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***A Southern belle has second thoughts about getting married after meeting a carnie hunk*** Freshly graduated from college, a sultry Alabama debutante (Sherilyn Fenn) is sidetracked from her semi-arranged marriage in a couple of weeks by a hunky carnival worker (Richard Tyson). Louise Fletcher plays the unbending matriarch, Kristy McNichol a street-smart trucker and Burl Ives a seasoned sheriff. This is a drama/romance that would fit into Southern Gothic. Unlike most of these films, “Two Moon Junction” (1988) curiously throws in softcore nudity and sex. If that turns you off, I suggest staying away. I think it’s the main reason people look down on this flick and write it off as “sexploitation trash” and “a romance novel put to film.” I wouldn’t know because I’ve never read one, although my wife encouraged me to read one once (because it had fantasy elements) and I couldn’t get past the first chapter; too much kissy-kissy. If you can get past that or roll with it, this is an entertaining Southern Gothic with a worthy script and the social mindfood thereof (I’m not getting where people say it comes off as if it were written by a 10 year-old, not at all). There’s a hypnotic quality to some of the proceedings, like the haunting “Poison Ivy” (1992), but without the melancholy. Tyson as the roustabout looks like a more rugged version of Val Kilmer, albeit with darker, longer hair. Fenn is surely beautiful and shown tastefully (and unnecessarily) nude in the last act, but she’s actually outshined by McNichol in her physical prime. Seriously, Kristy is just stunning and worth the price of admission. The script was well thought out and includes several gems, like the deep communication through the windows of the soul phenomenon and the dilapidated mansion that April (Fenn) and her friends used to hang out at when they were teens, calling it “our place.” Then there’s the sheriff, who’s in the pocket of the matriarch, and his respectful, but no-nonsense dealings with Perry (Tyson); and the latter’s love for his dog. Also, the commentary on the gulf between the Southern aristocracy and the “riffraff” is insightful. Should April mind that gulf and be well compensated or go with her heart? Either way, it’s a risk. The film runs 1 hour, 44 minutes and was shot in Los Angeles County, California. The producers do a pretty good job of trying to make Southern Cal look like Alabama, but you can tell in a few scenes. GRADE: B
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.
Australian good girl Sandy and greaser Danny fell in love over the summer. But when they unexpectedly discover they're now in the same high school, will they be able to rekindle their romance despite their eccentric friends?
Returning home from a shopping trip to a nearby town, bored suburban housewife Laura Jesson is thrown by happenstance into an acquaintance with virtuous doctor Alec Harvey. Their casual friendship soon develops during their weekly visits into something more emotionally fulfilling than either expected, and they must wrestle with the potential havoc their deepening relationship would have on their lives and the lives of those they love.
Gu Bo is a beloved father and husband, but also a writer who struggles to be true to his sexual identity.
With the mayoral election approaching, the newly-appointed state prosecutor of a small Turkish town suffering from a water supply crisis gradually descends into trouble after a young local woman is raped.
In the years before World War I, a love affair takes place between an American pilot named Jack Ames and a French spy named Madeleine Aubert. Madeleine leaves her American fiancé to join her father, another French spy, at an estate in Germany. Her father instructs her to accept the invitation of a Prussian officer, Eric von Coburg, to live at his estate for a month.
Oscar and Peter land a career-making opportunity when a Chicago tycoon chooses them to compete for the design of a cultural center. The tycoon mistakenly believes that Oscar is gay and has him spy on his mistress Amy. Oscar goes along with it and ends up falling in love with Amy.
A grieving husband struggles to come to terms with his wife's passing. Following a night-time visit to her grave, he picks up a transgender sex worker.
An empathetic stripper plays therapist to the many damaged clientele and co-workers who frequent the popular Anywhere Bar.
With a reputation for seducing members of the opposite sex, regardless of their marital status, a notorious womanizer discovers a beauty who seems impervious to his charms. However, as he continues to pursue the indifferent lady, he finds himself falling in love.
