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Full of dark revelations and scattered with offbeat satire, ‘Papi Chulo’ has an important message to share about mental health. Its pacing isn’t perfect and the result is a story that lags at times, but this film bravely tells a story rarely seen on screen, let alone from within the LGBT community. And fear not - despite its heavy subject, it finishes with a happy ending that’s both fitting and still grounded in reality. ‘Papi Chulo’ is an important start to a discussion that requires a much larger conversation. - Charlie David Page Read Charlie's full article... https://www.maketheswitch.com.au/article/review-papi-chulo-a-deep-dark-comedy-dealing-with-lgbt-mental-health Head to https://www.maketheswitch.com.au/sff for more Sydney Film Festival reviews.
Local television weatherman “Sean” (Matt Bomer) has a bit of brain freeze whilst on air and is sent home for a few weeks of gardening leave. It’s then that we discover he has recently split from his boyfriend and all that’s left of the relationship is a mark on their patio where a plant once stood. He tries to see to it himself, but decides it’s best to get a little man in - and so drives down to the corner where the immigrants gather and recruits “Ernesto” (Alejandro Patiño). He doesn’t speak much English and gets on with his work but inexplicably “Sean” starts to find himself drawn to this older, straight and slightly bamboozled gent who is happy to take the cash for a day’s work but in no way sees his new benefactor in any sort of a sexual, or emotional, fashion. It only takes so long to cover a spot on the patio, so soon “Sean” is finding other excuses to spend time with “Ernesto” - much to the confusion of that man’s wife, but gradually the pair begin to understand and respect each other. It’s a film about friendship, pure and simple, and though Bomer is the star it’s really Patiño who steals the plaudits as his bemused character has to navigate this new world of his gay friend. Some of his facial expressions are hilarious as the story sort of meanders along without any obvious place to go, nor need to go either. At times it’s quite a potently amiable look at breaking down barriers, assumptions and stereotypes without their being an agenda - and is worth a look.
Notorious Baltimore criminal and underground figure Divine goes up against Connie & Raymond Marble, a sleazy married couple who make a passionate attempt to humiliate her and seize her tabloid-given title as "The Filthiest Person Alive".
Sixteen year old Sam explores her relationship with a new friend during an anxiety inducing day at Grandma's.
A serial killer dispassionately discusses the nuts and bolts of his grisly avocation, as well as the youthful traumas which helped to mold him into a psychopath, in this disturbing independent drama from Germany, based on the true story of of Germany's most famous child murderer Juergen Bartsch who, between the ages of 15 and 19, abused, tortured and killed four schoolboys in the Ruhr region of Germany from 1962 to 1966.
A feature film about the life and death of the famous Bavarian actor Walter Sedlmayr, who was murdered in 1990 and who tried all his life to hide his homosexual tendencies from the public. The life story is told from the perspective of his professional environment and - sometimes in a documentary style - his fellow actors report on him. His sexual preferences in the BDSM area are also discussed.
Two gay men living in St. Tropez have their lives turned upside down when the son of one of the men announces he is getting married. They try to conceal their lifestyle and their ownership of the drag club downstairs when the fiancée and her parents come for dinner.
Former child star Joe Davis, reduced to living in a cheap Hollywood motel while struggling for acting jobs, is lusted after by nearly every woman he meets, including Jessica Todd, a tightly wound feminist who has recently come out as a lesbian. When Jessica's mother, Sally, an emotionally needy has-been actress, meets Joe, she moves him into her enormous, tacky mansion as her new boy toy and attempts to get him acting work.
The petite waitress Johnny works and lives in a truck-stop, where she's lonely and longs for love. She develops a crush on the garbage truck driver Krassky, although her sleazy boss Boris warns her that he's gay.
Paul and Agnes have been going out for quite a while and Agnes is shocked to learn that he'd rather live with two roommates on campus than move in with her. As soon as he meets one of his roommates, Louis-Anault, Paul's behavior changes - he is attracted to Louis without realizing so himself. Agnes, on the other hand, gets quite jealous and offers a bet: Whoever gets to have Louis-Anault first, wins... If she does, Paul will no longer explore his homosexual desires, if he does - she'll walk away. Meanwhile, Paul meets Mecir, a young Arab worker, who shows him there's more to life than elite colleges...
Gulabi is a transwoman groomed by her patriarchal father to join the military. When her father disowns her, Gulabi ends up living a life of prostitution in Kathmandu.
The eponymous garçonne or flapper is Monique Lerbier, an emancipated French woman who leaves home to escape a marriage of convenience to a man she does not love which her parents have forced on her. She then falls into all sorts of carnal temptations and artificial pleasures previously unknown to her. These include her being seduced into a lesbian love affair by a chanteuse.
The film takes place at the training base of the Russian national team. The eyes of the whole country are riveted to this place, our players train here in the remaining few days before the match. All those who help them win work here: coaches, administrators, doctors, watchmen and even cleaners. The fate of the decisive match depends on these people. All of them are selflessly devoted to football.