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Bang 2025 - ()
A Line of Fire 2025 - ()
Fear Cabin The Last Weekend of Summer 2024 - ()
Dear Viv 2025 - ()
Tornado 2025 - ()
Unknown Number The High School Catfish 2025 - ()
Splitsville 2025 - ()
Cleaner 2025 - ()
Ship of the Damned 2024 - ()
The Thursday Murder Club 2025 - ()
Ballerina 2025 - ()
The Players 2025 - ()
Au revoir 2024 - ()
Oh Hi 2025 - ()
Sketch 2024 - ()
KPop Demon Hunters 2025 - ()
Together 2025 - ()
Stans 2025 - ()
I Know What You Did Last Summer 2025 - ()
Prepare to Die 2024 - ()
An interesting combination of science fiction and film noir. Not a perfect film - it drags in spots - but it is enjoyable if you're a sci-fi or noir fan. The performances were solid. Rebecca Ferguson pulls off a very good femme fatale but the whole cast deserves a slow clap. Lisa Joy, director/writer, shows that she certainly has talent even though the movie is not a home run. Call it a solid double. She's definitely worth keeping an eye out for. Don't go in expecting a perfect movie and you will enjoy what it does have to offer as there are some very good scenes, some less so. Overall it's a 3.5 to 4.0 star effort depending on your taste.
Kind of a hollow grounded sci-fi film noir mystery yarn that features decent performances from Hugh Jackman, Rebecca Ferguson and Thandiwe Newton but the story wasn't terribly compelling and never quite believed the relationship between Jackman and Ferguson. Kind of ran out of steam early on and spent the remainder of the time not exactly interested in the mystery elements. I don't know, wanted to like it but highly doubtful I'd ever want to revisit. **2.75/5**
Less than I would have expected from the cast but I don't see it as a failure on their part. I guess I expected something more, although I am not sure what. This is slow entertainment with a few interesting segments but not enough to keep you awake if your only goal was to watch the movie. For me it was the story that failed because it was unbelievable, although I am sure there is an audience that would eat this up.⭐⭐⭐
Reminiscence is a movie where people buy the cow even though the milk is free. In an indeterminate future where Miami has become a Venice of the New World, Nick Bannister (Hugh Jackman) runs a business that uses technology to access the memories of people who want to relive their past. These people, mind you, do not suffer from amnesia; they're just too lazy and/or stupid to use their own brains — not even to remember something as pedestrian as playing with a dog (here’s an idea: buy another dog). We see the memories of Nick's clients as if they were home movies, which is very convenient but makes zero sense, considering that people don't remember things from a third person perspective; for example, if I wanted to remember watching Reminiscence (fat chance), I wouldn't see myself watching the film. Writer/director Lisa Joy tries, and fails miserably, to explain why we don't see her characters' memories from their own point of view with a "demonstration" by Nick that proves absolutely nothing except that you can throw as much shit at the wall as you like, but that doesn’t mean it will stick. This is a less than auspicious debut for Joy, who settles for projecting the usual fixations of her husband and his brother, Jonathan and Christopher Nolan. At least in Memento, as the name implies, the hero relied on reminders rather than memories per se, which are subjective and unreliable; in contrast, the memories in Reminiscence are as pristine as the dreams in Inception. Ever hear of photographic memory? This is more like photogenic memory.
Blackmailing a young couple to assist with his horrific experiments the Baron, desperate for vital medical data, abducts a man from an insane asylum. On route the abductee dies and the Baron and his assistant transplant his brain into a corpse. The creature is tormented by a trapped soul in an alien shell and, after a visit to his wife who violently rejects his monstrous form, the creature wreaks his revenge on the perpetrator of his misery: Baron Frankenstein.
One of the sons of late Dr. Henry Frankenstein finds his father's ghoulish creation in a coma and revives him, only to find out the monster is controlled by Ygor who is bent on revenge.
Baron Victor Frankenstein has discovered life's secret and unleashed a blood-curdling chain of events resulting from his creation: a cursed creature with a horrid face — and a tendency to kill.
A deformed tormented girl drowns herself after her lover is framed for murder and guillotined. Baron Frankenstein, experimenting with the transfer of souls, places the boy's soul into her body, bringing Christina back to life. Driven by revenge, she carries out a violent retribution on those responsible for both deaths.
Victor Frankenstein witnesses his creation turn uncontrollable after he's duped by his associate, Dr. Polidori.
Once hounded from his castle by outraged villagers for creating a monstrous living being, Baron Frankenstein returns to Karlstaad. High in the mountains they stumble on the body of the creature, perfectly preserved in the ice. He is brought back to life with the help of the hypnotist Zoltan who now controls the creature. Can Frankenstein break Zoltan's hypnotic spell that incites the monster to commit these horrific murders or will Zoltan induce the creature to destroy its creator?
Rescued from the guillotine by his devoted dwarf Fritz, the Baron relocates to Carlsbruck, where he continues his gruesome experiments.
Young Victor Frankenstein returns from medical school with a depraved taste for beautiful women and fiendish experiments.
A mad doctor puts together a new body by using body parts he steals from a mortuary at the hospital where he works.
Professor Frankenstein creates a teenager from an accident victim, who gets angry when he learns he is going to be taken apart.
Matter-transmitter sabotage leaves a British scientist (Bryant Halliday) disfigured and full of amps.