Splitsville 2025 - Movies (Aug 28th)
Cleaner 2025 - Movies (Aug 28th)
Ship of the Damned 2024 - Movies (Aug 28th)
The Thursday Murder Club 2025 - Movies (Aug 28th)
Ballerina 2025 - Movies (Aug 27th)
The Players 2025 - Movies (Aug 27th)
Au revoir 2024 - Movies (Aug 27th)
Oh Hi 2025 - Movies (Aug 27th)
Sketch 2024 - Movies (Aug 26th)
KPop Demon Hunters 2025 - Movies (Aug 26th)
Together 2025 - Movies (Aug 26th)
Stans 2025 - Movies (Aug 26th)
I Know What You Did Last Summer 2025 - Movies (Aug 26th)
Prepare to Die 2024 - Movies (Aug 26th)
Karate Kid Legends 2025 - Movies (Aug 26th)
Lilo and Stitch 2025 - Movies (Aug 26th)
Girl in the Cellar 2025 - Movies (Aug 25th)
Relay 2024 - Movies (Aug 24th)
Trust 2025 - Movies (Aug 24th)
The Assessment 2024 - Movies (Aug 24th)
Dear Stranger 2025 - Movies (Aug 23rd)
The Jury- Murder Trial - (Aug 28th)
Celebs Go Dating - (Aug 28th)
Salvage Hunters- The Restorers - (Aug 28th)
The Dog House - (Aug 28th)
Chris Jansing Reports - (Aug 28th)
Katy Tur Reports - (Aug 28th)
The Hotel Inspector - (Aug 28th)
The Answer Run - (Aug 28th)
Homes Under the Hammer - (Aug 28th)
The Rebuild- Inside the Montreal Canadiens - (Aug 28th)
Dinner Time Live with David Chang - (Aug 28th)
Skin Decision- Before and After - (Aug 28th)
Botched Presents- Plastic Surgery Rewind - (Aug 28th)
Sesame Street - (Aug 28th)
Joselines Cabaret California - (Aug 28th)
Tyler Perrys Sistas - (Aug 28th)
Battle of the Generations - (Aug 28th)
New Zealand Tomorrow - (Aug 28th)
Gogglebox Australia - (Aug 28th)
Drag Race Philippines- Slaysian Royale - (Aug 28th)
Can you be a virgin, gay and into girls? This film is an intimate study of six homosexual boys. In the changing room some of the uncertainties and embarrassment's of youth emerge, such as the tale of hunky Peter, romance and the naff value of losing your virginity during a Disney movie.
A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.
This documentary reports on the master potter Otto Engelmann from Klingmühl, who was commissioned to make black painted clay heads of Karl Marx in the spring of 1973. Engelmann briefly explains the individual work steps from mixing the casting slip to firing the clay heads and then painting them. An old craft is vividly captured on camera and accompanied by original sou
A documentary covering the remastering process of first season of the horror anthology series that adapts internet horror stories into short, interconnected films.
In the face of AAPI violence, an intergenerational coalition of Black, Indigenous, Latinx, Asian, People of Color organizers come together to organize a march across historic Washington Heights and Harlem, as a continuation of the historic and radical Black and Asian solidarity tradition.
Searching for the root of generational trauma, the director takes a camera into his estranged grandfather’s funeral.
Under the sign of the swastika, it was, amongst other things, turned into a naval base, it got heavily destroyed in two waves of attack in April of 1945 by British bombers. After the war, Heligoland was made available as bombing training ground for the English army by the West-German government. Seven young people occupied the isle and began to repair the emergency shelter for sailors who got in danger. This and further major actions eventually ended the bombing exercises. Back then, the watchword was: “Heligoland to the Germans! “ – “Heligoland for peace!”
An elderly woman narrates how she was tricked, robbed and forced to marry her captor at the age of 19 and how, many years later, she found her freedom.
This short documentary tells the story of Garret Walsh, a twelve-year-old Canadian body-builder.
Filmed in 1974 and edited and released in 1983 (and then rereleased by its director in 2005), DEAD PEOPLE purports to document the final years of Frank Butler, a local fixture in the depressed burg of Ellicot City with a particular fondness for drink and tales of the dead. Over hazy 16mm footage two decades later, Deutsch adopted a painfully unsentimental view of his early approach, colored as it was by notions of ethnographic film and an undercurrent of fetishism for a man he considered somehow more "alive" than himself. While it chafes against notions of authenticity in documentary and incisively hints at the complicity of the subject in inventing his own history, DEAD PEOPLE simultaneously oozes nostalgia, transcending its own judgment as a gauzy memorial for the man Deutsch once called a friend.