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Weekends with Jonathan Capehart - (Sep 1st)
Penn and Teller- Bull - (Aug 31st)
Match of the Day - (Aug 31st)
The Beat with Ari Melber - (Aug 31st)
Michael Portillos Long Weekends - (Aug 31st)
The Voice UK - (Aug 31st)
Casualty - (Aug 31st)
The Hit List - (Aug 31st)
Saturday Kitchen Live - (Aug 31st)
The Sherry Vine Variety Show - (Aug 31st)
Symons Dinners Cooking Out - (Aug 31st)
Camp Wannakiki - (Aug 31st)
We Three Queens - (Aug 31st)
Ms. Pat Settles It - (Aug 31st)
CrimeCam 24-7 - (Aug 31st)
Lucky - (Aug 31st)
James Martins Saturday Morning - (Aug 31st)
Made in Korea- The K-Pop Experience - (Aug 31st)
Lets Make a Deal - (Aug 31st)
The Chris McCausland Show - (Aug 31st)
Decent watch, probably won't watch again, and can't recommend unless you're just dying for more Harold and Kumar. The movie feels very forced. A buddy adventure, like the first two movies made sense, but a "reconnection through adversity" trope feels tired and it seems to take a lot, to include new buddy teams and cross competition just to get them to a point where their buddy adventure high jinks can start and we get some nostalgia for the previous movies. The Neil Patrick Harris bit feels super problematic, though it is HIM doing it so I guess it is okay. It's a "Harold and Kumar" adventure in a movie about moving away from "Harold and Kumar adventures" towards something about responsibilities and putting family first.
**It has quality, it has several interesting points to observe, but it has a stupid humor that is completely lost by the message it conveys about drugs and sex.** I saw this movie on television by mere chance, just now, and I confess that I didn't like it. It is in fact a light film, it has some good scenes and moments, it even has several quality points as I will discriminate, but if we think about it, its style of humor, based almost entirely on jokes about sex, use of all kinds of drugs and such, spoils everything. I know there are people who like these easy laugh comedies, but I'm far from being one of them. Kal Penn and John Cho give life to the main characters, who they already know very well because it is the third film in this franchise (which I haven't seen and, after this, I won't see it). The film also introduces us to Danny Trejo, Paula Garcés, Richard Riehle and Danneel Ackles, to name just a few supporting actors in this film. The actors are doing what they can with the material at hand, I think that's one of the redeeming values of this film, but there's not much they can do when the material is intentionally bad and still makes money. On a technical level, what I liked the most were the stop-motion animations that appear in a given situation in which the protagonists are stoned. It was a quality asset, and using it was creative and original, even though the film isn't worth our time and money. The settings are also good, especially Cho's house, overloaded with decorations and Christmas lights to the point of being cheesy, thus evidencing the lack of taste of its owner, a drug addict of Korean descent who simply gets rich. The soundtrack also deserves a positive note, if only for its work with the classic songs of the season. As you can see, the film had the potential to be very interesting and was only lost by its lewd humor, the vile, absolutely despicable jokes, and the film's total obsession with sex and drugs. What was the target audience for this crap? Drug addicts and sex maniacs? A bunch of teenagers without any brains to think? Let's be honest: on the one hand, the film conveys the idea that Harold and Kumar (the junkies on duty, that is, the main characters) are totally irresponsible, immature and unworthy of being considered for a serious matter. This is a positive message because indeed drug users and sex addicts are despicable, irresponsible, unworthy of being considered mature or trustworthy. And I emphasize: marijuana, whatever the name you want to give it, is a drug and its consumption is addictive and leads to crime and death. It's an addiction like any other. However, on the other hand, and despite the fact that the film gives us this positive message, it also makes an apology for consumption! What do we see? People who have fun and laugh when they're high, even if they do stupid things! But drugs are like alcohol and all other addictions: at that moment it seems like a good idea, but in exchange for these moments, we sell our soul.
To make their divorce final, a Quaker couple must follow tradition by seeking out everyone who came to their wedding...and asking them to cross their names off the marriage certificate.
Wrongfully accused and on the run, a top MI6 assassin joins forces with his long-lost, football hooligan brother to save the world from a sinister plot.
When Iyay, a single mother, learns that her estranged husband has died, she drags the entire family on a road trip from Cebu to Dumaguete to attend the funeral.
This mix of a scripted buddy comedy road movie and a real hidden camera prank show follows the outrageous misadventures of two buds stuck in a rut who embark on a cross-country road trip to NYC. The storyline sets up shocking real pranks.
Brucey, the son of Oscar, calls his father to invite him to his wedding to Felix's daughter next Sunday in California. Oscar and Felix meet again at Los Angeles International Airport and rent a car in order to go to San Malina for the wedding.
Trish invites her high school basketball teammates over for a night they'll never forget - or survive - when an unexpected guest crashes the party: an escaped psychopath with a portable power drill.
Melvin Junko was a nerdy weakling until he fell into a vat of toxic waste, turning him into the first ever superhuman creature from New Jersey. This time, he takes on Tokyo.
Desperate to raise money for the experimental surgery that could restore his blind fiancee's eyesight, Toxie accepts a lucrative job with the evil multinational conglomerate Apocalypse Inc.
To keep their annual Holiday Heist-tacular afloat, Mr. Wolf and his crew of animal outlaws will have to restore the whole city's Christmas spirit — fast!
When his mother dies, a teenager takes a road-trip in a stolen car to find his long-lost brother. Along the way he discovers a profound connection with the car-owner and with himself as well.