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A too long story of a horse in times of WW I and its relationship with a young brit and some other characters in the way. Too childish but another family movie from Spielberg in the tradition of E.T. and the like.
I absolutely understand why _War Horse_ got the highbrow attention that it did, but I did not find it satisfying on a personal level. Final rating:★★ - Definitely not for me, but I sort of get the appeal.
Length is more, that can be reduced. But it is a Humbly simple feel good film. Spielberg Touch Is There. Story has good pace and flow of Journey. At last,we will wait anticipatedly for their joining.
This film - and indeed the whole "War Horse" story - is a sentimentally charged fountain of serendipitous events that require you to suspend any sense of realism and just let your senses find their own way through the next 2½ hours. We start with an auction where a young colt is bought by a poverty-stricken farmer (Peter Mullen). Now he was supposed to buy a working horse to help plough their inhospitable and rocky farm. Instead, he substantially overpays for a thoroughbred ("Joey") - an independently minded, athlete of an horse that has never been ridden, let alone dragged a plough around for a living! The son of the household, "Albert" (Jeremy Irvine) determines to try and befriend the horse and so creates an enduring bond. That, despite a separation forced on them by the atrocities of the Great War that sees "Joey" sold to Tom Hiddleston before being captured by the Bosche, befriended by a young girl and her grandfather and finally extricated from the carnage of no-man's land by a rare and poignant bit of Christmas Day-style co-operation. Of course, the story is far fetched but it is none the less effective for that. The story of the horse has a continuing thread all of it's own, but then so do each of the people whose life he touches. The ghastliness of war is writ large, as is the prevailing determination of Steven Spielberg to somehow humanise the inhumane - by using an equine actor. It's effective too, for the most part. Irvine is good looking, charming and well cast, as is Toby Kebbell who appears towards the end. The production is of the highest standard, the photography and effects impressive, and the dlalogue refreshingly allows the visuals to do most of the work - a clever and potent abridgement of Peter Morpurgo's original. There really is nothing not to like with this. It is splendid big screen cinema at it's best and well worth a cinema outing if you get a chance.
In the smog-choked dystopian Los Angeles of 2019, blade runner Rick Deckard is called out of retirement to terminate a quartet of replicants who have escaped to Earth seeking their creator for a way to extend their short life spans.
After a global war, the seaside kingdom known as the Valley of the Wind remains one of the last strongholds on Earth untouched by a poisonous jungle and the powerful insects that guard it. Led by the courageous Princess Nausicaä, the people of the Valley engage in an epic struggle to restore the bond between humanity and Earth.
Young hobbit Frodo Baggins, after inheriting a mysterious ring from his uncle Bilbo, must leave his home in order to keep it from falling into the hands of its evil creator. Along the way, a fellowship is formed to protect the ringbearer and make sure that the ring arrives at its final destination: Mt. Doom, the only place where it can be destroyed.
Frodo Baggins and the other members of the Fellowship continue on their sacred quest to destroy the One Ring-but on separate paths. Their destinies lie at two towers-Orthanc Tower in Isengard, where the corrupt wizard Saruman awaits, and Sauron's fortress at Barad-dur, deep within the dark lands of Mordor. Frodo and Sam are trekking to Mordor to destroy the One Ring of Power while Gimli, Legolas and Aragorn search for the orc-captured Merry and Pippin. All along, nefarious wizard Saruman awaits the Fellowship members at the Orthanc Tower in Isengard.
As armies mass for a final battle that will decide the fate of the world-and powerful, ancient forces of Light and Dark compete to determine the outcome-one member of the Fellowship of the Ring is revealed as the noble heir to the throne of the Kings of Men. Yet, the sole hope for triumph over evil lies with a brave hobbit, Frodo, who, accompanied by his loyal friend Sam and the hideous, wretched Gollum, ventures deep into the very dark heart of Mordor on his seemingly impossible quest to destroy the Ring of Power.
1982, Poland. A translator loses her husband and becomes a victim of her own sorrow. She looks to sex, to her son, to law, and to hypnotism when she has nothing else in this time of martial law when Solidarity was banned.
When a group of idealistic young men join the German Army during the Great War, they are assigned to the Western Front, where their patriotism is destroyed by the harsh realities of combat.
Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.
The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.
Ben Sanderson, an alcoholic Hollywood screenwriter who lost everything because of his drinking, arrives in Las Vegas to drink himself to death. There, he meets and forms an uneasy friendship and non-interference pact with prostitute Sera.
At the start of the First World War, in the middle of Africa’s nowhere, a gin soaked riverboat captain is persuaded by a strong-willed missionary to go down river and face-off a German warship.