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The Continental- From the World of John Wick - (Sep 22nd)
Booked- First Day In - (Sep 22nd)
Southern Charm - (Sep 22nd)
Buddy Games - (Sep 22nd)
ROH On HonorClub - (Sep 22nd)
Aakhri Sach - (Sep 22nd)
The Challenge- USA - (Sep 22nd)
Power Book IV- Force - (Sep 22nd)
Billions - (Sep 22nd)
The Chi - (Sep 22nd)
Tacoma FD - (Sep 22nd)
Foreign Correspondent - (Sep 22nd)
Gogglebox Australia - (Sep 22nd)
The Changeling - (Sep 22nd)
Still Up - (Sep 22nd)
Harlan Cobens Shelter - (Sep 22nd)
The Wheel of Time - (Sep 22nd)
The Hidden World of Hospitality with Tom Kerridge - (Sep 22nd)
Taskmaster - (Sep 21st)
Ambulance - (Sep 21st)
The title of this highly-regarded Czech drama translates as Wolf Trap. Set in the 1920s, the story revolves around an ambitious young provincial politician (Miroslav Dolozai) who enters into a marriage of convenience with a smotheringly possessive - and much older - woman (Jirina Sejbavola). Hoping to temporarily escape his overbearing wife's clutches, the husband strikes up a friendship with her young ward (Jana Brejchova). The relationship blossoms into a deep abiding love, but the jellyfish husband can't bring himself to declare his ardor to the girl. Even after the death of the wife, the husband hasn't the intestinal fortitude to admit his passion, and the results are bleak indeed for the unfortunate ward. Director Jiri Weiss does a masterful job staging his story of frustration and denial against a backdrop of post-WWI bourgeois banality.
Dr. Louis Creed's family moves into the country house of their dreams and discover a pet cemetery at the back of their property. The cursed burial ground deep in the woods brings the dead back to life - with "minor" problems. At first, only the family's cat makes the return trip, but an accident forces a heartbroken father to contemplate the unthinkable.
When Bella Swan moves to a small town in the Pacific Northwest, she falls in love with Edward Cullen, a mysterious classmate who reveals himself to be a 108-year-old vampire. Despite Edward's repeated cautions, Bella can't stay away from him, a fatal move that endangers her own life.
A computer specialist is sued for sexual harassment by a former lover turned boss who initiated the act forcefully, which threatens both his career and his personal life.
When two married business executives having an affair are blackmailed by a violent criminal, they are forced to turn the tables on him to save their families.
Shortly after David Abbott moves into his new San Francisco digs, he has an unwelcome visitor on his hands: winsome Elizabeth Martinson, who asserts that the apartment is hers - and promptly vanishes. When she starts appearing and disappearing at will, David thinks she's a ghost, while Elizabeth is convinced she's alive.
When a successful New York public defender loses his first case, he is pulled into a drug heist by a former client in an effort to beat the broken system at its own game.
When a teenager reveals that she is gay to her devout Mormon parents, they decide to send her to a conversion therapy home in Utah.
Pitch-noir melodrama about young Kauko's endless obsession and love-hate-relationship with Osmi, a girl he has known since childhood. Standing at her death bed, Kauko reminisces his years spent as a sailor, prisoner, smuggler, and a soldier in the Second World War, while Osmi manages to evolve from prostitution to a seemingly happy family life with someone else.
Georges Méliès's first attempt at Cinderella was in 1899. That film was extraordinary then for having multiple scenes and a semblance of a narrative; additionally, the use of dissolves as transitions in it influenced other filmmakers for years to do the same. Méliès was the cinema world's preeminent leader then. By 1912, however, that was no longer the case; frankly, as evidenced by this feature, his style had become dated. Moreover, Méliès had begun to adopt techniques from other filmmakers, such as direct cuts instead of dissolves, and there's even a match on action shot during the slipper trying-on scene.
A philistine in the art film business, Jeremy Prokosch is a producer unhappy with the work of his director. Prokosch has hired Fritz Lang to direct an adaptation of "The Odyssey," but when it seems that the legendary filmmaker is making a picture destined to bomb at the box office, he brings in a screenwriter to energize the script. The professional intersects with the personal when a rift develops between the writer and his wife.