My Stepbrother Took My Ass 2

Ingo Hasselbach, whose parents were Communist Party members in East Germany during his childhood, has lived at both ends of the political seesaw. The question of how people reach a change of heart is a profound one; Hasselbach describes the external forces that led to his founding Germany's first neo-Nazi political party and the internal ones that led him away from it five years later.

If there is one person Matthew Lancit can’t get out of his mind, it is his uncle Harvey. Dark rings around his eyes, pale, blind, his legs amputated. Like Harvey, the filmmaker also suffers from diabetes. He has the disease under control, but one question is always nagging at him: How much longer? His long-term (self-)observation reliably revolves around fears of infirmity and mutilation. He translates the feared body horror into film, stages himself as a zombie, vampire, a desolate figure. Lancit playfully anticipates his potential decline, serving up a whole arsenal of effects which – as video recordings prove – go back to his youth. It is not for nothing that the “dead” in the title is also reminiscent of “dad.” Because “Play Dead!” also negotiates his own role as a father.

In the early days of the Showa era in Matsuyama, Ehime Prefecture a newborn baby is abandoned with a doll under the eaves of a merchant house along the pilgrimage route in Shikoku. It seems to be a pilgrim struggling to make a living. This baby girl is named Haruko and brought by Tomita Shizuko and Katsuji as the younger sister of their son Ryosuke who is three years apart. When the war begins, 16-year old Ryosuke qualifies for the naval academy and crosses the Seto Inland Sea. After some consideration, Shizuko tells Haruko the truth that they are not real siblings for the first time. Haruko who has had a secret crush on her brother ever since he said that he would protect her, is innocently overjoyed and heads to Hiroshima to convey this to him. The next day, an atomic bomb explodes in the sky…

When two single parents remarry, their teenaged son and daughter begin developing an unexpected attraction to each other.

Young artist Kyoko wreaks havoc on everyone that she encounters when Japan's oldest major movie studio asks a batch of venerable filmmakers to revive its high-brow soft-core Roman Porno series.

A man finds himself homeless after a fight with his significant other.

Two sisters have a petty argument.

Zoey is a talented dancer whose organized life is rudely disrupted when she moves in with her new step-dad and three step-brothers, until she discovers a dog-training app that can get boys to obey her every command. But she soon learns that it isn't the cure-all she had hoped for.

Legend has it that the human race is not the only dominant civilization living on Earth. Two other races exist in this world: the Makai (a demon race) and the Jujinkai (a half-man, half-beast race). Once every 3,000 years, a supreme being known as the "Choujin" (Overfiend) will emerge and bring balance to all three realms on Earth. In present-day Japan, after 300 years of endless searching, a Jujinkai named Amano Jyaku has discovered the presence of the Choujin inside high school slacker Tatsuo Nagumo. But now, Amano, along with his sister Megumi and their sidekick Kuroko must protect Nagumo and his new girlfriend Akemi Ito from the Makai, who believe that Nagumo is not the Choujin, but an evil entity bent on destroying all living beings on Earth. Urotsukidōji: Legend of the Overfiend was originally released as a 3 episode OVA series from January 21, 1987 to April 10, 1989 but was later re-release as a compilation film on March 18, 1989.

A girl fed up with her quirky, dysfunctional family runs away from home, causing all of them to spend time with each other.

After five years of marriage, Diana discovers the joys of adultery, claiming that she can save her failing relationship through betrayal.