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The Five - (Jan 9th)
Dimension 20 - (Jan 9th)
The Tucker Carlson Show - (Jan 8th)
Deadline- White House - (Jan 8th)
The One Show - (Jan 8th)
The Traitors - (Jan 8th)
Surgeons- A Matter of Life or Death - (Jan 8th)
The Kelly Clarkson Show - (Jan 8th)
Katy Tur Reports - (Jan 8th)
Tyler Perrys The Oval - (Jan 8th)
For the Love of DILFs - (Jan 8th)
Wild Cards - (Jan 8th)
Family Feud Canada - (Jan 8th)
The Repair Shop - (Jan 8th)
Richard Osmans House of Games - (Jan 8th)
The Bidding Room - (Jan 8th)
Pictionary - (Jan 8th)
Andrea Mitchell Reports - (Jan 8th)
Deal or No Deal - (Jan 8th)
Chris Jansing Reports - (Jan 8th)
**Excellent sequel!** Intense sequel directed by Jeannot Szwarc (who also directed episodes of Columbo alongside Steven Spielberg!) Performances here are every bit as good as the original and Szwarc manages to infuse of great sense of style to the proceedings - building upon and adding even more depth to the Brody story. The camerawork is extremely stylish - some great gliding point of view shots. John Williams outdoes his work in the original movie with his Jaws 2 score. The film feels more brutal than the original and leads to a nerve shredding climax. A great counterpart to Jaws (1975). - **Ian Beale**
Adequate but still entertaining sequel has some okay practical effects with the shark though still really silly given what happened in the last one nobody in charge would listen to Brody. Nothing overly special and doubt I'd revisit this anytime soon, but an okay sequel. **3.25/5**
just as good as the original, if not better
A disappointing follow-up. I enjoyed Roy Scheider's performance and the core action sequences near the end, but everything else is a bit boring. 'Jaws 2' puts high focus on the teenagers, though their story never possesses any intrigue. The effects for the shark, meanwhile, are a step down from the original. It's not terribly far from being watchable, a slightly shorter run time might've helped in that regard, but I just personally found it to be an uninteresting 115 minutes or so. Perhaps initial director John D. Hancock's ideas would've came out better, though he was fired during production; speaking of which, the issues behind the scenes for this - and even the first film, really - are pretty fascinating.
It's only after watching this that you realise just how crucial to the success of the first film Robert Shaw was. This is not the worst sequel I've seen by any means, but without his gnarled and charismatic "Quint", we are left with a pretty mundane effort from all concerned. This time our hungry finned friend has a group of young sailors - including, of course, the Brady bunch - "Michael" (Mark Gruner) and "Sean" (Marc Gilpin) firmly in it's sights. This necessitates their sheriff father (Roy Scheider) having to defy his own loathing of the water to try and rescue them. Director Jeannot Szwarc tries to mix it up a little, but there is just too much inevitability about the ending; and the screaming hysterics of the weans - especially the truly irritating "Jackie" (Donna Wilkes) started to get under my finger nails quite quickly. The photography is good, and some effort has been made to disguise the more mechanical elements of the shark attacks, but the calamitous fire pan to fire scenarios recycle themselves once too often. John Williams' score still works well to help generate some semblance of a sense of peril, but I'm afraid this isn't remotely scary and was quite a disappointing watch.
Two divers are left out at sea without a boat. There’s nothing but water for miles, unless they look at what’s underneath them...
A team of elite commandos on a secret mission in a Central American jungle come to find themselves hunted by an extraterrestrial warrior.
John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.
A young drifter working on a river barge disrupts his employers' lives while hiding the fact that he knows more about a dead woman found in the river than he admits.
Adventurous filmmaker Carl Denham sets out to produce a motion picture unlike anything the world has seen before. Alongside his leading lady Ann Darrow and his first mate Jack Driscoll, they arrive on an island and discover a legendary creature said to be neither beast nor man. Denham captures the monster to be displayed on Broadway as King Kong, the eighth wonder of the world.
The Hallows Estate is on alert as strange graffiti tags with messages declaring the streets will be taken over on Halloween night begin to appear on walls around the place, along with sightings of strange figures lurking in the shadows. One of the gangs responsible for the serious anti social behavior that give the estate a bad name, decide to take these threats head on and ignore the curfew on Halloween night. But who ever, or what ever, this new threat is, they seem to have the very night on their side as they make good on their promise of claiming the streets by frightening and violent means.
After escaping a calamitous train crash, Ethan realizes The Entity is stashed aboard an old Russian submarine, but a foe from his past named Gabriel is also on the trail.
Catherine, a novelist with an insatiable sexual appetite, becomes a prime suspect when her boyfriend is brutally murdered - a crime she had described in her latest story.
After a horrifying PredAlien crash-lands near a small Colorado town, killing everyone it encounters and producing countless Alien offspring, a lone Predator arrives to "clean up" the infestation.
An employee at a high-end resort leads a handful of students into shark infested waters after he's beaten and humiliated by one of the guys in the group.
In the near future, glacial melting has covered 98% of earth's landmass. Sharks have flourished and now dominate the planet, operating as one massive school led by a mutated alpha shark.