Twin sisters Julia and Sara (each played by Belén Rueda) both suffer from a degenerative eye disease that robs them of their sight; Sara lost her vision completely, and it’s only a matter of time before Julia’s sight follows. The film begins with the death of the blind Sara, apparently being menaced by someone in her home, then hanging herself. Details surrounding Sara’s death don’t add up for Julia, however; why would Sara kill herself? She was scheduled to have an operation to restore her sight, and she just met someone. Julia and her husband Isaac (Lluís Homar) begin to investigate, but time is running out: Sara may have been murdered, her danger is now turning toward Julia, and the added stress is stealing Julia’s remaining vision ever faster... There are so many great concepts here. The most primary is blindness, and the terror it invokes. Our heroine knows the remaining time she has with her sight is short, and the agony she (and her husband) feels over its loss is palpable. Not content with the mundane horror of blindness, the film ups the ante by putting this woman with ever-dimming sight into a life-or-death struggle to discover what happened to her sister and prevent it from befalling her as well. Few horror films are able put their protagonist in such a nail-bitingly vulnerable position. Even fewer horror films, however, have the terrific Belén Rueda anchoring them. Rueda’s performance is incredible, by turns vulnerable, heartbroken, terrified and full of steely resolve. She and Homar have a warm, believable chemistry that informs their performances as a married couple with a devastating disease hanging over their heads. Will he love her when she’s blind? Will he abandon her? He’s sick with worry over the stress and her imminent plunge into blindness. She’s driven by guilt to discover what happened to her sister, even knowing what it may cost her. The film itself is a masterwork of tension and style, including some gorgeous and clever cinematography by Óscar Faura. This is indeed one of the most stylish thrillers I’ve ever seen, particularly a conceit that director Guillem Morales effects around the midway point and is clever, frustrating, and hideously effective. The film eschews (as all the best do) copious blood and gore, and milks the quiet horror of Julia’s predicament for everything it’s worth. There are a couple of story beats high-concept enough they may raise your eyebrow after the fact, but when your film is this immaculately-crafted, this terrifying, this effective…who the hell cares? If you’re not on the edge of your seat by the time of the film’s hellishly tense finale, I fear you may require medical attention. Mystery, thriller, horror, character study…the film is all these things and more, blended into an arresting film experience that elicits a full catalog of fears ranging from the mundane to the Grand Guignol. Julia’s Eyes is ever more proof of what I’ve been saying: these days, the best horror films speak Spanish.
Failing eyesight runs in the family here as the blind "Sara" apparently takes her own life in the basement of her home, leaving sibling "Julia" (Belén Rueda) - herself with irreversible eye problems of her own - left to investigate just what happened. Everyone is convinced it was suicide, but not "Julia" and when she and husband "Isaac" (Lluís Homar) have to temporarily move into her sister's home she begins to piece together a puzzle that involves the specialist eye clinic they both attended, a mysterious boyfriend and some very sceptical police officers led by "Dimas" (Francesc Orella). The first hour of this is all pretty standard horror fayre, but once we've got past the character establishment and domestic squabbling stage, it turns into a decently menacing thriller with quite a compelling effort from Rueda as the increasingly panic-stricken character. Most of the sense of horror here is easily transferable to an audience if you shut your eyes and let your ears and the darkness do your petrifying for you. It's not for the squeamish either - needles, eyeballs, hospitals - not for the faint hearted! The end product here is an hybrid of a few styles and is hardly ground-breaking, but it benefits from taut direction at the end and a solidly fearful performance from a Rueda who looks as terrified as were were supposed to feel. I enjoyed this.
CREMASTER 2 (1999) is rendered as a gothic Western that introduces conflict into the system. On the biological level it corresponds to the phase of fetal development during which sexual division begins. In Matthew Barney's abstraction of this process, the system resists partition and tries to remain in the state of equilibrium imagined in Cremaster 1 ...
Movie Star Rating : 6.5 Read More
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Movie Star Rating : 6.4 Read More
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Movie Star Rating : 7.1 Read More
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Movie Star Rating : 7.2 Read More
When Amanda and friends stumble across an old boat, they think they have found an ideal secluded party spot. Drinking too much and cranking up their music they have no idea that they are disturbing the boats violent sole occupant- a scarred figure with a painful past and a dark secret. Soon this mysterious violent man begins to pick off the unwelcome visitors and adds them to his macabre collection in the meat locker. Amanda thinks help is at hand with the arrival of another group on board but the newcomers have their own agenda and wont let anything get in their way.
Movie Star Rating : 0 Read More
A young woman newly returned to her hometown becomes the subject of harassment by a man named Blackway, an ex-cop turned violent crime lord who operates with impunity in this small community on the edge of the wilderness. Forsaken by the local townspeople—and advised by the Sheriff to leave town—Lillian decides instead to take a stand against her sociopathic stalker, and enlists the help of ex-logger Lester and his laconic young sidekick.
Movie Star Rating : 5.3 Read More
An ex-tennis pro carries out a plot to have his wife murdered after discovering she is having an affair, and assumes she will soon leave him for the other man anyway. When things go wrong, he improvises a new plan—to frame her for murder instead.
Movie Star Rating : 8 Read More
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