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The last of the V8 Interceptors and the battle for gasoline! It's post nuclear war Australia and the precious commodity is gasoline, all the varying degrees of survivors pursue it in anyway they can. Director George Miller is here armed with considerably more cash than was available for the first cult hit offering in the series, and boy does it show as we get more destruction, even more outlandish stunts, and a fully realised apocalyptic vision of the future. It's incredible to note that there is no CGI here, this is pure raw stunt work, the film plays out as a standard good versus evil tale, but it's the realisation of the crash bang wallop sequences that lift it to being one of the most important sci-fi action movies of modern times. The baddies are a seething mass of leather, masks, and mohawks, they scowl as they rape pillage and plunder anything in their path, they will stop at nothing to get the craved gasoline that is so important in this world. The good guys are joined by the road warrior himself, Mad Max Rockatansky, a former police officer who turned to being the angry lone warrior of the road after his wife and child were murdered. Can these honest folk survive the onslaught of the crazed plunderers?. Well it's high octane entertainment finding out, and the pace is relentless. The direction is first rate, the scenes are put together with breath taking exhilaration, and the sound mix is incredible for those fortunate enough to own home cinema. Pic may be guilty of having little to no dialogue for the most part, yet it really isn't needed since the story unfolds via the smartly stitched together action sequences. So just strap yourself in and enjoy the ride given to you by a film that's still a benchmark for the genre. 9/10
***Fighting for fuel in the post-apocalyptic wasteland of the Outback*** In the years after a global holocaust, an ex-lawman (Mel Gibson) in remote Australia befriends people at a refinery compound and helps them escape a band of ruthless punk bikers who want their resources. Bruce Spence plays the Gyro Captain while Vernon Wells is on hand as a subordinate leader of the bikers. "The Road Warrior,” aka “Mad Max 2” (1981) shows a grim, bleak, brutal future, but it's too comic booky and sometimes goofy to truly disturb because it screams exaggeration. A truly disturbing movie debuted fifteen years earlier, “The Wild Angels” (1966), which is shocking because it’s realistic rather than cartoonish. But “The Wild Angels” was an outlaw biker drama whereas “Mad Max 2” is an action-packed adventure. There’s a lot of motorhead thrills if that trips your trigger. The movie’s an Australian production and avant-garde bordering on surrealism. The protagonist is aloof and laconic while the antagonists are bizarre, even psycho, which makes sense in that people would become a little mad in a desperate post-apocalyptic environment. It’s a strangely detached film about cartoonish people surviving in the wastelands of Australia, but the characters and images are often iconic; and there IS some human interest, like the Gyro Captain’s developing relationship with the cute blonde, the so-called Captain’s Girl (Arkie Whitley). Meanwhile Virginia Hey is striking as the Warrior Woman. The film runs 1 hour, 34 minutes and was shot in the Outback of New South Wales, Australia. GRADE: B
Really great sequel that surpasses the original. While short on character moments, the action sequences were fantastic culminating with an adrenaline-filled finale. All in all highly entertaining with just enough weidness to make it stand out all the more... **4.0/5**
The first film did us the favour of establishing the character, so this time we can cut quickly to the chase. "Max" (Mel Gibson) is now a fully fledged drifter. He still has a semblance of decency, comparatively speaking, as he travels the Australian wastelands trying to stay alive and keep himself fuelled. Along the way he meets up with the slightly wacky "Gyro Captain" (Bruce Spence) but it's when he encounters a besieged oil facility that things start to hot up. He agrees to try and help them fend off the menacing, mask-wearing, "Humungus" (Kjell Nilsson) and his menacing sidekick "Wez" (Vernon Wells) who has a distinctly Achilles/Patroclus style relationship with his cute, blonde, friend. These bandits are ruthless, violent, and determined to seize this most precious of assets so "Max" proposes to his allies a straight swap - in return for enough gas, he will deliver them a large truck for use to travel to the coast and safety. What follows are a series of quickly paced, perilous escapades that culminate in a cracking chase with what looked very much like the front of a snowplough (in the desert?) playing a crucial role as they try to force their way out. Emil Minty is pretty effective as the aptly named, boomerang-bearing, "Feral Kid" and once we see why Spence has his moniker, the whole thing quite literally takes off. This is so much better than the original. The story is much more substantial, it has plenty of gore yes, but there is also some dark humour and Gibson has loads of charisma as his character develops. Director George Miller offers quite a potent lesson to other film makers too - ninety minutes is quite long enough to pack in plenty and keep the attention of the audience.
I got more enjoyment from 'Mad Max 2'. It's a good watch! Everything felt a bit more fleshed out to me personally. Mel Gibson's titular character is improved, as are his sidekicks and their antagonists. The action is still at the same high level, there's plenty to gain entertainment from in regards to that along with the more amusing aspects; but disappointing to see that the wacky eye bulge gag did not reappear! I will say that final sequence overruns, not a big deal though. Most importantly, the story is more interesting. It is, in my opinion, much better befitting of the movie's dystopian setting and is, just generally, a more noteworthy watch compared to its predecessor's plot. Gibson puts in another solid showing, as do Bruce Spence and Michael Preston in this entry. Honestly, mind, across these opening two flicks the cast don't really stand out to me all that much - it's all about the action! Intrigued to find out what 'Mad Max Beyond Thunderdome' had to offer!
In a post-nuclear holocaust world, a survivor roams the desert, fighting bandits and the forces of an evil warlord.
Two young couples take one last trip to the country before moving to different cities. Unfortunately, when secrets come out and jealously takes a toll the weekend takes an unexpected and deadly turn for the worst.
In 20XX, Japan is full of Cyborgs. Human developed Artificial Intelligence JUDA to protect the Earth. However, JUDA started to attack humans since humans were planning a nuclear war and they are the real enemy of Earth. The fight between Human and Cyborgs flattened Japan. A military company started developing a secret weapon. Before its completion, the weapon was stolen. If the weapon is completed, there would be a final war. Vigilante “Resistance” sensed the danger and stood up. Meanwhile, people were turned into a Murder Weapon after their death. Those cyborgs include Chris had lost their memories. One day Chris has a fateful meeting with a mysterious girl Sara. However the mysterious girl Sara was the final weapon SARA.
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After being kidnapped by four masked men, a teacher and her students rebel by plotting against the criminals.
The story of three pets, a cat and two dogs, who lose their owners when they are all on vacation. Can they find their way home?
Super-Hero partners Scott Lang and Hope van Dyne, along with with Hope's parents Janet van Dyne and Hank Pym, and Scott's daughter Cassie Lang, find themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought possible.
Prince Amleth is on the verge of becoming a man when his father is brutally murdered by his uncle, who kidnaps the boy's mother. Two decades later, Amleth is now a Viking who's on a mission to save his mother, kill his uncle and avenge his father.
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When a man's best friend is killed on the streets of New York, he transforms into a violent killer, turning New York into a war zone.
In an imaginary dictature of a futuristic world, rebellion has broken out. The men in power scramble to the Bunker Palace Hotel, a bunker built long ago for just this kind of contingency. But a rebel spy sneaks in, and although her nature is very quickly suspected, she is left to observe the raving of the decadent power class, who keeps wondering what happened to their leader, who has failed to show up.