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Thematically fine but executed with very little skill. Rebel soldier Matt Weaver returns to town after the Civil War, only to find that his home has been sold by unscrupulous town boss, Sam Brewster. Brewster, fearing for his safety, hires gunfighter Jules Gaspard d'Estaing to eradicate Weaver. But as d'Estaing's settles in to town it becomes clear to him just what a corrupt and morally bankrupt bunch the townsfolk are. It grieves me to mark a film like this, with so many good people involved with it, down so low. The thematic heart of this picture is fabulous, nothing none of us haven't seen before, but tales of hired gunmen straightening out dirty towns are always of interest if handled with care and a commitment to the moral essence. Invitation To A Gunfighter, in spite of starring Yul Brynner, George Segal, Brad Dexter, Pat Hingle and Strother Martin, and being directed by Orson Welles collaborator Richard Wilson, is ploddingly paced and acted like a low budget C movie. The score from David Raksin is intrusive and completely out of sync with the nature of the piece, whilst the back lot location is all too evident. The piece briefly picks up entering the final third, where thankfully Brynner is asked to earn his pay outside of walking around glumly, but it's a false dawn as the finale has all the excitement of a runny nose. I'm in the minority judging by the comments written for this film thus far, so maybe it caught me at a bad time, but the chances of me ever seeking this one out again are remote to say the least. 3/10
Atkins is the boss of one of the Pony Express relay stations. He has been causing trouble and is replaced with Cal Sheridan. Atkins now gets the Richard brothers to raid one of the relay stations and they kill Norma's father. Cal sees that the horse of one of the raiders has a broken shoe and Norma sets out to find that horse.
A former gunslinger is forced to take up arms again when he and his cattle crew are threatened by a corrupt lawman.
A renowned former army scout is hired by ranchers to hunt down rustlers but finds himself on trial for the murder of a boy when he carries out his job too well. Tom Horn finds that the simple skills he knows are of no help in dealing with the ambitions of ranchers and corrupt officials as progress marches over him and the old west.
As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.
Wild Bill Hickock and Cannonball help two young people in love and bring the murderer of Cannonball's father to justice.
Frontier peacekeeper Sheriff Galt faces a crisis of conscience in The Iron Sheriff. In the aftermath of a robbery-murder, Galt follows the trail of evidence directly to his own son, Benjie. Sworn to uphold the law at all costs, Galt is grimly determined to see that Benjie will receive a fair trial without any coercion on his part. But the townsfolk have already decided that the sheriff will try to spring the boy, and a lynch-mob mentality slows festers its way through the community. As the trial proceeds, it becomes obvious that Benjie is going to hang for his alleged crime, but there's still one or two surprises in store.
Duke Dillon has his gang robbing stagecoaches carrying gold which is then melted down by his father. But Eddie and his sidekick Soapy are on the job and they are aided by undercover man Nevada.
A group of people traveling on a stagecoach find their journey complicated by the threat of Geronimo, and learn something about each other in the process.
Will Kane, the sheriff of a small town in New Mexico, learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground, so he attempts to gather a posse from among the local townspeople.
Will Penny, an aging cowpoke, takes a job on a ranch which requires him to ride the line of the property looking for trespassers or, worse, squatters. He finds that his cabin in the high mountains has been appropriated by a woman whose guide to Oregon has deserted her and her son. Too ashamed to kick mother and child out just as the bitter winter of the mountains sets in, he agrees to share the cabin until the spring thaw. But it isn't just the snow that slowly thaws; the lonely man and woman soon forget their mutual hostility and start developing a deep love for one another.
A Texan traveling across the wild West bringing the news of the world to local townspeople, agrees to help rescue a young girl who was kidnapped.
