Naughty Office 43

A manager of a company has made an embezzlement just to make the sweet life possible with his lover. An office manager promises to take the blame if the manager promises to behave better.

Kang Ji-yeong runs a shared office. Under her, regular VIP Kim Gi-baek, writer Yang Kyeong-mi, and business planner Min Jeong-gyoo enter the office one after another. Boss Ji-yeong feels that Gi-baek and Min-gyoo are turning their attention to Kyeong-mi. Out of jealousy, she decides to corrupt Kyeong-mi and kick her out of her shared office. However, Kyeong-mi is secretly attracted to her female boss and starts working on a script about it.

The relationship between four female temps all working for the same credit company is threatened with the arrival of a new hire, who lands a permanent position one of the women was vying for.

Adachi and Kurosawa are now in a relationship. While they are happily dating and enjoying their office romance, Adachi is offered a job transfer. Adachi is happy to have the chance to do the work he wants, but the new job is far away in Nagasaki, 1200 km away. Will their love have a happy ending?

Side by side in a leafy suburb, Thom lives in one flat, Alethea in another. It's pretty clear that their respective, unsatisfying lives would improve enormously if they just met each other. But with a wall literally between them, this seems highly improbable. Then there's the building's Power Box, having an existential crisis about the eventual collapse of the universe, and the super nova from five thousand years ago. Then there's time travelling on an equation for the speed of light and too much sugar. There's demon magpie attacks, laptops in love, cats dancing to Prince and sock puppet nightmares. And a tiny prayer by the Wall, hoping that all of these pieces can come together for one magical moment of love.

Workplace is a documentary made by Gary Hustwit, in association with R/GA, for the 2016 Venice Architecture Biennale.Workplace is about the past, present, and future of the office. It looks at the thinking, innovation, and experimentation involved in trying to create the next evolution of what the office could be. The film follows the design and construction of the New York headquarters of digital agency R/GA (in collaboration with architects Foster + Partners) who have been experimenting with how physical and digital space can better interact. Digital technology has radically changed how and where most of us work, but the physical spaces we work in haven’t kept up with that transformation.

Kudo is a new employee at a major temporary staffing company. At the Tokyo branch office where he was training, there was Sanae, the branch manager and the person in charge of training new employees. When Sanae was a new employee, she continued to be sexually harassed by her managing director, Yokaichi, and now that she is in a position, she is taking revenge on the male-dominated society of the company...

After he reunites with an old pal through Facebook, a mild-mannered accountant is lured into the world of international espionage.

Fong (Miriam Yeung) is already at odds with Wu (Edison Chen), one of her bosses at an ad agency, when she makes a major mistake at work that puts her job on the line. To save herself, she feigns pregnancy, which, under Hong Kong law, means she cannot be fired for 10 months. However, while there may be some perks that accompany her "pregnancy," she is eventually forced to concoct increasingly elaborate lies and involve everyone around her in the charade.

The employees of Kuri González Shoe Stores loved the idea of Home-Office-in March. After months of confinement, Mirreyes and Godínez are constantly trying to maintain their sanity.