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Richard Hammonds Workshop - (Sep 9th)
Universal Basic Guys - (Sep 9th)
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The Last American Vagabond - (Sep 9th)
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Neil Diamond performs Christmas songs in informal settings, joined by choirs from around the country.
Steve Earle's solo performance at the 2005 Montreux Festival is a charismatic triumph. Armed with just an acoustic guitar and a harmonica, he performs tracks from across his career, with an emphasis on his later output.
This DVD edition consists of the original Pumpkin Video, plus an addition of 6 songs which include clips from albums "Time Of The Oath", "Better Than Raw" and "If I Could Fly" from their latest album "Dark Ride".
Timmy finds his old toy rocket and imagines that he and Brushbrush are astronauts in space. They head to Planet Shmengee to liberate the space station from the Cavity Goon and Miss Sweety.
A tragic tale in which love and filial sentiment battle in a political intrigue around the fascinating character of Simon, a privateer become doge: Simon Boccanegra is one of Verdi’s greatest operas, over which floats the shadow of his admiration for Shakespeare. For this captivating and moving score, the Dijon Bourgogne Orchestra has called upon one of the great Verdi specialists, Roberto Rizzi Brignoli, whose Traviata in 2011 demonstrated his intimate and precise knowledge of the Italian master’s style, and the German stage director Philipp Himmelmann, a regular at Unter den Linden in Berlin and the great European stages.
Haruto and Kosuke go into the Donut Shop Manager's Underworld and use the powers of the Dance Ring.
Hansjürgen Pohland's short documentary is an audiovisual study that captures events and people on the streets on film. The special feature of the work is that the people and objects are portrayed exclusively through their shadows.
Taken from a dusty old VHS tape from the Metallica Vault. Filmed at the Delta Center in Salt Lake City, UT on January 2, 1997.
‘In reality, this Lohengrin is an entirely new phenomenon for the modern consciousness!’ Richard Wagner himself understood the innovative character of his sixth piece of music theatre, completed in 1848, the year of revolutions. Although it is reckoned among his ‘romantic operas’, his new vision of musical drama is already clearly heralded in this work. In his hands, the mediaeval saga of the Knight of the Swan becomes a meditation on the true love that asks no questions. Alain Altinoglu, our Music Director, who has already conducted this work in Bayreuth, guarantees the quality of the music, while the director Olivier Py, known at La Monnaie for his brilliant productions of Les Huguenots and Hamlet, can be relied on not to downplay Wagner’s revolutionary political side. Wagner’s own opinion was that ‘one can only understand Lohengrin if one can liberate oneself from any modern-looking, generalising form of representation so as to see the phenomena of real life’. A challenge to us all?