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Thematically fine but executed with very little skill. Rebel soldier Matt Weaver returns to town after the Civil War, only to find that his home has been sold by unscrupulous town boss, Sam Brewster. Brewster, fearing for his safety, hires gunfighter Jules Gaspard d'Estaing to eradicate Weaver. But as d'Estaing's settles in to town it becomes clear to him just what a corrupt and morally bankrupt bunch the townsfolk are. It grieves me to mark a film like this, with so many good people involved with it, down so low. The thematic heart of this picture is fabulous, nothing none of us haven't seen before, but tales of hired gunmen straightening out dirty towns are always of interest if handled with care and a commitment to the moral essence. Invitation To A Gunfighter, in spite of starring Yul Brynner, George Segal, Brad Dexter, Pat Hingle and Strother Martin, and being directed by Orson Welles collaborator Richard Wilson, is ploddingly paced and acted like a low budget C movie. The score from David Raksin is intrusive and completely out of sync with the nature of the piece, whilst the back lot location is all too evident. The piece briefly picks up entering the final third, where thankfully Brynner is asked to earn his pay outside of walking around glumly, but it's a false dawn as the finale has all the excitement of a runny nose. I'm in the minority judging by the comments written for this film thus far, so maybe it caught me at a bad time, but the chances of me ever seeking this one out again are remote to say the least. 3/10
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.
As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.
Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.
Rip-roaring big star, big budget semi-historical story about cattle baron Devereaux Burke, who is enlisted by an aging Andrew Jackson to dissuade Sam Houston from establishing Texas as a republic. Burke must fight state senator Thomas Craden, in the process winning the heart of Craden's newspaper-editor girlfriend Martha Ronda.
Len and Cody are two friends who can not spend more than two minutes without arguing. These crazy gunmen snatched a Confederate colonel charged an archaic machine gun sidecar soon becomes a coveted prize for all offenders in west Texas.
In the old west, a man becomes a Sheriff just for the pay, figuring he can decamp if things get tough.
Will Penny, an aging cowpoke, takes a job on a ranch which requires him to ride the line of the property looking for trespassers or, worse, squatters. He finds that his cabin in the high mountains has been appropriated by a woman whose guide to Oregon has deserted her and her son. Too ashamed to kick mother and child out just as the bitter winter of the mountains sets in, he agrees to share the cabin until the spring thaw. But it isn't just the snow that slowly thaws; the lonely man and woman soon forget their mutual hostility and start developing a deep love for one another.
Wild Bill Hickock and Cannonball help two young people in love and bring the murderer of Cannonball's father to justice.
Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
