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In a dreamlike wandering, the city becomes a constant rendezvous. In the hustle and bustle of strange streets, the protagonists face disillusionment and life’s obstacles that make them believe that their desire for freedom is only possible in dreams.
TRY AGAIN brings us into the mind of Walt Eichner, a middle-aged failure on the verge of ending it all. However, it turns out Walt isn’t any better at ending his life than he is at living it. Each attempt to formulate his grand demise is stymied by circumstance and bad planning, leading Walt to consider that suicide isn’t the neat solution he thought it would be.
County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
Two gay-straight best friends find their close relationship upended when one gets a new girlfriend.
Hunter Carson receives a letter from his old Uncle Jack imploring him to visit in Spain. When Hunter arrives in Barcelona and Jack is nowhere to be found, the young man follows a series of clues that lead him to a surprising revelation about his family and future.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
A mother loses her daughter to femicide. Instead of reacting with rage against the world, she mourns in her own different way: by going out, speaking publicly, and fighting to trade love for patriarchy for the sake of our society. By interweaving every-day moments with the story of our protagonist, the film tries to describe the banality of this evil. Mothers of Daughters pushes the boundaries of documentary filmmaking by poetically and sensitively trying to find imagery for this unbelievable story, that could happen to any of us.
Incapable of falling asleep, Mamadou starts to walk endlessly to tire himself and be able to have a final dream of where he was born.