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The last of the V8 Interceptors and the battle for gasoline! It's post nuclear war Australia and the precious commodity is gasoline, all the varying degrees of survivors pursue it in anyway they can. Director George Miller is here armed with considerably more cash than was available for the first cult hit offering in the series, and boy does it show as we get more destruction, even more outlandish stunts, and a fully realised apocalyptic vision of the future. It's incredible to note that there is no CGI here, this is pure raw stunt work, the film plays out as a standard good versus evil tale, but it's the realisation of the crash bang wallop sequences that lift it to being one of the most important sci-fi action movies of modern times. The baddies are a seething mass of leather, masks, and mohawks, they scowl as they rape pillage and plunder anything in their path, they will stop at nothing to get the craved gasoline that is so important in this world. The good guys are joined by the road warrior himself, Mad Max Rockatansky, a former police officer who turned to being the angry lone warrior of the road after his wife and child were murdered. Can these honest folk survive the onslaught of the crazed plunderers?. Well it's high octane entertainment finding out, and the pace is relentless. The direction is first rate, the scenes are put together with breath taking exhilaration, and the sound mix is incredible for those fortunate enough to own home cinema. Pic may be guilty of having little to no dialogue for the most part, yet it really isn't needed since the story unfolds via the smartly stitched together action sequences. So just strap yourself in and enjoy the ride given to you by a film that's still a benchmark for the genre. 9/10
***Fighting for fuel in the post-apocalyptic wasteland of the Outback*** In the years after a global holocaust, an ex-lawman (Mel Gibson) in remote Australia befriends people at a refinery compound and helps them escape a band of ruthless punk bikers who want their resources. Bruce Spence plays the Gyro Captain while Vernon Wells is on hand as a subordinate leader of the bikers. "The Road Warrior,” aka “Mad Max 2” (1981) shows a grim, bleak, brutal future, but it's too comic booky and sometimes goofy to truly disturb because it screams exaggeration. A truly disturbing movie debuted fifteen years earlier, “The Wild Angels” (1966), which is shocking because it’s realistic rather than cartoonish. But “The Wild Angels” was an outlaw biker drama whereas “Mad Max 2” is an action-packed adventure. There’s a lot of motorhead thrills if that trips your trigger. The movie’s an Australian production and avant-garde bordering on surrealism. The protagonist is aloof and laconic while the antagonists are bizarre, even psycho, which makes sense in that people would become a little mad in a desperate post-apocalyptic environment. It’s a strangely detached film about cartoonish people surviving in the wastelands of Australia, but the characters and images are often iconic; and there IS some human interest, like the Gyro Captain’s developing relationship with the cute blonde, the so-called Captain’s Girl (Arkie Whitley). Meanwhile Virginia Hey is striking as the Warrior Woman. The film runs 1 hour, 34 minutes and was shot in the Outback of New South Wales, Australia. GRADE: B
Really great sequel that surpasses the original. While short on character moments, the action sequences were fantastic culminating with an adrenaline-filled finale. All in all highly entertaining with just enough weidness to make it stand out all the more... **4.0/5**
The first film did us the favour of establishing the character, so this time we can cut quickly to the chase. "Max" (Mel Gibson) is now a fully fledged drifter. He still has a semblance of decency, comparatively speaking, as he travels the Australian wastelands trying to stay alive and keep himself fuelled. Along the way he meets up with the slightly wacky "Gyro Captain" (Bruce Spence) but it's when he encounters a besieged oil facility that things start to hot up. He agrees to try and help them fend off the menacing, mask-wearing, "Humungus" (Kjell Nilsson) and his menacing sidekick "Wez" (Vernon Wells) who has a distinctly Achilles/Patroclus style relationship with his cute, blonde, friend. These bandits are ruthless, violent, and determined to seize this most precious of assets so "Max" proposes to his allies a straight swap - in return for enough gas, he will deliver them a large truck for use to travel to the coast and safety. What follows are a series of quickly paced, perilous escapades that culminate in a cracking chase with what looked very much like the front of a snowplough (in the desert?) playing a crucial role as they try to force their way out. Emil Minty is pretty effective as the aptly named, boomerang-bearing, "Feral Kid" and once we see why Spence has his moniker, the whole thing quite literally takes off. This is so much better than the original. The story is much more substantial, it has plenty of gore yes, but there is also some dark humour and Gibson has loads of charisma as his character develops. Director George Miller offers quite a potent lesson to other film makers too - ninety minutes is quite long enough to pack in plenty and keep the attention of the audience.
