Four Days in October

In December 2021, Hideki Kuriyama began devoting his days to one singular goal: hoisting the championship trophy at the 2023 World Baseball Classic. How did he mold his players into one of the best and strongest Samurai Japan teams in history? A close-up documentary that looks back on Samurai Japan's path to becoming world champions, along with valuable behind-the-scenes footage captured by the team's dedicated crew.

A documentary of the German national soccer team’s 2006 World Cup experience that changed the face of modern Germany.

Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.

A unique and extraordinary story about how a group of local surfers have managed to create a community and promote a surf culture against all odds, in a territory with barely 100 days of waves a year.

This Pete Smith Specialty short showcases former heavyweight boxing champion Max Baer with various sparring partners in the ring. Slow motion is used to illustrate how Baer uses his skills.

In his own words, Sabathia narrates his story. As the highs and lows of his last season are chronicled, Sabathia looks back on his legacy as one of the game’s pre-eminent pitchers, as well as the profound challenges that shaped him, including his longtime battle with addiction that came to a head in 2015 while playing for the Yankees.

A documentary on Argentinean soccer star Diego Maradona, regarded by many as the world's greatest modern player.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

A look at the world of US writer Paul Auster, on the occasion of the publication of his new novel, an exploration of human identity and the soul of New York, the city that Auster has portrayed as no one else has ever done.