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An interesting combination of science fiction and film noir. Not a perfect film - it drags in spots - but it is enjoyable if you're a sci-fi or noir fan. The performances were solid. Rebecca Ferguson pulls off a very good femme fatale but the whole cast deserves a slow clap. Lisa Joy, director/writer, shows that she certainly has talent even though the movie is not a home run. Call it a solid double. She's definitely worth keeping an eye out for. Don't go in expecting a perfect movie and you will enjoy what it does have to offer as there are some very good scenes, some less so. Overall it's a 3.5 to 4.0 star effort depending on your taste.
Kind of a hollow grounded sci-fi film noir mystery yarn that features decent performances from Hugh Jackman, Rebecca Ferguson and Thandiwe Newton but the story wasn't terribly compelling and never quite believed the relationship between Jackman and Ferguson. Kind of ran out of steam early on and spent the remainder of the time not exactly interested in the mystery elements. I don't know, wanted to like it but highly doubtful I'd ever want to revisit. **2.75/5**
Less than I would have expected from the cast but I don't see it as a failure on their part. I guess I expected something more, although I am not sure what. This is slow entertainment with a few interesting segments but not enough to keep you awake if your only goal was to watch the movie. For me it was the story that failed because it was unbelievable, although I am sure there is an audience that would eat this up.⭐⭐⭐
Reminiscence is a movie where people buy the cow even though the milk is free. In an indeterminate future where Miami has become a Venice of the New World, Nick Bannister (Hugh Jackman) runs a business that uses technology to access the memories of people who want to relive their past. These people, mind you, do not suffer from amnesia; they're just too lazy and/or stupid to use their own brains — not even to remember something as pedestrian as playing with a dog (here’s an idea: buy another dog). We see the memories of Nick's clients as if they were home movies, which is very convenient but makes zero sense, considering that people don't remember things from a third person perspective; for example, if I wanted to remember watching Reminiscence (fat chance), I wouldn't see myself watching the film. Writer/director Lisa Joy tries, and fails miserably, to explain why we don't see her characters' memories from their own point of view with a "demonstration" by Nick that proves absolutely nothing except that you can throw as much shit at the wall as you like, but that doesn’t mean it will stick. This is a less than auspicious debut for Joy, who settles for projecting the usual fixations of her husband and his brother, Jonathan and Christopher Nolan. At least in Memento, as the name implies, the hero relied on reminders rather than memories per se, which are subjective and unreliable; in contrast, the memories in Reminiscence are as pristine as the dreams in Inception. Ever hear of photographic memory? This is more like photogenic memory.
To the Los Angeles elite, Ford Fairlane is known as "Mr. Rock 'n' Roll Detective." This loudmouthed ladies' man serves an exclusive rock star clientele, who depend on his keen eye and smug discretion. So when a heavy-metal musician dies mid-concert, Fairlane is on the case before the lights come up. But things turn shocking when radio personality Johnny Crunch hires Fairlane to find a missing groupie mere hours before he is electrocuted live on air.
Still recovering from a heart transplant, a retired FBI profiler returns to service when his own blood analysis offers clues to the identity of a serial killer.
After a lively high school reunion, Jessica and Cynthia reconnect with their childhood friend Karen and vow to stay in close communication online. After a year of cheerful daily status updates, Karen begins to post some strange updates to her life. When Jessica tries to call Karen to let her know that she and Cynthia will be in town for the week she is unable to reach her. Sensing something may be seriously wrong, Jessica tracks down Karen's husband Paul to find out where her friend is. Paul tells her that Karen ran off to Hawaii due to marriage issues but Jessica is convinced he is lying. But when random status posts begin showing up on Karen's page, Jessica suspects that someone else might be behind it...
Following the suicide of her only friend, outcast teen Rachel Lang's life begins a downward spiral that will not only affect her but take everyone around her down in horrifying fashion.
Called in to recover evidence in the aftermath of a horrific explosion on a New Orleans ferry, Federal agent Doug Carlin gets pulled away from the scene and taken to a top-secret government lab that uses a time-shifting surveillance device to help prevent crime.
Fisher, an ex-detective, decides to take one final case when a mysterious serial killer claims the lives of several young girls. Fisher, unable to find the culprit, turns to Osbourne, a writer who was once respected for his contributions to the field of criminology. Fisher begins to use Osbourne's technique, which involves empathizing with serial killers; however, as the detective becomes increasingly engrossed in this method, things take a disturbing turn.
After a comet disrupts the rain cycle of Earth, the planet has become a desolate, barren desert by the year 2033. With resources scarce, Kesslee, head of the powerful and evil Water & Power Corporation, the de facto government, has taken control of the water supply. Unwilling to cower under Kesslee's tyrannical rule, a pair of outlaws known as Tank Girl and Jet Girl rise up, joining the mysterious rebel Rippers to destroy the corrupt system.
After a phone call from his ex-girlfriend, teenage loner Brendan Frye learns that her dead body was found. Vowing to solve her murder himself, he must infiltrate high-school cliques that he previously avoided. His search for the truth brings him before some of the school’s roughest characters.
A $10-million diamond rip-off, a stolen identity, a new life married to a diplomat. Laure Ash has risked big, won big. But then a tabloid shutterbug snaps her picture in Paris, and suddenly, enemies from Laure's secret past know who and where she is. And they all want their share of the diamond heist. Or her life. Or both.
A journalist goes undercover to ferret out businessman Harrison Hill as her best friend's killer. Posing as one of his temps, she enters into a game of online cat-and-mouse.
Humans use technology to improve their lives, to forge connections, to create time that doesn’t exist, to replace real interactions. When we devise a second version of ourselves on social media, do we lose a piece of our true selves in the process? Do our digital connections threaten our real life relationships? What happens if the filtered characters we’ve imagined take on a life of their own?