasy middle-aged men, with the exception of Jianguo, who is different. Shengnan and Jianguo decide to bail on the party, embarking on a night of adventures in the adult world.
Suspicious that her colleague is responsible for a series of mysterious patient deaths, a nurse risks her own life to uncover the truth.
An urban gay couple dispute their very different views on holding hands in public, which leads to a much bigger exploration of their relationship.
On the brink of her 30th birthday, Fanny feels the door to marital happiness closing on her. She is obsessed with death and even visits evening classes on dying, so it seems fitting that she encounters a skeleton in the malfunctioning elevator of her apartment building. The skeleton is her neighbour Orfeo, a Black, gay, self-declared psychic, who convinces her that she is about to meet "him". But is it really Lothar, the new yuppie apartment manager ...?
Three lonely young denizens of Taipei unknowingly share an apartment: May, a real estate agent who uses it for her sexual affairs; Ah-jung, her current lover; and Hsiao-kang, who's stolen the key and uses the apartment as a retreat.
Over the course of three days Ross, a college dropout addicted to crystal-meth, encounters a variety of oddball folks - including a stripper named Nikki and her boyfriend, the local meth producer, The Cook - but all he really wants to do is hook up with his old girlfriend, Amy.
Vittorio, a professional dancer, falls in love with Marco, the choreographer he is working with. Unfortunately, Vittorio's feelings are not reciprocated by Marco, who also falls for another man. Will Vittorio come out stronger from this situation?