Final Destination Bloodlines 2025 - Movies (May 31st)
Theres a Zombie Outside 2024 - Movies (May 31st)
A RAD Documentary 2025 - Movies (May 30th)
Queer 2024 - Movies (May 30th)
Bring Her Back 2025 - Movies (May 30th)
Daylight to Dark 2024 - Movies (May 30th)
Into The Gravel Pit 2025 - Movies (May 30th)
Invader 2024 - Movies (May 30th)
iPossessed 2025 - Movies (May 30th)
Dr. Sanders Sleep Cure 2024 - Movies (May 30th)
Gates of Flesh 2025 - Movies (May 30th)
Hook 2025 - Movies (May 30th)
Guardian 2025 - Movies (May 30th)
Greet Your Demons 2025 - Movies (May 30th)
Blue Rodeo Lost Together 2024 - Movies (May 30th)
Dont Make a Sound 2024 - Movies (May 30th)
The King of Kings 2025 - Movies (May 30th)
Alien Love 2024 - Movies (May 30th)
Cara 2024 - Movies (May 30th)
Bono Stories of Surrender 2025 - Movies (May 30th)
Lulu Is a Rhinoceros 2025 - Movies (May 30th)
The Hit List - (May 31st)
Lucky - (May 31st)
WWE Main Event - (May 31st)
Saturday Kitchen Live - (May 31st)
LOL- Last One Laughing Colombia - (May 31st)
Pop the Balloon LIVE - (May 31st)
James Martins Saturday Morning - (May 31st)
Our Unwritten Seoul - (May 31st)
TMZ Investigates - (May 31st)
Impact x Nightline - (May 31st)
Americas Most Wanted - (May 31st)
Bad Romance - (May 31st)
Beyond the Gates - (May 31st)
Police 24/7 - (May 31st)
Anne Shirley - (May 31st)
Mama June- Family Crisis - (May 31st)
Casualty - (May 31st)
Couples Therapy - (May 31st)
Reality Check - (May 31st)
Landward - (May 31st)
Elem Klimov's documentary ode to his wife, director Larisa Shepitko, who was killed in an auto wreck.
At the microphone with Max Ferguson, radio satirist, as he creates his weekday-morning program. Filmed inside his CBC broadcasting booth, this film watches and records as Max ad-libs his way through zany interpretations of news events. His only script is the morning paper and with it he tilts at humbug with a flair that has made him a national figure.
For 18-year-old Finnish–Kosovan Fatu, a simple visit to the grocery store feels as nerve-racking as a lunar expedition: for the first time in his life, he’s wearing makeup in public. Luckily his best friend Rai, a young woman on the spectrum of autism, is there to ferociously support him through the voyage.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
Internet comedian Carl Déman from the humor group JLC lived a life that looked glorious. But beneath the surface was a terrible gambling addiction that almost cost him his life. In 2019, he and other gambling addicts struggle to stay afloat in a contemporary age marinated in gambling advertising. Carl wants to ask those who make the advertising how they think and wonders why the advertising profiles now also come from the world of culture and entertainment.
For detained immigrants who can’t pay their bond, for-profit companies like Libre by Nexus offer a path to reunite with their families. But for many, the reality is much more complicated. “Libre” sheds light on one of many hidden costs of reunification for immigrant families.
In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)
A short documentary profiling the lives of three transgender Black men, exploring what life is like living as a Black man when no one knows you are transgender, and their journeys with gender in the years since they transitioned.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.