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Synchronic is the most conventional, "mainstream" movie Aaron Moorhead and Justin Benson have made to-date and unfortunately that's a bit of a step back. They're previous outings, especially their slow burn low-budget Resolution and the fantastic The Endless, are mind benders that slowly unwind the respective film's underlying mystery. The astute viewer can figure out what's happening in this film's surreal prologue. And just in case you still can't figure it out, there's a bit too much exposition later on to hammer it home. Anthony Mackie is excellent. It's hard to not subconsciously see Marvel's Falcon, but overall he is an effective dramatic lead. The chemistry with fellow EMT Jamie Dorn is believable and authentic and adds poignancy to the films more dramatic moments. They visit some well crafted scenes where they are called in as EMT's, and their weary "been here, done that " banter is effective. While the last act is WAY too formulaic, overall it's an entertaining flick, and if I hadn't seen their previous outings, I probably would have enjoyed it more. P.S. Anybody catch the Andrew Garland Annihilation synths in both the beginning and end?
With every film they make, Aaron Moorhead and Justin Benson refine their genre-bending, unapologetically cerebral style, and 'Synchronic' is no exception. While it does feel like a smaller step forward in terms of ambition, it isn't a waste of time. Even if they only pull at an interesting thread and don't fully unravel it, it's still more unique than most other genre movies you'll see. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-synchronic-a-time-tripping-sci-fi-drama
A group of drug-influenced lumpen teenagers from the suburbs of the city descends into the center where they do not belong, where they are excluded. They adopted a brutal method to seize rights that were not granted to them. Unaware of what will happen to them, cheerful and well-to-do university students are helpless in the face of this gun-wielding mob that suddenly raids the bar where they are having fun.
Dr. Jackie Stevenson is a Los Angeles based therapist and scientist who tries to invent a serum to separate the pure from the lustful side of the female psychosis. After she has an unsuccessful experiment with a female client named Martine, which drove her patient to insanity and to a mental hospital, Jackie tries part of the serum on herself and becomes her lustful alter ego Heidi Hyde; a voracious lesbian who prowls the streets of L.A. after dark looking for carnal pleasures.
Two teenage best pals attracted to the same boy end up scrambling his life after he walks into a door and is knocked unconscious.
The TARDIS arrives on the planet Marinus on an island of glass surrounded by a sea of acid. The travellers are forced by the elderly Arbitan to retrieve four of the five operating keys to a machine called the Conscience of Marinus, of which he is the keeper. These have been hidden in different locations around the planet to prevent them falling into the hands of the evil Yartek and his Voord warriors, who plan to seize the machine and use its originally benevolent mind-influencing power for their own sinister purposes.
The Doctor, Ian, Barbara and Susan arrive in the TARDIS on board a spaceship. Their initial concern is for the ship's human crew, who are suffering from telepathic interference from the Sensorites, but Susan communicates with the Sensorites and finds the aliens fear an attack by the humans and are just defending themselves. Travelling to the Sense Sphere (the Sensorites' planet) the Doctor seeks to cure an illness to which the Sensorites and Ian have succumbed, but finds it has been caused by deliberate poisoning. The political manoeuvring of the Sensorite City Administrator poses another threat to the TARDIS crew as he seeks to discredit and implicate them.
A young filmmaker accidentally claps her idol’s mystical clapperboard, throwing the two on a frantic journey through film genres and beyond.
During the end of the world, two best friends walk around their city, talking about their sex lives, and one of them reveals they are still a virgin.
An 18th birthday mushroom trip brings free-spirited Elliott face-to-face with her wisecracking 39-year-old self. But when Elliott’s "old ass" starts handing out warnings about what her younger self should and shouldn't do, Elliott realizes she has to rethink everything about family, love, and what's becoming a transformative summer.
A mother and son are eating sushi at a conveyer belt sushi bar in Tokyo. This film depicts their conversation using cutout animation.
Mark Singer returns as Dar, the warrior who can talk to the beasts. Dar is forced to travel to earth to stop his evil brother from stealing an atomic bomb, and turning their native land from a desert into... well... a desert! Written by Jim Palin