Homestead 2024 - Movies (Jan 31st)
Piglet 2025 - Movies (Jan 31st)
Dark Match 2024 - Movies (Jan 30th)
Omni Loop 2024 - Movies (Jan 30th)
The Fabulous Four 2024 - Movies (Jan 30th)
Maurice And I 2024 - Movies (Jan 30th)
The Club That George Built 2024 - Movies (Jan 30th)
Heretic 2024 - Movies (Jan 30th)
Wicked 2024 - Movies (Jan 30th)
The Line 2024 - Movies (Jan 30th)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Girl with the Fork 2024 - Movies (Jan 29th)
Black Girls 2024 - Movies (Jan 29th)
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Flight Risk 2025 - Movies (Jan 28th)
Dark Night of the Soul 2024 - Movies (Jan 28th)
Juror #2 2024 - Movies (Jan 28th)
The Fish Thief A Great Lakes Mystery 2025 - Movies (Jan 28th)
In Between Stars and Scars Masters of Cinema 2024 - Movies (Jan 28th)
Loch Ness Monster Captured 2024 - Movies (Jan 28th)
Animal Control - (Jan 31st)
Matlock - (Jan 31st)
Law and Order- Special Victims Unit - (Jan 31st)
Going Dutch - (Jan 31st)
Ghosts - (Jan 31st)
Sesame Street - (Jan 31st)
The Bold and the Beautiful - (Jan 31st)
Lets Make a Deal - (Jan 31st)
The Beat with Ari Melber - (Jan 31st)
The Price Is Right - (Jan 31st)
The Kelly Clarkson Show - (Jan 31st)
The Young and the Restless - (Jan 31st)
Love Island- All Stars - (Jan 30th)
Deadline- White House - (Jan 30th)
Hannity - (Jan 30th)
Jesse Watters Primetime - (Jan 30th)
Beat the Chasers - (Jan 30th)
First Dates Ireland - (Jan 30th)
Murder by the Sea - (Jan 30th)
Deal or No Deal - (Jan 30th)
You always read about "cultural differences" as being something that must be overcome when dealing with international projects, but that language always felt so abstract to me; if anything, it seemed like more of an excuse as to why things might be delayed rather than a real problem. This doc did a great job of telling the story of what that concept really means in practice. _American Factory_ shows you how much friction is created due to the incongruity in cultural ideas about work ethic, personal freedoms, power, and process. I think that was the highlight of the story for me. For me as an American, there were also feelings of frustration about having a country that doesn't have an answer for these people; their life goes from making $29 working for a US company, to making $12 for a Chinese company. The anti-labor-organizing that we see from Fuyao in the film isn't even unique to this being a China-based company; our home-grown Amazon does a pretty good job of hiring "labor relations" firms to weed out union organizing. I find myself agreeing with one of the speakers at a UAW event captured in the film: we've allowed our country to become one where the rich can exploit the poor, and it would be pretty cool to take it back.
OUT OF DARKNESS: THE MINE WORKERS' STORY is a documentary by Academy Award-winning director Barbara Kopple (HARLAN COUNTY, USA). Historical film footage and photographs are integrated with first-hand accounts of UMWA history and of the Pittston strike of 1989-90.
Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the bed transforms into a stage, the film reveals the collective history of the Chinese in the United States through conversations, autobiographical monologues, and theatrical movement pieces. Shot in the kitchens, bedrooms, wedding halls, cafés, and mahjong parlors of Chinatown, this provocative hybrid documentary addresses issues of privacy, intimacy, and urban life.
A documentary about the continuing case of Samsung semiconductor plant. The film is a story about nameless people wearing white coat, hat and mask worked in a clean room exposing eyes only.
Explore how Florida teenager Jahseh Onfroy became SoundCloud rapper XXXTENTACION, one of the most streamed artists on the planet. Through frank commentary from family, friends and romantic partners, and unseen archival footage, this documentary offers a sensitive portrayal of an artist whose acts of violence, raw musical talent and open struggles with mental health left an indelible mark on his generation before his death at the age of 20.
Kevin Jerome Everson and his collaborator Kahlil I. Pedizisai filmed the comings and goings in front of a trap house on Empire Street in Cleveland, Ohio. Loosely inspired by Andy Warhol's 1964 film "Empire," which also runs for eight hours.
Documentary that shows the changing attitude towards immigrant labor in The Netherlands. The documentary follows three immigrants that arrived in Holland 30 years ago to work in a bakery.
An Oscar nominated documentary about a middle-class American family who is torn apart when the father Arnold and son Jesse are accused of sexually abusing numerous children. Director Jarecki interviews people from different sides of this tragic story and raises the question of whether they were rightfully tried when they claim they were innocent and there was never any evidence against them.
A man that is a stranger, is an incredibly easy man to hate. However, walking in a stranger’s shoes, even for a short while, can transform a perceived adversary into an ally. Power is found in coming to know our neighbor’s hearts. For in the darkness of ignorance, enemies are made and wars are waged, but in the light of understanding, family extends beyond blood lines and legacies of hatred crumble.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
"Youngstown Boys" explores class and power dynamics in college sports through the parallel, interconnected journeys of one-time dynamic running back Maurice Clarett and former elite head coach Jim Tressel. Clarett and Tressel emerged from opposite sides of the tracks in Youngstown, Ohio, and then joined for a magical season at Ohio State University in 2002 that produced the first national football championship for the school in over 30 years. Shortly thereafter, though, Clarett was suspended from college football and began a downward spiral that ended with a prison term. Tressel continued at Ohio State for another eight years before his career there also ended in scandal.
A movie follows a regular working day of a woman who works in a factory. She wakes up at 3am and goes to sleep at 10pm.