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As the credits began to roll on ‘Portrait of a Lady on Fire’, I was practically incapable of moving or speaking. Every time I didn’t think the film could possibly get any better, Céline Sciamma elevated it to even greater, more incomprehensible heights, culminating in one of the most extraordinary moments in 21st-century cinema. This is a rare and precious film, breathtaking in its craft and intensely honest in its passions. This is a film that aches, that longs, that dances in ecstasy and raises its hands to the sky, angelic and ferocious and perfect. Simply put, ’Portrait of a Lady on Fire’ is a masterpiece, and one of the best films of this or any year. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-portrait-of-a-lady-on-fire-a-perfect-film-on-the-language-of-desire
The best LGBT movie ever. And that's on period luv.
Céline Sciamma, writer and director of “Portrait of a Lady on Fire,” calls her period film a “manifesto on the male gaze.” This is the most accurate, elegant description of her story of a romance between two French women in the late 1700s. This is an impeccably detailed, beautifully acted, refined drama with a strong feminist angle that’s as stirring as it is thought-provoking. Marianne (Noémie Merlant) is commissioned to paint the wedding portrait of Héloïse (Adèle Haenel), a young woman who has just left the convent. Because Héloïse is a very reluctant bride-to-be, Marianne arrives under the guise of companionship, observing the smallest of details about the woman by day and secretly painting her by firelight at night. As the two women spend their days with one another, intimacy and attraction grow, and the portrait becomes a symbol of the intensity of their love. The lead performances are mannered and structured in the most effective way. The strong desire between the two women is manifested in a gaze or careful examination of a wisp of hair or the way Héloïse crosses her hands. There’s a quiet intensity to the emotional and physical intimacy between these two women, making this love story’s end feel all the more heartbreaking. This is mostly an all-female film, and the men briefly seen on screen play little importance. Rounding out the characters are Héloïse’s mother (Valeria Golino) and housekeeper Sophie (Luàna Bajrami), who both fill critical roles in the story as the film explores issues affecting women at the time, including arranged marriages, career expectations, and health concerns. The film itself is absolutely stunning, with gorgeously romantic and lush cinematography by Claire Mathon setting a sensual tone that complements the story. The artistry is outstanding, making “Portrait of a Lady on Fire” one of the most powerful, intellectual dramas of the year.
Undoubtedly worth a watch; who knew portraits were the Tinder of the 1700s.
Full review: https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/paint-me-like-one-of-your-french-girls-portrait-of-a-lady-on-fire-review Celine Sciamma’s fourth feature film, _Portrait of a Lady on Fire_, is a triumph. Few romance movies capture the totality of love, loss, and remembrance in the way Sciamma does in this film. The story is simple: Marianne (Noémie Merlant) has been hired to paint a portrait of Heloise (Adèle Haenel) to be sent to the Milanese nobleman she is to marry. He will not marry her until he sees what she looks like. Other artists have tried and failed to paint Heloise, but she has resisted because she doesn’t want to be married. Marianne pretends to be Heloise’s walking companion, all the while studying Heloise so she can paint her in secret. Eventually, though, Marianne’s secret is revealed and Heloise agrees to sit for her.
16 year old, Noam, auditions for a school play despite his parents disapproval. From the moment he steps onto the back stage of the theatre, he falls in love. He falls in love with its lights, colors, sounds and its sense of freedom. Above all, he falls in love with Shay, who is also competing for the main role.
Dissatisfied with the state of health services available in the United States during the 1960s, an activist in Chicago forms a group that provides education and counseling for women seeking abortions.
Two women finally find the love and respect they deserve after both of their long-term, loveless relationships fail and they meet each other.
Bimba Devi alias Yashodhara is a 2018 Sri Lankan Sinhala language epic, biographical drama film written and directed by professor Sunil Ariyaratne. This historical biographical film film depicts the life of princess Yashodhara, the wife of Prince Siddhartha.
These are the whispers of the last time two best friends were together one afternoon on the rooftop.
After her birthday party, ad executive Michelle finds herself caught between cheerful Tony, dreamy Bill, youthful Jeb, and rich Tiger. Overwhelmed with stress, another complication quietly forms in her life.
Medical-school dropout Wallace has been repeatedly burned by bad relationships. So while everyone around him, including his roommate Allan, seems to be finding the perfect partner, Wallace decides to put his love life on hold. It is then that he meets Chantry, an animator who lives with her longtime boyfriend Ben. Wallace and Chantry form an instant connection, striking up a close friendship. Still, there is no denying the chemistry between them, leading the pair to wonder, what if the love of your life is actually your best friend?
An ensemble film about four everyday people: a store manager, a security guard, a fire fighter and a clerk who struggle in the aftermath of trauma.
While at work, Robin, a French immigrant pilot, receives a phone call that sends shock waves through his soul. Unseen by others, turmoil seeps into his inner world and echoes in his daily life. He will have to let this pain in, but not now. An impressionistic depiction of an all-but-ordinary day, The near future takes us to the poetic boundary between droning engines and complete silence, aerial and terrestrial, pastoral and urban, man and machine, life and death.
Two unstable teens live together in a slum apartment. When, in a poetic move, rats start invading their home, they realize that they have to deal with an unspoken matter that is threatening to ruin their relationship.