I got more enjoyment from 'Mad Max 2'. It's a good watch! Everything felt a bit more fleshed out to me personally. Mel Gibson's titular character is improved, as are his sidekicks and their antagonists. The action is still at the same high level, there's plenty to gain entertainment from in regards to that along with the more amusing aspects; but disappointing to see that the wacky eye bulge gag did not reappear! I will say that final sequence overruns, not a big deal though. Most importantly, the story is more interesting. It is, in my opinion, much better befitting of the movie's dystopian setting and is, just generally, a more noteworthy watch compared to its predecessor's plot. Gibson puts in another solid showing, as do Bruce Spence and Michael Preston in this entry. Honestly, mind, across these opening two flicks the cast don't really stand out to me all that much - it's all about the action! Intrigued to find out what 'Mad Max Beyond Thunderdome' had to offer!
A group of Australian SAS regiment soldiers are deployed to Vietnam around 1967/8 and encounter the realities of war, from the numbing boredom of camp life and long range patrols, raids and ambushes where nothing happens, to the the terror of enduring mortar barrages from an unseen enemy. Men die and are crippled in combat by firefights and booby traps, soldiers kill and capture the enemy, gather intelligence and retake ground only to cede it again whilst battling against the bureaucracy and obstinacy of the conventional military hierarchy. In the end they return to civilization, forever changed by their experiences but glad to return to the life they once knew.
Five inmates break out of a remote minimum security prison for women. Four are hardened convicts, the fifth was wrongfully convicted. As the authorities chase them down, the cons terrorize or kill anyone who gets in their way.
Tad dreams of becoming an archaeologist traveling the world, uncovering hidden secrets and lost treasure, but his job working construction keeps him daydreaming instead of exploring. The chance of a lifetime comes when he is invited to attend archaeologist Sara Lavrof's presentation of her latest discovery - the papyrus that proves the existence of the Necklace of Midas, the legendary King who turned everything he touched into solid gold.
A master jewel thief in 21st century Los Angeles targets the illegal emerald smuggling operations of a highly-connected crime syndicate. During what he believes to be a routine heist, cat burglar Harry Maxwell discovers that his target, notorious criminal Sanchez Boon is also the target of a police raid. In attempting to evade both the law and Boon's well-armed men, Harry meets Pandora Grimes, one of dozens of young women Boon kidnapped to work in his factory. When Boon sets a group of social deviants free and hijacks a space transport ship and its crew, only Harry and Pandora's cunning can save the hundreds of innocent people aboard.
A group of rich businessmen and military officers who are partying in an old castle are spared when a nuclear war ravages the earth. When they venture out into the nearest town to search for food and supplies, they find most of the residents blinded, and soon they discover the existence of a sinister group called The People Who Own The Dark.
On their way to start a new life at a sheep farm in rural Virginia, the Turner family are halted by a wreck on the highway that has claimed the life of a truck driver. Spotting the trucker's now-abandoned collie on the side of the road, they take pity on the dog and adopt her. As the city family copes with the change to rural life, including a feud with a neighboring farm family who resent the city interlopers, the ever-loyal Lassie helps them adjust to their new surroundings.
Aviation disaster-prone Joe Patroni must contend with nuclear missiles, the French Air Force and the threat of the plane splitting in two over the Alps.
When a young journalist dies in violent circumstances, her brother soon learns, by way of the mysterious Stefan Crosscoe, that his sister has succumbed to the werewolf curse.
In the late 1990s, society is descending into ecological collapse and totalitarianism. Saiga Riki-Oh, a mysterious man with a six-pointed star on his fist, finds himself at the privately-owned Tokyo State Prison. Serving a term of three years due to assault, his first offense, Riki-Oh openly antagonizes The Four Emperors, four powerful prisoners that control the prison and keep the rest of the inmates in line...
Nora, Andreas and Captain Kris leap back into action when a dangerous new troll awakes — and this time they'll need more help to take it down.
A long time ago, the so-called "Google Wars" engulfed the whole world in a deadly chain reaction. Civilization came to a grinding halt. But there is still hope. This is the story of a new beginning...