Vulgar 2024 - Movies (Dec 22nd)
Bad Tidings 2024 - Movies (Dec 22nd)
Buffalo Kids 2024 - Movies (Dec 22nd)
Nothing Even Matters 2024 - Movies (Dec 21st)
Katy Perry Night of a Lifetime 2024 - Movies (Dec 21st)
Happy Howlidays 2024 - Movies (Dec 21st)
Megalopolis 2024 - Movies (Dec 21st)
The Holiday Club 2024 - Movies (Dec 21st)
Diabolik - Who Are You 2024 - Movies (Dec 21st)
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Cold Road 2023 - Movies (Dec 21st)
Battle for Disclosure 2024 - Movies (Dec 21st)
The Big Dog 2023 - Movies (Dec 21st)
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The Order 2024 - Movies (Dec 20th)
Invincible Fight Girl - (Dec 22nd)
Mysteries Unearthed with Danny Trejo - (Dec 22nd)
Masters Of Taste - (Dec 22nd)
The UnBelievable with Dan Aykroyd - (Dec 22nd)
48 Hours - (Dec 22nd)
All Elite Wrestling- Collision - (Dec 22nd)
WWE Main Event - (Dec 22nd)
What If... - (Dec 22nd)
Lidias Kitchen - (Dec 22nd)
Accident, Suicide or Murder - (Dec 22nd)
Philly Homicide - (Dec 22nd)
On Patrol- Live - (Dec 22nd)
Saturday Kitchen Live - (Dec 22nd)
Michael McIntyres The Wheel - (Dec 22nd)
Earth Abides - (Dec 22nd)
Tyler Perrys Sistas - (Dec 22nd)
Landman - (Dec 22nd)
Match of the Day - (Dec 21st)
The Beat with Ari Melber - (Dec 21st)
Secrets of the Royal Palaces - (Dec 21st)
Well you have to hand it to Pier Paolo Pasolini - he had one hell of an imagination. Here he devises a story of a group of nine young men and women who are apprehended by four powerful Fascist officials and held captive for use in some of the most degrading and painful games of sex, humiliation and abuse. I was warned not to eat chocolate before I saw this, and towards the end of this bizarre depiction of cruelty, depravity and exploitation it became quite clear why - and I'd reiterate that here. There is something profoundly desperate about the film. It has nothing even vaguely redeeming about it. Is it allegorical? Perhaps Pasolini is swiping at what he perceived to be the beginning of the disposable culture? Perhaps the illustration of mankind at it's more obscene offers us his perspective on just what humanity had become by the mid 1970s? In any case, this is frankly rather a disgusting film to watch and though I did feel the ending had a great deal of suitable retribution to it, I still struggled to quite get my head around this epitome of man's inhumanity to their own kind. I doubt I shall ever watch it again, but it packed out the cinema in which I watched it and there was plenty of provocative conversation in the bar about it afterwards...
Wow! You can't escape the fact that this movie pushes the limits of disturbing art! Many will call it sick. I suspect the point of this film is more about the depravity and dehumanization of fascism, political corruption, totalitarianism, and morality. I have not read the Marquis de Sade's work on which this film was based. **It isn't possible to "un-see" a film, so be prepared if you choose the experience.** It was described to me as "horror" before I watched it, and I'm not sure it truly captures the film's genre. I can't think of a film genre that adequately describes it. I will probably never watch it again or forget the images it seared on my brain. But I was challenged to think about various political and societal themes that are still very relevant today.
During a pogrom against Jews in a village, an innkeeper is killed, his daughter is put in a convent after being crucified, and her illegitimate child, who later grows up to be a student, is placed in the care of a guardian.
Three couples of friends, going off for the week end, are lulled into redrawing their Map of Love by the spring days.
The quiet village of Bramley End is taken over by German troops posing as Royal Engineers. Their task is to disrupt England's radar network in preparation for a full scale German invasion. Once the villagers discover the true identity of the troops, they do whatever they can to thwart the Nazis plans.
When disc jockey Grant Mazzy reports to his basement radio station in the Canadian town of Pontypool, he thinks it's just another day at work. But when he hears reports of a virus that turns people into zombies, Mazzy barricades himself in the radio booth and tries to figure out a way to warn his listeners about the virus and its unlikely mode of transmission.
Iron and Silk is a 1990 movie based on the eponymous book by American writer Mark Salzman. It details his journey to China after college to study Chinese wu shu, better known in the west as kung fu, and to teach English. Though not trained as an actor, Salzman starred as himself, as did Pan Qingfu, who claimed no one else could portray him on film. Salzman's experiences occurred in Changsha, Hunan, though the film was shot in Hangzhou, Zhejiang. (Wikipedia)
An airline pilot pursues a live-in babysitter at his hotel and gradually realizes she is not as stable as perhaps she should be.
A psychiatrist tells two stories: one of a trans woman, the other of a pseudohermaphrodite.
Bella once again finds herself surrounded by danger as Seattle is ravaged by a string of mysterious killings and a malicious vampire continues her quest for revenge. In the midst of it all, she is forced to choose between her love for Edward and her friendship with Jacob, knowing that her decision has the potential to ignite the ageless struggle between vampire and werewolf. With her graduation quickly approaching, Bella is confronted with the most important decision of her life.