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Charles Marlowe is I, Monster. I, Monster is directed by Stephen Weeks and written by Milton Subotsky. An interpretation of Robert Louis Stevenson’s The Strange Case of Dr. Jekyll and Mr. Hyde, it stars Christopher Lee, Peter Cushing, Mike Raven, Richard Hurndall, George Merritt, Kenneth J. Warren, Susan Jameson and Marjie Lawrence. Music is by Carl Davis and cinematography by Moray Grant. Kept By The Power Of God! Stevenson’s age old tale gets another make-over as Dr. Charles Marlowe (Lee) invents a drug that releases his patients’ inhibitions. However, upon trying the drug himself, Marlowe finds that he turns into the monstrous Mr. Blake, who with each transformation becomes more cruel and debauched. Dull and Hyde! Amicus never quite made the mark on British Horror that they aspired to, a few films are enjoyable, certainly there’s good value to be found with some of the segments in their portmanteau releases, but so many others just come off as weak attempts to create a niche in the market. Quite often there was good intentions on the writing table, such is the case with I, Monster, which has literary intentions that are honourable. The Eastman Color photography is lovely, the period design equally so, and the use of canted angles is a good move, but unfortunately the film is just too dull and beset with problems elsewhere. First off is Cushing and Lee, two bona fide legends of British cinema and bastions of horror. Lee is miscast, never quite convincing in the Mr. Blake role, which isn’t helped by the make up work which would look more at home in Carry On Screaming. With Cushing it’s just a case of him being underused, which is unforgivable in a horror film aiming for literary smarts. Carl Davis’ musical score is awful, at times I sounds like something that belongs in a silent movie farce. Starting out as a 3-D venture, that idea was abandoned early in the production, it’s hard to believe that the gimmick would have stopped this being the dreary film that it is. 4/10
A troubled psychologist is sent to investigate the crew of an isolated research station orbiting a bizarre planet.
A Victorian Englishman travels to the far future and finds that humanity has divided into two hostile species.
Hoping to alter the events of the past, a 19th century inventor instead travels 800,000 years into the future, where he finds mankind divided into two warring races.
The brains of a Russian taxi driver and a wealthy businessman are brought together in one body by a mad scientist.
In order to save an assassinated scientist, a submarine and its crew are shrunk to microscopic size and injected into his bloodstream.
After a wave of reports of mysterious attacks involving people and pets being eaten by the traditionally docile fruit, a special government task force is set up to investigate the violent fruit and put a stop to their murderous spree.
Reporter John Klein is plunged into a world of impossible terror and unthinkable chaos when fate draws him to a sleepy West Virginia town whose residents are being visited by a great winged shape that sows hideous nightmares and fevered visions.
Momo is a young orphan girl who lives in the ruins of an old Roman amphitheater and becomes friends with everybody in the neighborhood. But when a powerful international corporation starts stealing everybody’s time, nobody has any time left for her, let alone their friends or families. Momo, together with Master Hora, the custodian of time, are the only ones who can go up against the time thieves before all is lost forever.
Richard Martin buys a gift, a new NDR-114 robot. The product is named Andrew by the youngest of the family's children. "Bicentennial Man" follows the life and times of Andrew, a robot purchased as a household appliance programmed to perform menial tasks. As Andrew begins to experience emotions and creative thought, the Martin family soon discovers they don't have an ordinary robot.
With their freedom on the line, the Looney Tunes seek the help of NBA superstar Michael Jordon to win a basketball game against a team of moronic aliens.
As a child, the brutal murder of her family made Alexis regain her hearing along with synesthetic abilities. Now as an adult, she finds solace in the sounds of bodily harm. But when she’s told she might lose her hearing again, she escalates her gruesome sound experiments in a quest to compose her masterpiece.