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Much like its protagonist, 'Ammonite' is a film that initially keeps you at a distance - but this is a deliberate decision, one that makes the embrace of the final act all the more powerful. This isn't a sweeping story of passionate love, but a journey back to love, and a journey with an unexpected destination. Perhaps what Mary is looking for - the true fossil she is trying to uncover within herself - is not the connection of another person but the connection with herself, a forgotten part of herself long-buried or taken away. Charlotte is the path to that salvation, and in turn, is led out of the darkness herself, returned to a kind of love and passion thought lost, and giddy at the finding of it. 'Ammonite' is such a beautiful, soulful and intelligent film, made with honesty, integrity and an unexpected sense of humour that breaks through the rock encasing it. It confirms that our faith in Francis Lee is well-founded, and offers yet another classic queer drama that pushes against the expectations of the kinds of lives these films can explore. - Daniel Lammin Read Daniel's full article... https://www.maketheswitch.com.au/article/review-ammonite-francis-lee-delivers-another-beautiful-portrait-of-love-and-longing
As entertainment, I enjoyed watching Ammonite. The protagonist, Mary Anning, is an intriguing woman. She is prickly and somewhat anti-social, at least to strangers. Yet she puts up with oppressive behavior by her mother, perhaps to keep the peace or because they are family. She is dedicated to her pursuit of science through paleontology, but also pays the bills by creating what amount to trinkets to sell to tourists. She is interesting, which isn’t a bad thing in a main character. But Mary Anning was a real person, and as such, the filmmakers “elevated” her story by involving her in a lesbian relationship that was not supported by any historical evidence. This is what movies do, and it does add to the plot, though it was small consolation to a descendant of Mary Anning, who questioned whether it was polite to the historical figure to do so. I am reminded of the movie Cinderella Man, directed by the talented Ron Howard, where boxer Max Baer’s son protested because Howard had made Max more vicious than he was. Baer was playful and even boxers he fought liked him outside the ring. But this is what directors do. One possible result of that added subplot is the enigmatic ending. We are left wondering about the ultimate relationship of the two women, and perhaps that is at least partly because history is so vague on Mary Anning’s sexuality in general. But this is not a documentary; it is a biopic, a different animal altogether, as I alluded to it above. If this movie hadn’t’t been made, flawed factual details in all, I would never have heard of Mary Anning at all. So I think her legacy and her place in history is ultimately improved by the film. Sometimes, in fact, a popular biopic leads to increased interest and attention for a historical character. That can’t be a bad thing, can it?
This is a beautifully crafted piece of work from Francis Lee and Stéphane Fontaine that depicts the rather downtrodden existence of 19th century English paleontologist Mary Anning (Kate Winslet) who spends much of her time combing the beach for shells and fossils that she restores and sells in a small shop she shares with her ailing mother (Gemma Jones). The arrival of the enthusiastic Roderick Murchison (James McArdle) and his wife Charlotte (Saoirse Ronan) changes her pretty breadline, dreary, routine as he, initially, pays her to show him how to spot the ammonite but then leaves his poorly wife in her care to recuperate from an as yet undefined malady. The story is essentially about how the two women bond, and about how that bond intensifies and it features two very strong performances from the leads who struggle with their delicately smouldering relationship. Together with Lee, they manage to deliver a sense of their longing in a largely un-passionate - yet not sterile - fashion. The snag is that the film really, really, lacks pace and characterisation. It's not that is needs to be a full-on sex-fest, it's that their dialogue is sparing to the point of frugality. Why do they bond? At times their affinity is hard to fathom; terse even - and there is a maternal affinity that seems to compromise the potency of their chemistry as people who are falling in love. There are a couple touching contributions from Fiona Shaw and Gemma Jones (sort of reprises her role from "God's Own Country" (2017)) and there is an explicit swipe at the male-driven scientific community that did it's best to discourage/ignore the obvious skills possessed by Anning, but as a film for the big screen it just lacks depth - we are left to guess/assume way too much and it left me feeling just a bit empty.
Full review: https://www.tinakakadelis.com/beyond-the-cinerama-dome/2021/12/28/between-a-rock-and-a-hard-place-ammonite-review Despite the fact that production and filming began prior to Celine Sciamma’s exquisite _Portrait of a Lady on Fire_, Francis Lee’s _Ammonite_ was released after it and cannot escape the comparison. The two films are similar in that both take place in secluded oceanside locales, focus on a lesbian relationship, and are period pieces. However, that is where the similarities end. While _Portrait of a Lady on Fire_ soars, _Ammonite_ stumbles.
A portrait of Austrian artist Gustav Klimt whose lavish, sexual paintings came to symbolize the art nouveau style of the late 19th and early 20th century.
Two ghosts, separated by time, who have roamed the grounds of a historic English mansion, searching for each other are brought together by Ally (LAURA PENNEYCARD), a photography student who is experiencing dreams she can't explain and Emmett (GEOFF SHAW), the son of a wealthy industrialist. Emmett befriends Ally and together they unravel the truth behind the disappearance of his long lost love, Catherine a beautiful servant girl. However, Ally must first overcome her fears of his ghostly appearance before she can help Emmett find Catherine and reunite their love. Shot in the beautiful location of Hylands House, this lavish drama with a supernatural theme, leads you through past and present in a series of spine-chilling nightmares, ghostly appearances and suspenseful chase sequences, which moves into a beautiful romance tale, drawing on all your senses from the outset.
Away from the microphone, David is soft spoken, shy and unsure of himself. However, as his on-air alias ‘Danger Dave,’ the host of “Gay Talk,” he’s poised, witty, and every listener’s best friend. His sister, Kate, a thrice divorced banker has a yen for Schumann and cats. Though successful, the siblings suffer from a secret, yet vast, sense of inadequacy. Kate decides to adopt and asks David to be a father figure. David gawkily romances his coworker. Past and present intertwine to tell the story of a man learning to love and accept himself.
She gets left to train with her shijie and gets the chance to capture her heart. It's hitting two birds with one stone.
An intense and imaginative artist, revered Dutch painter Vincent van Gogh possesses undeniable talent, but he is plagued by mental problems and frustrations with failure. Supported by his brother, Theo, the tormented Van Gogh eventually leaves Holland for France, where he meets volatile fellow painter Paul Gauguin and struggles to find greater inspiration.
A transgender actor struggles with what it means to be seen after the beloved captain of his lesbian bowling league dies and a mysterious stranger shows up at the funeral.
In the 1820s, a taciturn loner and skilled cook travels west to Oregon Territory, where he meets a Chinese immigrant also seeking his fortune. Soon the two team up on a dangerous scheme to steal milk from the wealthy landowner’s prized Jersey cow – the first, and only, in the territory.
Marcus King, an old school gangster, a crime lord, has left behind old school crime. He has manoeuvred his business into the leafy lanes of the suburbs and now, in place of pimps and dealers, his team consists of the best graduate geeks that money can bribe. No brothels, no casinos and no drugs - he's dragged serious, organised crime well and truly into the twenty-first century. From credit card cloning and skimming to Internet spamming and scamming, he is the king of Cyber Land.
In the midst of a storm, on a desolate strip of California's lost coast, two strangers begin to uncover each other's past.
"Olivia" captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress, Mlle. Julie, and through this screen of love observes the tense romance between Mlle. Julie and the other head of the school, Mlle. Cara, in its final months.