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It's not so much that it's terrible, it's just that it's disappointing after the immeasurable success of the original movie. _Final rating:★★★ - I liked it. Would personally recommend you give it a go._
I wasn't the biggest fan of the first of these, but this a far cry from even that! "Robocop" (Peter Weller) is doing his best, but Detroit has become even more lawless with half the population addicted to a potent drug, and it now also faces a bankruptcy that will allow the all consuming OCP to take over the city from the enthusiastic, but out of his depth "Mayor Kuzak" (Willard Pugh). Just to make certain of success, the big boss, Dan O'Herlihy, develops a "Robocop 2" - this time using the dastardly criminal brain of arch criminal "Cain" - the man behind the drug - as the human template. Can the prototype take on and defeat his much more sophisticated rival and save the city? Perhaps Irvin Kershner wanted to take a pop at corporate greed, or megalomania, or bad government or maybe even the inane human nature of the empowered mob, but whatever his plan was, we end up with a sort of faintly comedic hybrid of "Terminator" (1984) by way of "Bugsy Malone" (1976) with some metallic action routines that could easily have been formulated better in clay by Ray Harryhausen. The story is all over the place, indeed Weller hardly features at all for much of it and by the time it does start to liven up I really wasn't sure if this was a spoof! The highly-pitched "Robocop" signature tune said it all - this is just, well, not very good!
The first thing anyone can say about this movie, and should say, is that it isn't RoboCop. But that should be said for all reviews for all movies always. Yet, this is still one of the best sequels ever put together to any movie anywhere at any time. Weller is outstanding again. How can stuffing a man into a foam latex suit and have him clip clop around in front of a camera work so well? Its mind blowing.
In 1970s Hollywood, Detective Philip Marlowe tries to help a friend who is accused of murdering his wife.
Private eye Philip Marlowe and his bride move to a desert town, where he uncovers a land scheme.
The Autobots must stop a colossal planet-consuming robot who goes after the Autobot Matrix of Leadership. At the same time, they must defend themselves against an all-out attack from the Decepticons.
Young teenager Sam Witwicky becomes involved in the ancient struggle between two extraterrestrial factions of transforming robots – the heroic Autobots and the evil Decepticons. Sam holds the clue to unimaginable power and the Decepticons will stop at nothing to retrieve it.
In the second episode of the trilogy Fantômas kidnaps distinguished scientist professor Marchand with the aim to develop a super weapon that will enable him to menace the world. Fantômas is also planning to abduct a second scientist, professor Lefebvre.
In the third and final episode of the trilogy, Fantômas imposes a head tax on the rich, threatening to kill those who do not comply.
Raoul Duke and his attorney Dr. Gonzo drive a red convertible across the Mojave desert to Las Vegas with a suitcase full of drugs to cover a motorcycle race. As their consumption of drugs increases at an alarming rate, the stoned duo trash their hotel room and fear legal repercussions. Duke begins to drive back to L.A., but after an odd run-in with a cop, he returns to Sin City and continues his wild drug binge.
During a boxing match that could change his life forever, Oscar must also face his familial trauma if he’s to stand any chance at achieving his dream.
When an unprecedented amount of sinkholes erupt all over Florida, a new nest of fire spitting LAVALANTULAS is awakened… wreaking their fiery havoc all over the sunshine state.
Before the police station in Ober-Himmelbrunn is dissolved, the local landlord reports a burglary. The young gendarme Thaler is assigned to solve the case. Disguised as a holidaymaker, he goes to work. In the process, he conquers the hearts of twelve attractive girls who want to spend their holidays in an alpine hut.
Several people start receiving voice-mails from their future selves - messages which include the date, time, and some of the details of their deaths.
