The Braid 2023 - Movies (Apr 18th)
A Royal Christmas Surprise 2023 - Movies (Apr 18th)
Civil War 2024 - Movies (Apr 18th)
The First Omen 2024 - Movies (Apr 18th)
All You Need Is Death 2023 - Movies (Apr 17th)
The Dive 2023 - Movies (Apr 17th)
Bad Hombres 2024 - Movies (Apr 17th)
Ghostbusters Frozen Empire 2024 - Movies (Apr 17th)
Immaculate 2024 - Movies (Apr 16th)
An American Bombing The Road to April 19th 2024 - Movies (Apr 17th)
Red Island 2023 - Movies (Apr 16th)
Eddie Murphy Hollywoods Black King 2023 - Movies (Apr 16th)
Himalaya 2024 - Movies (Apr 16th)
Dune Part Two 2024 - Movies (Apr 14th)
The Deadly Swarm 2024 - Movies (Apr 16th)
Jimmy Carr Natural Born Killer 2024 - Movies (Apr 16th)
Brain Tumor 2024 - Movies (Apr 16th)
Sweet Dreams 2024 - Movies (Apr 16th)
Roommate Regret 2024 - Movies (Apr 15th)
Killer Fortune Teller 2024 - Movies (Apr 15th)
Pure O 2023 - Movies (Apr 15th)
Money for Nothing - (Apr 18th)
Tipping Point Australia - (Apr 18th)
Gogglebox Australia - (Apr 18th)
Nature - (Apr 18th)
Hudson and Rex - (Apr 18th)
Foreign Correspondent - (Apr 18th)
WWE The Bump - (Apr 18th)
After Midnight - (Apr 18th)
Renters - (Apr 18th)
Dinner with the Parents - (Apr 18th)
The Bidding Room - (Apr 18th)
Police Interceptors- Pursuit and Capture - (Apr 18th)
Four in a Bed - (Apr 18th)
Raw Talk - (Apr 18th)
Red Flags - (Apr 18th)
Deal or No Deal - (Apr 18th)
The Chase Australia - (Apr 18th)
Motorway Patrol - (Apr 18th)
The 11th Hour with Stephanie Ruhle - (Apr 18th)
Abbott Elementary - (Apr 18th)
You always read about "cultural differences" as being something that must be overcome when dealing with international projects, but that language always felt so abstract to me; if anything, it seemed like more of an excuse as to why things might be delayed rather than a real problem. This doc did a great job of telling the story of what that concept really means in practice. _American Factory_ shows you how much friction is created due to the incongruity in cultural ideas about work ethic, personal freedoms, power, and process. I think that was the highlight of the story for me. For me as an American, there were also feelings of frustration about having a country that doesn't have an answer for these people; their life goes from making $29 working for a US company, to making $12 for a Chinese company. The anti-labor-organizing that we see from Fuyao in the film isn't even unique to this being a China-based company; our home-grown Amazon does a pretty good job of hiring "labor relations" firms to weed out union organizing. I find myself agreeing with one of the speakers at a UAW event captured in the film: we've allowed our country to become one where the rich can exploit the poor, and it would be pretty cool to take it back.
As PlayhouseSquare celebrates its first 90 years, “Staging Success: The PlayhouseSquare Story” pays tribute to the people who were instrumental in saving the theaters and shows how the community worked together to create a cultural showplace in the heart of downtown Cleveland. This new documentary, a production of WVIZ/PBS, in collaboration with Think Media Studios, reveals a Cleveland rags-to-riches tale as dramatic as any on Broadway.
Almost 200 women file by a device on the wall from which they take their time checks. A man runs half-way across the screen at the end of the film.
A camera on an overhead crane travels down a large, long aisle where men are shown working on large machinery on either side. Carts carrying equipment are shown traveling on rails down the aisles. There are also men walking in the aisles. From Bitzer's Westinghouse Works series.
On the left of the screen, a small group of men lift the top off of what appears to be a turbine with a crane and continue to check the machine, tightening various parts with wrenches. On the right side, a few men appear to be testing the workings of what may be a turbine.
10 May 2007 - China's staggering economic growth has overshadowed a more subtle shift in Chinese society. In domestic life, many women are now ignore the advice of their mothers and grandmothers, turning instead to counselling hotlines and, increasingly, divorce.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.
Before World War II, Ikego village was an idyllic agriculture community. The Imperial Navy took over the village and the hills to build the largest ammunition preserve in Asia. When Japan lost, these facilities were taken over by the US Navy, and are now housing for the American soldiers.
A young pair from Stuttgart fly to Shanghai to hop aboard the textile business of his father while she prepares for the birth of their son. A story about the ever more common movement of Germans into the East for professional gain.
Nick Broomfield met Hsiao Hung Pai, a journalist who was working for the Guardian, when making his feature film 'Ghosts' (about the Morecambe Bay Chinese Cockle Pickers ). As an experiment and using the latest in undercover technology, Nick worked with Hsiao to make a Undercover film set in a Chinese brothel in Finchley. There are over 2000 'illegal' brothels in London,largely ignored by the police and the authorities, which employ 80% foreign nationals, mostly illegal, that are easily exploited by the brothel owners.
An Oscar nominated documentary about a middle-class American family who is torn apart when the father Arnold and son Jesse are accused of sexually abusing numerous children. Director Jarecki interviews people from different sides of this tragic story and raises the question of whether they were rightfully tried when they claim they were innocent and there was never any evidence against them.